The actor will lead his own Netflix series, set to debut later this year.
Aiming for a release this November, Netflix and Marvel have collaborated on a series that was never a part of their initial agreement, after the huge success and fan support that Jon Bernthal gained in his role of Frank Castle aka The Punisher in the second season of 'Daredevil' on the streaming service.
Jon Bernthal returns to Netflix with his solo Marvel series 'The Punisher'
Simply titled 'The Punisher', the series will follow the character's journey closer than ever before, with plot description and details of a story arc for Castle being kept tightly under wraps by all involved.
Continue reading: Jon Bernthal Didn't Want "Heroic" Frank Castle In 'The Punisher'
The actor understands how much the character means to some people watching.
For many Marvel comic book fans, Frank Castle aka The Punisher is one of the most recognisable and deadly characters they've ever been introduced to. With professional training and a tragic past that has turned him into a vicious killer that takes lives without thinking of the consequences, he is at the very best an anti-hero, and at worst another dangerous villain.
Jon Bernthal reprises his role as Frank Castle in 'The Punisher'
Throughout the years, various adaptations of the character have been brought to fans, but have failed to hit the mark for a number of different reasons. With the arrival of the second season of 'Daredevil' on Netflix however came the most faithful and lauded version of Punisher to-date, with Jon Bernthal stepping into the role.
Continue reading: Jon Bernthal Feels Responsibility "Deeply" For 'The Punisher' Role
Wildly energetic and so cool it hurts, this action movie has been put together in the style of a colourful movie musical, but with the songs playing in the background. Everything is choreographed to the tunes, as the cars veer across the road dodging bullets fired in sync to the rhythm. It's pure candy for the eyes and ears, impeccably staged by writer-director Edgar Wright. And we don't mind much that there's not much more to it than that.
The title refers to Baby (Ansel Elgort), a young man who doesn't talk much. Hiding behind sunglasses and earbuds, he's an expert driver raised by his deaf foster dad (C.J. Jones) after his parents died in, yes, a car crash. He's also in debt to Doc (Kevin Spacey) a criminal mastermind who orchestrates elaborate heists with a variety of low-life goons, all with Baby at the wheel. And things are looking up for Baby when he falls for diner waitress Debora (Lily James) just as he pays off his debt to Doc. But first he has to do one last job, working this time with the loved-up Buddy and Darling (Jon Hamm and Eliza Gonzalez) and the unpredictable, trigger-happy Bats (Jamie Foxx).
Scenes play to the beat of the songs on Baby's iPod, and Wright adds clever touches everywhere. Shooting in long takes with elaborately planned-out mayhem, the film ricochets from one sequence to the next, looking seriously stylish every step of the way. It quickly becomes clear that even the super-efficient Baby is soon going to be in over his head, which helps us root for him as the carnage escalates. The likeable Elgort has a lot of fun with the role, enjoying Baby's wordless swagger while including a touch of emotion here and there. No one else gets a chance to add much depth to his or her role, but at least Foxx gets to steal his scenes simply because no one has a clue what he might do next.
Continue reading: Baby Driver Review
It is the year 1209 anno domini, and Ireland is merely a green, mountainous mass of land fraught with bloody religious war. An ancient brotherhood of monks are in possession of a potentially dangerous holy relic with the power to summon the wrath of God and unleash it on his enemies. It is their mission to transport this artefact to its rightful home in Rome, but that means crossing the treacherous roads to the East coast where they are always in danger of brutal death at the hands of tribal rivals and Norman invaders. One of those young monks making this perilous pilgrimage is a novice named Brother Diarmuid (Tom Holland) who is aided by a mute lay-brother (Jon Bernthal).
As much as their faith drives them to continue on the journey of their lives, it is that same set of beliefs which could destroy them all in the end - especially with all the dark superstition surrounding their cargo - and even drive a deadly wedge between all of the brothers. For there are secrets about this object that holds more power than any of them could ever possible imagine.
