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Me And You And Everyone We Know Review


Extraordinary
Don't let Miranda July's background as a performance artist scare you away from her first feature, the offbeat, totally winning Me and You and Everyone We Know. July, who also stars in the film, combines a twisted indie sensibility with honesty and warmth, creating a movie of surprising accessibility. As the "independent" genre becomes increasingly forced, Miranda July's greatest accomplishment is that this all feels so effortless.

Making up the odd little microcosm of Me and You (recently chosen for competition at Cannes) are characters ranging in size, color, age and desires. Christine (July), a woman who chauffeurs the elderly around in her car, longs for two things: her own art installation and the affections of a scruffy shoe salesman named Richard (John Hawkes, of HBO's Deadwood). Richard is nursing a broken heart and a bit of self-flagellation since separating with his wife and moving his mixed race sons (Miles Thompson and amazing six-year-old Brandon Ratcliff) into a tiny apartment.

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