The standalone series is set to debut on Netflix before the end of the year.
Following his hugely successful debut in the second season of 'Daredevil', Frank Castle aka The Punisher got his own standalone series, which will come to Netflix before the year is up. With Jon Bernthal in the titular role, expectations are high, as the Marvel character's world is delved deeper into than ever before.
Jon Bernthal returns to the titular role in 'The Punisher'
This week, more information surrounding the series has been teased by the streaming service, along with a new chunk of text on exactly what fans should expect from the episodes when they make their debut.
After writing the superb Sicario and Hell or High Water, Taylor Sheridan moves back into the director's chair for this thriller, which mixes a real-life issue with a compelling procedural mystery. It's a gorgeously shot film with especially well-developed characters who bring intensity and emotion to every scene. And they're expertly played by Jeremy Renner and Elizabeth Olsen.
It's set on the Wind River native American reservation in Wyoming, a spectacular mountain landscape under a blanket of winter snow. An 18-year-old woman (Kelsey Asbille in flashbacks) has been found murdered in the wilderness, and FBI agent Jane (Olsen) has arrived to investigate. With no experience in this kind of situation, she gets help from local Fish & Wildlife officer Cory (Renner) as well as the reservation sheriff Ben (Graham Greene). But Cory is finding this case very difficult, as the victim was the best friend of his daughter, who was killed two years ago. This gives Cory a special desire to solve the case, no matter where it leads.
Without ever getting flashy, the plot grinds along with a variety of revelations that continually add more detail to the case, characters and, most intriguingly, community. Local customs and practices continually add unexpected wrinkles, all of which guides the very specific journeys Cory and Jane are taking through this situation. So in addition to a pointed comment on the situation of native Americans in US society, the film is also a powerfully introspective drama about two people travelling their own paths through this terrain.
Continue reading: Wind River Review
The actor will lead his own Netflix series, set to debut later this year.
Aiming for a release this November, Netflix and Marvel have collaborated on a series that was never a part of their initial agreement, after the huge success and fan support that Jon Bernthal gained in his role of Frank Castle aka The Punisher in the second season of 'Daredevil' on the streaming service.
Jon Bernthal returns to Netflix with his solo Marvel series 'The Punisher'
Simply titled 'The Punisher', the series will follow the character's journey closer than ever before, with plot description and details of a story arc for Castle being kept tightly under wraps by all involved.
Continue reading: Jon Bernthal Didn't Want "Heroic" Frank Castle In 'The Punisher'
The actor understands how much the character means to some people watching.
For many Marvel comic book fans, Frank Castle aka The Punisher is one of the most recognisable and deadly characters they've ever been introduced to. With professional training and a tragic past that has turned him into a vicious killer that takes lives without thinking of the consequences, he is at the very best an anti-hero, and at worst another dangerous villain.
Jon Bernthal reprises his role as Frank Castle in 'The Punisher'
Throughout the years, various adaptations of the character have been brought to fans, but have failed to hit the mark for a number of different reasons. With the arrival of the second season of 'Daredevil' on Netflix however came the most faithful and lauded version of Punisher to-date, with Jon Bernthal stepping into the role.
Continue reading: Jon Bernthal Feels Responsibility "Deeply" For 'The Punisher' Role
Wildly energetic and so cool it hurts, this action movie has been put together in the style of a colourful movie musical, but with the songs playing in the background. Everything is choreographed to the tunes, as the cars veer across the road dodging bullets fired in sync to the rhythm. It's pure candy for the eyes and ears, impeccably staged by writer-director Edgar Wright. And we don't mind much that there's not much more to it than that.
The title refers to Baby (Ansel Elgort), a young man who doesn't talk much. Hiding behind sunglasses and earbuds, he's an expert driver raised by his deaf foster dad (C.J. Jones) after his parents died in, yes, a car crash. He's also in debt to Doc (Kevin Spacey) a criminal mastermind who orchestrates elaborate heists with a variety of low-life goons, all with Baby at the wheel. And things are looking up for Baby when he falls for diner waitress Debora (Lily James) just as he pays off his debt to Doc. But first he has to do one last job, working this time with the loved-up Buddy and Darling (Jon Hamm and Eliza Gonzalez) and the unpredictable, trigger-happy Bats (Jamie Foxx).