'Pilgrimage' is a gritty historic thriller which also stars 'The Hobbit' actor Richard Armitage as Raymond De Merville. Directed by Brendan Muldowney ('Love Eternal', 'Savage') and written by Jamie Hannigan in his feature film screenplay debut, the movie made its premiere at the Tribeca Film Festival in April 2017 as part of the event's 'Viewpoints' segment.
Continue: Pilgrimage Trailer
While this slick dramatic thriller plays with some intriguing ideas and themes, it never actually breaks the surface, relying on silly plotting and simplistic moralising. It also uses autism as little more than a plot point. Still, it's sharply shot and edited to create plenty of interest, with comical asides and some intense action. So it's entertaining even if it's both preposterous and shallow.
It centres on Christian (Ben Affleck), a mild-mannered autistic accountant with a big secret: he's not only cooking the books for top gangsters around the world, but he's also an efficient killer. In his day job, he's hired by Lamar (John Lithgow) and his sister Rita (Smart) to locate an anomaly in their robotics company's books. Working with company accountant Dana (Anna Kendrick), Christian crunches the numbers and finds more than anyone expected. Meanwhile, Federal Agent Ray (J.K. Simmons) wants catch this mythical mob accountant-killer before he retires, so he coerces analyst Marybeth (Cynthia Addai-Robinson) into tracking him down. But just as they close in on Christian, so does hyperactive hitman Brax (Jon Bernthal).
The script by Bill Dubuque (The Judge) never even remotely holds water. Christian's autism provides some intriguing flashbacks, which build throughout the movie to a climactic moment, as his militaristic father cruelly treats his condition by sending him to Karate Kid-style training in Indonesia with his silently annoyed little brother. Where a real autistic child would revert into the horror of all of that, Christian emerges as adeptly skilled at engaging with everyone he meets and also able to fight more efficiently than experienced military commandos, whom he kills by the dozen as Brax and his army surround him. No, it makes absolutely no sense, but as a movie it's a rather amusing waste of time.
Continue reading: The Accountant Review
Jon Bernthal , Adeline Bernthal - World premiere of Disney-Pixar's 'Finding Dory' at the El Capitan Theatre - Arrivals at El Capitan Theatre, Disney - Hollywood, California, United States - Wednesday 8th June 2016
A rare film that adds up to much more than the sum of its parts, this works as both a dramatic character study and a tense thriller. The title is Mexican slang for "hitman". And with fierce direction, razor-sharp writing and breathtakingly layered performances, this is one of the most involving, thrilling movies of the year. It also has something urgent to say about the political world we live in.
Kate (Emily Blunt) is the leader of an FBI unit in Phoenix, and is taken aback when offbeat Homeland Security agent Matt (Josh Brolin) asks her to join his team tracking a Mexican drug cartel kingpin. She brings her partner (Daniel Kaluuya) along, and they struggle to make sense of their new mission, especially the shady operative Alejandro (Benicio Del Toro) who's working alongside them. The question is which organisation is actually running this operation, and what the real goal is. Clearly international laws are being bent at every step, and Kate is worried that she might also be compromising her moral and ethical principles. Meanwhile over the border, a local cop (Maximiliano Hernandez) is involved in activities that may cause trouble for his family and community.
Director Denis Villeneuve (Prisoners) keeps this story tightly under control, taking the audience along on Kate's odyssey into the dark side of international law enforcement, which has little regard for the law. Blunt brings a remarkable authenticity to her role as a steely, smart leader who is always on-edge, trying to find a way through an unpredictable situation. As she quietly reveals Kate's thought processes, the audience is able to identify with her at every step. Which makes every scene both riveting and emotionally wrenching. Opposite her, both Brolin and Del Toro are on top form, infusing the film with quirky details, black humour and challenging ideas. There's also an astonishing role for Jon Bernthal as a cowboy who flirts with Kate, and then some.
Continue reading: Sicario Review
Basically the perfect summer movie, this lightweight drama has a great-looking cast and plenty of youthful energy, but not much authenticity or depth. The plot traces a young aspiring DJ trying to make his mark on the music world, and his struggle isn't exactly gruelling. But what the movie lacks in realism it makes up for in melodrama, keeping the audience involved simply because the characters are relatively enjoyable company.
