The story tracks closely with the original: Thomas Seyr (Romain Duris) is a wayward twentysomething who, with partner Fabrice (Jonathan Zaccaï) is trying to make a name for himself by completing shady real estate deals half done with cash and half done with muscle. Thomas is the muscle. Meanwhile, his life is a shambles -- his ailing father (Niels Arestrup) can't get the Russian mafia to pay him the money he's owed, but he's marrying a "glorified prostitute" anyway. Fabrice, meanwhile, is cheating in his lovely wife (an unforgettable Aure Atika), and eventually Thomas fills in for him.
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All we see of Etienne's world is what he shows us through his cinema verite viewfinder. In fact, we see little of Etienne himself until he gets his hands on a tripod and discovers the remote control gadget in the bottom of the camcorder box. He takes the camera everywhere he goes and uses it constantly, taping his town, his horny schoolmates, and his training sessions at the ice rink, where he practices hard to maintain his national ranking in figure skating. He even tapes his mother every time she emerges from the bathroom so he can chronicle all of her frilly lingerie. (This being France, she has a lot of it.)
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There's already an Oscars buzz surrounding this movie.