Scenes play to the beat of the songs on Baby's iPod, and Wright adds clever touches everywhere. Shooting in long takes with elaborately planned-out mayhem, the film ricochets from one sequence to the next, looking seriously stylish every step of the way. It quickly becomes clear that even the super-efficient Baby is soon going to be in over his head, which helps us root for him as the carnage escalates. The likeable Elgort has a lot of fun with the role, enjoying Baby's wordless swagger while including a touch of emotion here and there. No one else gets a chance to add much depth to his or her role, but at least Foxx gets to steal his scenes simply because no one has a clue what he might do next.
Continue reading: Baby Driver Review
It is the year 1209 anno domini, and Ireland is merely a green, mountainous mass of land fraught with bloody religious war. An ancient brotherhood of monks are in possession of a potentially dangerous holy relic with the power to summon the wrath of God and unleash it on his enemies. It is their mission to transport this artefact to its rightful home in Rome, but that means crossing the treacherous roads to the East coast where they are always in danger of brutal death at the hands of tribal rivals and Norman invaders. One of those young monks making this perilous pilgrimage is a novice named Brother Diarmuid (Tom Holland) who is aided by a mute lay-brother (Jon Bernthal).
As much as their faith drives them to continue on the journey of their lives, it is that same set of beliefs which could destroy them all in the end - especially with all the dark superstition surrounding their cargo - and even drive a deadly wedge between all of the brothers. For there are secrets about this object that holds more power than any of them could ever possible imagine.
'Pilgrimage' is a gritty historic thriller which also stars 'The Hobbit' actor Richard Armitage as Raymond De Merville. Directed by Brendan Muldowney ('Love Eternal', 'Savage') and written by Jamie Hannigan in his feature film screenplay debut, the movie made its premiere at the Tribeca Film Festival in April 2017 as part of the event's 'Viewpoints' segment.
Continue: Pilgrimage Trailer
While this slick dramatic thriller plays with some intriguing ideas and themes, it never actually breaks the surface, relying on silly plotting and simplistic moralising. It also uses autism as little more than a plot point. Still, it's sharply shot and edited to create plenty of interest, with comical asides and some intense action. So it's entertaining even if it's both preposterous and shallow.
It centres on Christian (Ben Affleck), a mild-mannered autistic accountant with a big secret: he's not only cooking the books for top gangsters around the world, but he's also an efficient killer. In his day job, he's hired by Lamar (John Lithgow) and his sister Rita (Smart) to locate an anomaly in their robotics company's books. Working with company accountant Dana (Anna Kendrick), Christian crunches the numbers and finds more than anyone expected. Meanwhile, Federal Agent Ray (J.K. Simmons) wants catch this mythical mob accountant-killer before he retires, so he coerces analyst Marybeth (Cynthia Addai-Robinson) into tracking him down. But just as they close in on Christian, so does hyperactive hitman Brax (Jon Bernthal).
The script by Bill Dubuque (The Judge) never even remotely holds water. Christian's autism provides some intriguing flashbacks, which build throughout the movie to a climactic moment, as his militaristic father cruelly treats his condition by sending him to Karate Kid-style training in Indonesia with his silently annoyed little brother. Where a real autistic child would revert into the horror of all of that, Christian emerges as adeptly skilled at engaging with everyone he meets and also able to fight more efficiently than experienced military commandos, whom he kills by the dozen as Brax and his army surround him. No, it makes absolutely no sense, but as a movie it's a rather amusing waste of time.
Continue reading: The Accountant Review
Jon Bernthal, Elodie Yung, Deborah Ann Woll, Charlie Cox, Elden Henson , Geoffrey Canto - 'Daredevil' Season 2 Premiere at AMC Loews Lincoln Square 13 theater - New York, New York, United States - Thursday 10th March 2016
Jon Bernthal, Elodie Yung, Deborah Ann Woll , Charlie Cox - 'Daredevil' season 2 premiere at AMC Loews Lincoln Square 13 theater at AMC Loews Lincoln Square Theater - New York, New York, United States - Thursday 10th March 2016
A rare film that adds up to much more than the sum of its parts, this works as both a dramatic character study and a tense thriller. The title is Mexican slang for "hitman". And with fierce direction, razor-sharp writing and breathtakingly layered performances, this is one of the most involving, thrilling movies of the year. It also has something urgent to say about the political world we live in.
