Charles Esten, Hayden Panettiere, Connie Britton, Sam Palladio, Clare Bowen and Jonathan Jackson - The Paley Center For Media's PaleyFest 2013 honoring 'Nashville' at The Saban Theater - Arrivals - Beverly Hills, California, United States - Saturday 9th March 2013
This rather bleak entry into the rapidly expanding genre of "mental institution" movies (a la Girl, Interrupted) has newcomer Cillian Murphy sent to a clinic after driving a convertible off a cliff... and ending up with a broken pinky.
Continue reading: On The Edge (2000) Review
Imagine my surprise to find a reasonably clever script hidden among the sappy marketing copy ("Cross the threshold of fear!"), with Williams turning in a credible performance as a dad who suspsects his son (Jonathan Jackson) is murdering the hapless residents of his sleepy New Hampshire town. Or is it the dad who's doing the crimes, trying to set up the son? Sure, the story isn't exactly groundbreaking, but it is decently suspenseful and for the most part, intelligent.
Continue reading: Skeletons In The Closet Review
The title is evidently the former, though the movie is hardly the overwrought mess that I'd expected to see (for example: Message in a Bottle). Instead, The Deep End of the Ocean is a surprisingly thoughtful and laconic character study, full of nuance and genuine emotion, largely driven by Pfeiffer's unraveling character Beth. The well-known plot involves the sudden disappearance of Beth's 2 year-old son Ben, who vanishes while she is visiting Chicago. Nine agonizing years later, a kid who can only be Ben shows up -- as Sam, a neighbor's boy who wants to mow the lawn. Sure enough, it's him, but he doesn't remember his family,
Continue reading: The Deep End Of The Ocean Review
It shouldn't have been that way. In 1997, Williamson was the writer who was going to resuscitate the horror flick, having just come off the massive success of Scream. As a result, there was huge anticipation surrounding his follow-up script, Summer, and raging disappointment when it featured none of the pop culture savvy and originality of Scream. Williamson's career hasn't fully recovered.
Continue reading: Venom Review
However, as a still agile Swayze danced with the new movie's star, Romola Garai, it dawned on me: The new movie needed Swayze, or rather his hunky heir. Part of what made the original Dirty Dancing so appealing was Swayze's presence. Physically, you couldn't take your eyes off him, and he had a cool, aloof sex appeal that set up good girl Grey to fall madly in love with him. And Grey did a masterful job falling for his charms, slowly and assuredly.
Continue reading: Dirty Dancing: Havana Nights Review
Why anyone would bury a dead carcass in their front lawn is beyond me, but even more absurd is the dark nature of Tuck Everlasting, a bleak story of life and death (based on a "classic" children's novel I've never heard of). Most people wouldn't associate death with Walt Disney Pictures, but its latest flick deals with that issue and worse, revealing subplots of murder, deceit, execution, and the final moments of a human's life. It's hard to believe the creators of Mickey Mouse could construct such a story.
Continue reading: Tuck Everlasting Review
After a hit as inventive and novel as last year's narrative-bending "Memento," following up with a remake of something as commonplace as a cop vs. killer cat-and-mouser might seem a step down for director Christopher Nolan. But "Insomnia" was an unusual story before he even got his hands on it.
The 1997 original from Norway starred Stellan Skarsgaard ("The Glass House," "Good Will Hunting") as a detective whose ongoing sleep disorder became a psychological burden while investigating the cryptic murder of a teenage girl above the Arctic Circle, during summer when the sun is up 24 hours a day.
In Nolan's remake, Al Pacino plays the cop as a graying, threadbare detective with still-sharp instincts who has been given an extra bag of metaphorical bricks to carry around: He's in Alaska helping with this murder case until the heat of an ugly Internal Affairs inquiry dies down in his native Los Angeles.
Continue reading: Insomnia Review
Disney has always been hit-or-miss when bringing beloved kids' books to the screen, and the studio's latest -- an adaptation of Natalie Babbit's "Tuck Everlasting" -- is a little of both.
It's an early 20th Century story of a curious, affluent teenage girl, stifled by her stiff-upper-lip period parents, who gets lost while seeking an afternoon of freedom in the deep woods behind her estate and meets an enticing young man with a mystical secret -- drinking from a nearby spring has made him and his whole family immortal.
Afraid of being discovered by the outside world that would covet what they've come to consider a curse, the Tuck clan feels they cannot let the young lady go home, even as the area is scoured by search parties. But before long Winnie (Alexis Bledel) isn't exactly aching to leave, having come to know both freedom and romance with the handsome, worldly Jesse (Jonathan Jackson).
Continue reading: Tuck Everlasting Review
In the middle of the lousy Dirty Dancing: Havana Nights, Patrick Swayze makes an appearance...
Tuck Everlasting opens as a young man on a motorcycle arrives at a homey plantation...
After a hit as inventive and novel as last year's narrative-bending "Memento," following up with...
I had a problem with "The Deep End of the Ocean" right off thebat because...