Jack Stanfield (Harrison Ford) is the prosperous head of security at a Seattle bank. His wife, Beth, (an utterly wasted Virginia Madsen) is a successful architect who designed their gorgeous home. They have two lovely stereotypical kids and a dog, and in our first five minutes with them just about every major plot point of the film is telegraphed in 28-point blinking bold script.
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Frankly, I was shocked to discover how much I liked Air Force One. Yes, it has villainous Russians who can never see our good guy President (Harrison Ford) when he's hiding right in front of them (much less shoot him). Yes, it has Secret Service guys who die at the hand of the enemy like flies in a bug zapper. Yes, it has the cheesiest special effects this side of of a Tom & Jerry cartoon. Yes, it features a rambling Gary Oldman in one of his clearly improvised looney-tune terrorist/psychopath roles. I could go on and on...
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One may ask, why can't it be both? It can't be both because you just can't be a psychological thriller and a horror film. Sure, people have tried, but I haven't seen it yet, and dollars to doughnuts, I've probably seen more films than you. Unfortunately, the writer and director of Disturbing Behavior didn't quite get this.
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