Kate (Emily Blunt) is the leader of an FBI unit in Phoenix, and is taken aback when offbeat Homeland Security agent Matt (Josh Brolin) asks her to join his team tracking a Mexican drug cartel kingpin. She brings her partner (Daniel Kaluuya) along, and they struggle to make sense of their new mission, especially the shady operative Alejandro (Benicio Del Toro) who's working alongside them. The question is which organisation is actually running this operation, and what the real goal is. Clearly international laws are being bent at every step, and Kate is worried that she might also be compromising her moral and ethical principles. Meanwhile over the border, a local cop (Maximiliano Hernandez) is involved in activities that may cause trouble for his family and community.
Director Denis Villeneuve (Prisoners) keeps this story tightly under control, taking the audience along on Kate's odyssey into the dark side of international law enforcement, which has little regard for the law. Blunt brings a remarkable authenticity to her role as a steely, smart leader who is always on-edge, trying to find a way through an unpredictable situation. As she quietly reveals Kate's thought processes, the audience is able to identify with her at every step. Which makes every scene both riveting and emotionally wrenching. Opposite her, both Brolin and Del Toro are on top form, infusing the film with quirky details, black humour and challenging ideas. There's also an astonishing role for Jon Bernthal as a cowboy who flirts with Kate, and then some.
Continue reading: Sicario Review
Basically the perfect summer movie, this lightweight drama has a great-looking cast and plenty of youthful energy, but not much authenticity or depth. The plot traces a young aspiring DJ trying to make his mark on the music world, and his struggle isn't exactly gruelling. But what the movie lacks in realism it makes up for in melodrama, keeping the audience involved simply because the characters are relatively enjoyable company.
Zac Efron plays Cole, a smart young guy who spends his days and nights hanging with his chucklehead pals Mason, Ollie and Squirrel (Jonny Weston, Shiloh Fernandez and Alex Shaffer), playing music, doing drugs and tormenting the girls. But Cole has skills mixing tracks to keep a dance floor busy, and one night he's noticed by his idol James (Wes Bentley), a star DJ with a hot girlfriend, Sophie (Emily Ratajkowski). James helps Cole discover his own distinct voice, while Cole can't help but fall for Sophie. Meanwhile, Cole and his buddies need to make some cash, so they take a job with a dodgy property developer (Jon Bernthal). But Cole is determined that this kind of work won't be his future.
Director-cowriter Max Joseph never really bothers to develop any of this properly, letting the film glide along on Cole's cool beats while indulging in arty touches like an animated drug trip. There isn't much complexity to any of the characters, but the actors add interest in the way they interact, developing camaraderie that says a lot more than their relentless macho swagger. Efron is the only actor who is allowed to offer a glimpse beneath the surface, and he navigates Cole's darker emotional moments nicely. But the script continually undermines him. For example, there are constant references to his strong moral code, and yet he seems utterly unbothered about seducing his mentor's girlfriend. Opposite him, Bentley gets to do some ace scene-stealing, but everyone else fades into the wallpaper.
Continue reading: We Are Your Friends Review
Aspiring DJ Cole Carter, from LA's San Fernando Valley, sets out to make it big in the world of electronic dance music and create a name for himself in Hollywood's nightlife scene, by working on the one track that will make him stand out from the crowd. Things start looking up when an older DJ named James takes him under his wing, but life get complicated for Cole when he finds himself falling for James's young girlfriend Sophie. With Cole's friendships at stake, will he have to make a tough choice between love, loyalty and the music career he has always dreamed of?
Continue: We Are Your Friends Trailer
Kate Macer is an FBI Agent who's about to undertake probably the most dangerous mission of her career so far. It's not her usual department, but she has been taken on to help in the ever swelling drug war along the border of the US and Mexico. There's a drug lord taking over the sprawling metropolis of El Paso, people are getting killed left right and centre. In order to take him down, a lot of people need to be executed along the way - but Kate's not so sure her task is an entirely moral one when she is forced to pull a gun on nearly everyone who gets in her way. As she doubts the mission and questions the history of Matt, the task force's leader, she starts to understand that they only real assignment she's being faced with is survival - even if that means breaking her own rules.
Continue: Sicario Trailer
Fresh out of college, 23-year-old Cole Carter and his friends Mason, Ollie and Squirrel are determined to make something of their futures, with young people being faced with more and more career opportunities than ever before. Cole wants to become one of the world's top DJs, but hitting the decks at local college parties aren't getting him anywhere fast. He learns the art of getting people moving with his music from a more experienced DJ named James who sees potential in him, but it seems the more he is taught, the more he realises he has to learn. Still, he's reluctant to work under James, and things get complicated when he starts to bond with James' girlfriend Sophie. To make matters worse, his friends are becoming increasingly frustrated with him for refusing to seize a once in a lifetime opportunity to make something really special.
