Jon Hamm arrives at The 2017 Evening Standard Theatre Awards held at London's Theatre Royal Drury Lane. This year saw 'The Ferryman' win three awards and Andrew Garfield landed Best Actor - London, United Kingdom - Sunday 3rd December 2017
The actor will tackle the role of the archangel Gabriel, but not a lot of acting may be required...
The stellar cast for Neil Gaiman and Terry Pratchett's 'Good Omens' has been fleshed out even more this week, with Amazon revealing that Jon Hamm would be joining the series in the role of the archangel Gabriel. Starring alongside David Tennant and Michael Sheen - who will be playing lead characters Crowley and Aziraphale respectively - it's clear that everything is being put into this show to ensure it's a success.
Jon Hamm seems to be the perfect choice to play archangel Gabriel
Amazon said of the character Gabriel: "He is everything that Aziraphale isn't. He's tall, good-looking, charismatic and impeccably dressed. We were fortunate that Jon Hamm was available, given that he is already all of these things without even having to act."
Continue reading: Jon Hamm Lands Role In Neil Gaiman's 'Good Omens'
Wildly energetic and so cool it hurts, this action movie has been put together in the style of a colourful movie musical, but with the songs playing in the background. Everything is choreographed to the tunes, as the cars veer across the road dodging bullets fired in sync to the rhythm. It's pure candy for the eyes and ears, impeccably staged by writer-director Edgar Wright. And we don't mind much that there's not much more to it than that.
The title refers to Baby (Ansel Elgort), a young man who doesn't talk much. Hiding behind sunglasses and earbuds, he's an expert driver raised by his deaf foster dad (C.J. Jones) after his parents died in, yes, a car crash. He's also in debt to Doc (Kevin Spacey) a criminal mastermind who orchestrates elaborate heists with a variety of low-life goons, all with Baby at the wheel. And things are looking up for Baby when he falls for diner waitress Debora (Lily James) just as he pays off his debt to Doc. But first he has to do one last job, working this time with the loved-up Buddy and Darling (Jon Hamm and Eliza Gonzalez) and the unpredictable, trigger-happy Bats (Jamie Foxx).
Scenes play to the beat of the songs on Baby's iPod, and Wright adds clever touches everywhere. Shooting in long takes with elaborately planned-out mayhem, the film ricochets from one sequence to the next, looking seriously stylish every step of the way. It quickly becomes clear that even the super-efficient Baby is soon going to be in over his head, which helps us root for him as the carnage escalates. The likeable Elgort has a lot of fun with the role, enjoying Baby's wordless swagger while including a touch of emotion here and there. No one else gets a chance to add much depth to his or her role, but at least Foxx gets to steal his scenes simply because no one has a clue what he might do next.
Continue reading: Baby Driver Review
Edgar Wright, Ansel Elgort, Lily James, Jon Hamm, Eiza Gonzalez and Jaime Foxx at the L.A. premiere of Sony Pictures' 'Baby Driver' held at Ace Hotel - Los Angeles, California, United States - Wednesday 14th June 2017
Jon Hamm’s ‘Mad Men’ days are behind him but there’s something fishy about his upcoming guest role as ‘Don Grouper’ in ‘SpongeBob SquarePants’.
Jon Hamm is set to guest star in Nickelodeon’s Spongebob Squarepants. The 44-year-old actor, who is best known for portraying Don Draper in AMC’s Mad Men, will appear in one episode on the next series of the animated show as Don Grouper.
Jon Hamm at the 67th Emmy Awards in Los Angeles, September 2015.
Continue reading: ‘SpongeBob SquarePants’: Jon Hamm To Guest Star As ‘Don Grouper’
It was also a good night for ‘Mad Men’s’ Jon Hamm and comedy ‘Veep’.
Last night’s Primetime Emmy Awards saw history being made as HBO drama ‘Game Of Thrones’ took home an unprecedented 12 awards and ‘How To Get Away With Murder's' Viola Davis became the first black actress to win the outstanding lead actress in a drama series award.
Viola Davis was named outstanding lead actress in a drama series.
‘Game of Throne’s’ 12 gongs is more than any other series has won in a single year at the awards show. Among the trophies picked up by the fantasy series were, outstanding supporting actor in a drama series for Peter Dinklage and outstanding directing for a drama series going to David Nutter. The show also beat ‘Mad Men’ to scoop the outstanding drama series award.
Netflix is rumoured to be producing a new series of ‘Black Mirror’.
Netflix is rumoured to have obtained the rights of Black Mirror, the dystopian drama television series created by writer Charlie Brooker. Negotiations have been ongoing since May but a deal is thought to have been reached between Netflix, Brooker and his production company, House of Tomorrow. Netflix are reportedly working on producing a number of new episodes with Brooker already writing the scripts.