Zac Efron plays Cole, a smart young guy who spends his days and nights hanging with his chucklehead pals Mason, Ollie and Squirrel (Jonny Weston, Shiloh Fernandez and Alex Shaffer), playing music, doing drugs and tormenting the girls. But Cole has skills mixing tracks to keep a dance floor busy, and one night he's noticed by his idol James (Wes Bentley), a star DJ with a hot girlfriend, Sophie (Emily Ratajkowski). James helps Cole discover his own distinct voice, while Cole can't help but fall for Sophie. Meanwhile, Cole and his buddies need to make some cash, so they take a job with a dodgy property developer (Jon Bernthal). But Cole is determined that this kind of work won't be his future.
Director-cowriter Max Joseph never really bothers to develop any of this properly, letting the film glide along on Cole's cool beats while indulging in arty touches like an animated drug trip. There isn't much complexity to any of the characters, but the actors add interest in the way they interact, developing camaraderie that says a lot more than their relentless macho swagger. Efron is the only actor who is allowed to offer a glimpse beneath the surface, and he navigates Cole's darker emotional moments nicely. But the script continually undermines him. For example, there are constant references to his strong moral code, and yet he seems utterly unbothered about seducing his mentor's girlfriend. Opposite him, Bentley gets to do some ace scene-stealing, but everyone else fades into the wallpaper.
Continue reading: We Are Your Friends Review
Aspiring DJ Cole Carter, from LA's San Fernando Valley, sets out to make it big in the world of electronic dance music and create a name for himself in Hollywood's nightlife scene, by working on the one track that will make him stand out from the crowd. Things start looking up when an older DJ named James takes him under his wing, but life get complicated for Cole when he finds himself falling for James's young girlfriend Sophie. With Cole's friendships at stake, will he have to make a tough choice between love, loyalty and the music career he has always dreamed of?
Continue: We Are Your Friends Trailer
Kate Macer is an FBI Agent who's about to undertake probably the most dangerous mission of her career so far. It's not her usual department, but she has been taken on to help in the ever swelling drug war along the border of the US and Mexico. There's a drug lord taking over the sprawling metropolis of El Paso, people are getting killed left right and centre. In order to take him down, a lot of people need to be executed along the way - but Kate's not so sure her task is an entirely moral one when she is forced to pull a gun on nearly everyone who gets in her way. As she doubts the mission and questions the history of Matt, the task force's leader, she starts to understand that they only real assignment she's being faced with is survival - even if that means breaking her own rules.
Continue: Sicario Trailer
Fresh out of college, 23-year-old Cole Carter and his friends Mason, Ollie and Squirrel are determined to make something of their futures, with young people being faced with more and more career opportunities than ever before. Cole wants to become one of the world's top DJs, but hitting the decks at local college parties aren't getting him anywhere fast. He learns the art of getting people moving with his music from a more experienced DJ named James who sees potential in him, but it seems the more he is taught, the more he realises he has to learn. Still, he's reluctant to work under James, and things get complicated when he starts to bond with James' girlfriend Sophie. To make matters worse, his friends are becoming increasingly frustrated with him for refusing to seize a once in a lifetime opportunity to make something really special.
Continue: We Are Your Friends - Teaser Trailer
Wildly energetic and so cool it hurts, this action movie has been put together in...
It is the year 1209 anno domini, and Ireland is merely a green, mountainous mass...
While this slick dramatic thriller plays with some intriguing ideas and themes, it never actually...
Ben Affleck is cast as Christian Wolff in this new action thriller film The Accountant....
Basically the perfect summer movie, this lightweight drama has a great-looking cast and plenty of...
Aspiring DJ Cole Carter, from LA's San Fernando Valley, sets out to make it big...
Kate Macer is an FBI Agent who's about to undertake probably the most dangerous mission...
Fresh out of college, 23-year-old Cole Carter and his friends Mason, Ollie and Squirrel are...
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During April, 1945, the final month of World War Two, the Allied Forces are making...