Jonathan Glickman

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The Vow Review


Weak
Inspired by a true story, this film is watchable mainly because of the extraordinary events, which are genuinely involving and moving. Although typically, Hollywood has ramped up the emotions while avoiding subtlety at all costs.

Goofy recording engineer Leo (Tatum) and adorable artist Paige (McAdams) had a cute romance, quirky wedding and four happy years together before a car crash changed everything. Leo only has minor injuries, but Paige has lost some five years of memories. Crucially, she has no idea who Leo is. And she doesn't remember turning her back on her law course, smirking fiance (Speedman) and wealthy parents (Lange and Neill). They're all she remembers now, so Leo tries to remind her of who she became after she left them behind. If they'll let him.

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Where's Wally? Movie Goes To Mgm


Jonathan Glickman

A 'Where's Wally?' movie is to be made by MGM.

The book series, which features pictures of crowds and requires readers to find the titular character - known as Waldo in the United States - will be made into a family motion picture.

MGM President Jonathan Glickman said: "We are thrilled to be bringing the search for Waldo to the big screen. Along with our partners at Classic Media, we look forward to making a worldwide adventure that will appeal to 'Where's Waldo? fans of all ages."

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The Tourist Review


Weak
This is a thoroughly offbeat concoction from the gifted filmmaker behind the acclaimed The Lives of Others: a rather goofy action comedy that deflates the suspense by telling us pretty much everything from the start.

Elisa (Jolie) is a sleek, overdressed woman of mystery who is being stalked by a tenacious British detective (Bettany). When she boards a train from Paris to Venice, his men are in hot pursuit, so she sidles up to American touristFrank (Depp) to throw them off the scent. He looks similar to her boyfriend, who's wanted by the cops and a vicious Russian mobster (Berkoff). Once in Venice, Frank finds his world turned upside both by this ludicrously elegant woman and the army of goons pursuing him at every turn.

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Leap Year Review


Weak
Neither funny nor original enough to really register, this breezy little film will only really entertain those who haven't seen very many rom-coms, and therefore can't predict every single scene. Although the cast members just about emerge with their dignity intact.

Anna (Adams) is an energetic professional woman in Boston with the perfect heart-surgeon boyfriend in Jeremy (Scott). Except that he won't propose to her.

So when he heads for Dublin to attend a conference, she decides that, since it's a leap year, she'll surprise him there and ask him to marry her, a proposal that tradition says he can't refuse. But the journey goes all wrong, and she ends up on the road with scruffy, cantankerous, gorgeous Irishman Declan (Goode). Gosh, what could possibly happen?

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Flash Of Genius Review


Good
Did you ever wonder who fine-tuned the technology behind the intermittent windshield wiper?

Neither did I until I caught Marc Abraham's Flash of Genius, a sober biopic with a surprisingly destructive core that recounts how casual inventor Bob Kearns deciphered how one could pause a perpetually sweeping wiper blade, then fought the Ford Motor Company for proper credit.

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The Hottie And The Nottie Review


Unbearable
The Hottie and the Nottie is a clichéd film that manages to be both predictable and offensive. That's OK, people who rent The Hottie and the Nottie won't be looking for high art or a subtle satire on the superficiality of the West Coast. In fact if you're thinking of renting The Hottie and the Nottie, there is likely only one reason: You're hoping to enjoy the movie because it is awful, the idea being that movies can be so bad they actually become enjoyable. It is a little like getting a kick out of watching Plan 9 from Outer Space.

The Hottie and the Nottie follows the travails of Nate Cooper (Joel Moore) as he tries to woo the "hottest girl in L.A.," Cristabelle Abbot (Paris Hilton). Nate's pursuit of Cristabelle is aided by his first-grade friend Arno Blount, played with enthusiasm by Greg Wilson, who happens to have a three-inch thick file on Cristabelle. Arno lives with his mother, so one surmises he has plenty of time to devote to cataloging first grade friends.

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The Invisible Review


OK
The trailers for The Invisible ask, "How do you solve a murder when the victim is you?" This indeed poses several mysteries, but not the ones the trailer-makers have in mind. First, there's the question of whether the question is grammatically correct (the answer: maybe, but it sure sounds awkward). Then there's the mystery not of how to solve said murder, but where exactly the difficulty lies when you is -- er, are that murder victim. High-school senior Nick Powell, this film's victim, pretty much "solves" his murder while he's being killed (or near-killed); he recognizes and even converses with his assailants. Case closed.

Except that he's dead, of course, but assuming, as The Invisible does, the existence of a rather flexible netherworld between living and death, filling in further details isn't a problem either. When Nick wakes up as a sort of half-ghost, traveling through the land of the living without the ability to be seen or heard while his body lies on the brink of death, his detective skills need only to consist of following the murderers around, overhearing their motivations.

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The Count Of Monte Cristo (2002) Review


Good
The classic Monte Cristo sandwich is a rich confection -- almost inedibly so -- composed of layered ham, turkey, swiss cheese, mayonnaise, mustard, and crusty bread, all battered in egg and fried in hot grease. The diner is meant to dip this in jam before shoving it down his gullet.

The 2002 incarnation of The Count of Monte Cristo is a remarkably similar experience, full of pleasing flavors yet probably too rich for everyday consumption -- but, as with all things, I figure you'll eat it if you're hungry enough. Sure enough, in this snail-slow winter movie season, Monte Cristo is just about the best thing going. Like the sandwich, this isn't gourmet fare -- it's a crowd pleaser meant to entertain for a few brief moments, nothing more.

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Rush Hour 2 Review


OK
I enjoyed the original Rush Hour, the 1998 action comedy that grossed more than $250 million worldwide. Through its central characters, played by Chris Tucker and Jackie Chan, the film provided audiences with a fresh, exciting combination of action and outrageous comedy. Although not a great film, and certainly not worthy of a sequel, director Brett Ratner admirably stitched together two immensely different characters, finding a charismatic delight in the diversity of Tucker and Chan.

Unfortunately Ratner does not find the same joy in Rush Hour 2, an occasionally amusing comedic adventure that leaves us with a profoundly annoying Chris Tucker fighting for attention while Jackie Chan fights one-dimensional Chinese villains with his bare fists. The film contains some neat action sequences, a great third act, and the most hilarious outtakes I can remember - but the clash of genres feels intrusive and awkward. I wanted more excitement, more character dimension, and a whole hell of a lot less of Chris Tucker's irritating mouth.

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Shanghai Knights Review


Terrible
I was in the minority of critics that actually gave Jackie Chan's last buddy picture The Tuxedo a passing grade. Sure, the plot is a throwaway and as Chan's super-spy partner, Jennifer Love Hewitt is a complete miscast. But thanks to Chan's great charisma, the movie transcends its doldrums. So with Shanghai Knights, the follow up to the entertaining Shanghai Noon, I feared this buddy story would suffer from similar inadequacies.

In Knights, Chan returns as Chon Wang, who along with sidekick Roy O'Bannon (Owen Wilson), take their latest adventure from the Wild Wild West to London, where Chon seeks to avenge the brutal slaying of his father and obtain the stolen Chinese Imperial Seal. While there, the pair teams up with Chon's much younger, hotter, and ass-kickinger sister, Lin (Fann Wong) to hunt down their father's killer, Rathbone (Aiden Gillen) and foil Rathbone's plot to assassinate the Royal family. The three certainly have their work cut out for them.

Continue reading: Shanghai Knights Review

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