Charlie Brooker with his wife Konnie Huq at the TV Bafta Awards in London, May 2015.
Continue reading: New Series Of ‘Black Mirror’ Heading To Netflix?
Jon Hamm and Jennifer Westfeldt announced their separation in a joint statement on Monday (7th September).
Jon Hamm and Jennifer Westfeldt have announced their separation. Hamm and Westfeldt, who have been together for more than 18 years, confirmed their split in a joint statement to a U.S. media outlet on Monday (7th September).
Jon Hamm and Jennifer Westfeldt at the New York premiere of Into the Woods in New York, December 2014.
Read More: Jon Hamm On What Happened to Don Draper.
Minions conquered the U.S. and Canadian Box Office this weekend (10th-12th July), raking in an incredible $115.2 million. The movie, which cost $74 million to make, has already made a substantial profit of just under $40 million.
Minions, the spin-off from the hugely popular Despicable Me films, has surpassed the earnings from the opening weekend of Despicable Me ($56.4 million) but hasn’t quite managed to beat the $142.1 million its sequel made when it was released in 2013. Both films have gone on to make huge profits. Despicable Me earned $543-million worldwide and the second film earned $970.7.
It’s hardly surprising the opening weekend of Minions has been so success. Universal Pictures has used some fairly hard sell tactics to ensure it’s the film everyone’s talking about. With adverts everywhere online and even a seemingly swearing Minions Happy Meal toy available in McDonald’s, it’s been difficult to avoid seeing these little yellow creatures.
McDonald’s have no intention of recalling their Minions Happy Meal toys despite claims the toys sound as if they are using obscene language.
McDonald’s is adamant those Minions Happy Meal toys aren’t really swearing at children. Controversy arose this week when parents shared videos of their children’s Happy Meal toys seemingly saying ‘what the f**k. Some of the videos, uploaded on YouTube, have been watched millions of times. However, McDonald’s has no intention of recalling the toys despite widespread distaste and a number of complaints.
The Minions movie is out in cinemas now.
Continue reading: McDonald’s: Minions Happy Meal Toys Are Not Swearing At Children
So it seems actors like not having to worry about their image while recording for an animated movie.
For the Despicable Me prequel Minions, filmmaker Pierre Coffin had no trouble finding A-list actors to voice characters because so many are fans of the earlier films. And most are looking for the freedom offered by starring in an animated movie.
Voicing characters is much simpler than performing onscreen
Jon Hamm voices the groovy inventor Herb, married to super-villain Scarlet Overkill (who's voiced by Sandra Bullock). He loved creating an all-new character. "You're not constrained by what you look like or what haircut you're stuck with from whatever thing you just finished filming," he says. "Part of it for me was getting the artist's rendering of the character. I was like, 'Oh wow, that guy looks so cool. I wonder what he sounds like.' And then messing around with voices in your head like a crazy person, or like a child basically. You know, things I do normally in my day-to-day life, like I talk to my dog, I talk to myself. It's really fun and it's completely creative. And when you're working with people who are also incredibly collaborative too, they're just like, 'Go!' So you get to go."
Continue reading: 'Minions' Offers Freedom To Jon Hamm And Allison Janney
Utterly charming, this silly prequel rewrites the origin story of the minions and sends them on a series of adventures that are gently anarchic and refreshingly low-key for an animated blockbuster. The film has an unusually gentle tone, with some real visual artistry to it rather than the cookie-cutter story structure and imagery in most summer movies. And while it's not riotously funny, children will be mesmerised and adults will be smiling.
It opens at the dawn of time, as minions evolve into yellow pill-shaped sidekicks who serve their evil masters throughout history. When they find themselves without a leader, they try to build a society in an arctic cave, but something just isn't right. So Kevin, Stuart and Bob (voiced in Esperanto-style gibberish by director Pierre Coffin) head off to 1968 New York to find a villain to work for. There they hear about ruthless baddie Scarlet Overkill (Sandra Bullock), so they head to Villain-Con in Orlando to meet her. She's impressed by their loyalty and takes them to London to work with her inventor husband Herb (Jon Hamm) on a nefarious plan to steal the British crown from the Queen (Jennifer Saunders). But nothing goes quite as planned.
Since it's set in the 1960s, the filmmakers give the film a groovy vibe, with sun-drenched animation and hilariously colourful details in every scene. Adults are more likely to catch references to things like the Monkees, Hair or Bewitched, but kids will enjoy the general silliness, including lots of chances to sing along with the minions as they babble through classic tunes. Thankfully, directors Coffin and Kyle Balda resist temptation to use the standard animation formula, opting instead for a meandering pace, a less pushy moral message and action scenes that emerge from the plot, settings and characters. And the starry voice cast refreshingly disappears into the characters.
Continue reading: Minions Review
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