Julia Stiles and Jon Avnet - 18th Annual Art Directors Guild Excellence In Production Design Awards_Show At The Beverly Hilton Hotel - Beverly Hills, California, United States - Sunday 9th February 2014
When hard-boiled rapists, pedophiles, murders, and drug lords slip through the legal system, are people who take the law into their own hands criminals or heroes? Righteous Kill explores the familiar subject of vigilante killers with a slight twist. This time, the killer is a cop.
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Up Close And Personal tells the loosely-based-on-reality story of Sally (who becomes Tally) Atwater (Michelle Pfeiffer), a vain upstart girl from Reno who wants to make it big in television. Robert Redford costars as Warren Justice, a Miami news director who gives her her big break and takes her under his wing. Under his influence, Tally is transformed from brash loudmouth to The Next Big Thing, and of course, the two fall madly in love along the way.
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In fact, people expecting another Three Men and a Baby are going to be sorely disappointed: For such a frivolous image and goofy title, this is serious stuff. Wilder plays a comic strip artist who finds he's really, really anxious to have a kid. Unfortunately, things don't quite click biologically with his new wife (Christine Lahti), and after years of trying, they call it quits -- not just on the baby, but on the marriage too.
Continue reading: Funny About Love Review
Drawing from pulp, noir, and classic comics for his inspiration, director Kerry Conran - in his film debut - creates an entire new universe for us to soak up, based right here on earth. Ostensibly set in an alternate version of the late 1930s/early 1940s (and notably pre-WWII), the film is filled with the technological promises of many a World's Fair. Planes can turn into submarines. Entire cities can float in the sky. Robots 100 feet tall can parade through the streets. And everyone wears a hat. (As an aside, Conran really wants to disorient you with the setting; look closely at the newspaper in the beginning and you'll see it's clearly dated sometime in the 2000s.)
Continue reading: Sky Captain And The World Of Tomorrow Review
I've seen better and I've seen worse, but, you know what, I think there are better ways to remember the 80s than watching Robert Downey Jr when he only acted like he was high, instead of actually being it. I know that the point of the book was to display the laisse-faire nihilism that is/was so characteristic of LA, and thus showing someone who played at being high and ended up being a regular customer of Betty Ford should be a touch of bittersweet irony, but its not.
Continue reading: Less Than Zero Review