Continue: We Are Your Friends - Teaser Trailer
High school can be the worst time for some people, and for Greg Gaines (Thomas Mann), it turned out to be especially horrible. His parents inform him that his classmate, Rachel Kushner (Olivia Cooke), has been diagnosed with leukemia. The two make a fast friendship out of a mutual intention to not be sympathetic, but that plan doesn't work out as well as planned. Greg and his best friend Earl make 'bad films' in their spare time, and decide to devote a film to Rachel. Unfortunately, as they specialise in bad films, they struggle to make something that will truly honour her and cheer her up.
Continue: Me and Earl and the Dying Girl Trailer
Brad Pitt took extensive research into the toils of war in preparation for 'Fury'.
Now storming through cinemas worldwide after claiming the US box office crown last weekend, the World War II tank-crew thriller 'Fury' is an old-school war movie that attempts to update the genre with a more internalised approach to its characters.
Brad Pitt has deep respect for the war veterans who inspired 'Fury'
"It's about a family and their love for each other," says writer-director David Ayer of the five-man crew played by Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Pena and Jon Bernthal. "We wanted to explore the moral and psychological hazards of war, and how they affect this family of brothers."
Continue reading: Brad Pitt And Co Head Back To WWII With 'Fury'
From Training Day to this year's Sabotage, filmmaker David Ayer writes and directs movies about the cathartic power of releasing your inner warrior. And this World War II action thriller is more of the same, with a "war is hell" message stirred in for good measure. The problem is that there's nothing particularly new here. It's a beautifully shot and edited film, with terrific performances and a remarkable sense of scale, but there have been so many movies made about this conflict that it's difficult to find something original to connect with.
It's near the end of the war, April 1945, as Wardaddy (Brad Pitt) leads the crew of a tank named Fury: Bible (Shia LaBeouf) is a true believer, Gordo (Michael Pena) is a relaxed joker, and Coon-Ass (Jon Bernthal) is a hot-headed thug. Having just lost their driver, they're joined by rookie Norman (Logan Lerman), who doesn't yet have a wartime nickname because he never thought he'd end up driving a tank. Together, they head further into Germany, not as liberators but as invaders and occupiers, working with other tank crews to take a strategic town before heading further into the hot zone, where a series of particularly brutal Nazi assaults ensue.
The point of the film seems to be that war erodes a person's humanity over time, and the sharpest aspect is the way each character emerges at some point on the continuum. Obviously, Norman is the naive newbie who still has a strong conscience, while at the other extreme Coon-Ass is virtually a monster. Wardaddy is somewhere in between, a tough guy who still has a sense of perspective, such as when he reasons that Norman should be allowed to have some private time with a young German girl (Alicia von Rittberg) simply because they're "young and alive". All of the actors are excellent, adding telling details to their characters that deepen every scene. And the camaraderie between the five-man crew is remarkably authentic, as is their ease inside the cramped quarters of the tank, which makes submarine movies look spacious by comparison.
Continue reading: Fury Review
Brad Pitt was joined by his 'Fury' co-stars at a Paris photocall held at Les Invalides. He posed on the red carpet in front of an army tank with actors Logan Lerman, Shia LaBeouf, Jon Bernthal and Michael Pena, as well as director David Ayer. During the photo session, Shia and Jon appeared to share a little playful banter, with Shia exclaiming, 'What's the deal, man?!' as they are joined by General Christian Baptiste and General Herve Charpentie.
Photographs from the red carpet at the premiere of 'Fury' at the 58th British Film Institute London Film Festival
Jon Bernthal - A variety of up and coming stars took to the red carpet for the People Magazine 'Ones To Watch' Party at The Line Hotel in Los Angeles, California, United States - Thursday 9th October 2014
During April, 1945, the final month of World War Two, the Allied Forces are making their final push into German territory. With the recent death of one of the crew of the tank, 'Fury', Norman (Logan Lerman) is inducted into the crew. The other members, 'Wardaddy' (Brad Pitt), 'Bible' (Shia LaBeouf), 'Gordo' (Michael Pena) and 'Coon-Ass' (Jon Bernthal) have been together for the entirety off the war so far, and desperately hope that the new recruit is ready to do his job. The film is brought to us by writer/director David Ayer ('Harsh Times' and 'End of Watch') and will be distributed by Columbia Pictures.
