The opening scenes are a barrage of fight sequences strung together by flash cuts, snapshots, blurs, tilts, whirls, and colors that bleed into one another like paintings. And those first ten minutes are all you need to see (and, not surprisingly, were used extensively in the American trailer). Choreographed to a fast paced, melancholy rock ballad, an assassin slices some businessman up and escapes the police. Meanwhile, a rogue cop jumps on a table and starts opening fire randomly on a group of thugs. It makes absolutely no sense, but it hardly matters. No plot, no character development, just pure carnage in full throttle.
Continue reading: Nowhere To Hide Review
Perhaps it's not fair to begin a movie review by comparing a remake to its original, but since director Jonathan Demme has been proudly trumpeting "The Truth About Charlie" as a reimagining of Stanley Doden's 1963 romantic thriller "Charade," he's practically asking for it.
What the films have in common is a plot centering on a beautiful young woman named Regina (Audrey Hepburn then, Thandie Newton now) who returns to Paris from vacation to discover her husband has stripped their stylish apartment bare, disappeared with a fortune she didn't know he had, and subsequently turned up dead. With the money still missing, dangerous strangers start coming out of the woodwork, convinced she knows where it is.
In "Charade," Hepburn's sprightly Regina meets the suave and cunning -- perhaps a little too cunning -- Peter Joshua, played by Cary Grant, and falls for him as he tries to keep her safe and help her solve the mystery of the absconded riches. In "Charlie," Newton's clever but ingenuous Regina meets gym-buffed paramour Joshua Peters, played by Mark Wahlberg, who may look classy in a '60s-homage pokepie hat, but as a character he's dry, dry, dry.
Continue reading: The Truth About Charlie Review
The film will be the first in the Marvel Cinematic Universe led by a person of colour.
The actor plays the titular hero in the forthcoming adaptation.
Rock legend Eric Clapton has admitted the era of the guitar may be ''over''.
Following his success with 'The Force Awakens', the director will close out the trilogy.