Jon Bernthal - American Hollywood actor and foormer star of High School Musical Zac Efron photographed as he films his new movie 'We Are Your Friends' in Pasadena - Pasadena, California, United States - Wednesday 3rd September 2014
Could Brad Pitt's 'Fury' go all the way?
The explosive first trailer for David Ayer's World War II movie Fury starring Brad Pitt has rolled out online. The movie follows army sergeant Wardaddy who heads up an American tank unit in Germany in 1945, as the end of the war closes in. He is joined by the rest of his unit, made up of Shia LaBeouf, Jason Isaacs, Logan Lerman, Jon Bernthal and Michael Pena.
Brad Pitt stars in 'Fury'
Fury, written and directed by the man also responsible for the Oscar winning Training Day and acclaimed thriller End of Watch, has been described as a rich character study with action scenes.
It's a little annoying that this high-concept marketing project (Rocky vs Raging Bull!) is as entertaining as it is: we want to hate it, as tired actors are sending up their own faded images. But while the script never even tries to be something interesting, it at least gives the stars some engaging scenes to work with. And we can't help but cheer for them in the end.
The film stars with a bit of history (and digital trickery), as young bucks Henry "Razor" Sharp and Billy "The Kid" McDonnen (Stallone and De Niro) battle it out back in 1982. Local fans in Pittsburgh are divided between them and are hugely disappointed when, at the peak of their fame, Razor suddenly retires before a climactic rematch. Now some 30 years later, a young promoter (Hart) decides to finally get them back together in the ring. But this stirs up an old feud involving Kid's affair with Razor's wife Sally (Basinger), which resulted in a son BJ (Bernthal), who's now a father himself. Can these two men possibly work together to promote their epic grudge match?
Silly question. Of course they start off gruffly snarling at each other but eventually find the expected mutual respect. And that's about the extent of the acting required of these two iconic stars. Add some fast-talking comedy from Hart, veteran battiness from Arkin, steely femininity from Basinger and soulfulness from Bernthal and the film at least has a veneer of complexity. But aside from wondering whether the filmmakers will fudge the final match so no one loses (they don't), there isn't much to worry about.
Continue reading: Grudge Match Review
At age 71, Martin Scorsese proves with this riotous romp that he's one of the most energetic, audacious filmmakers working in America at the moment. And with his long-time 74-year-old editor Thelma Schoonmaker, he has created one of the most entertaining cautionary tales in recent memory. Not only does it highlight an unruly period in banking history, but it has a lot to say about where we are now.
This is the true story of Jordan Belfort (DiCaprio), who was 21 when he got his first job on Wall Street in the rough-and-tumble 1980s. Thanks to his illicit deals, he was a multi-millionaire within five years, tutored by a jaded veteran (McConaughey) and assisted by an enthusiastic novice (Hill). Along the way, he also swaps for a much more glamorous wife (Robbie), whose British aunt (Lumley) becomes part of his scam to stash his cash with a shady Swiss banker (Dujardin). But with an FBI agent (Chandler) on his trail, Jordan suspects that the high life can't go on forever.
At just under three hours long, the film sometimes feels like it is wallowing in the excessive sex and drugs along with these Wall Street criminals. But there's a jagged undercurrent to everything: all of this hedonism may look like fun, but someone is paying the price. The film is an often thrilling series of set-pieces that roll out in waves of comedy, tragedy and farce as these people play on the edge of an abyss. And it's great to see scenes play out in real time, with deep conversations, riotous comedy riffs and characters who are full of conflicting layers.
Continue reading: The Wolf Of Wall Street Review
There isn't much subtlety to this prison thriller, but it's edgy enough to hold the...
After writing the superb Sicario and Hell or High Water, Taylor Sheridan moves back into...
Wildly energetic and so cool it hurts, this action movie has been put together in...
It is the year 1209 anno domini, and Ireland is merely a green, mountainous mass...
While this slick dramatic thriller plays with some intriguing ideas and themes, it never actually...
Ben Affleck is cast as Christian Wolff in this new action thriller film The Accountant....
Basically the perfect summer movie, this lightweight drama has a great-looking cast and plenty of...
Aspiring DJ Cole Carter, from LA's San Fernando Valley, sets out to make it big...
Kate Macer is an FBI Agent who's about to undertake probably the most dangerous mission...
Fresh out of college, 23-year-old Cole Carter and his friends Mason, Ollie and Squirrel are...
High school can be the worst time for some people, and for Greg Gaines (Thomas...