John Thompson

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The Expendables 3 Review


Striking a tone somewhere between the po-faced original and the silly Part 2, this rampaging action nonsense is badly overcrowded and chaotic, but there's plenty of comedy and whizzy stuntwork to keep the audience entertained. It of course helps a lot that the film is packed to the rafters with iconic actors and lively newcomers. And their sassy dialogue helps make up for the idiotic plot.

It opens with a prison break, as Barney (Sylvester Stallone) and his team (Jason Statham, Dolph Lundgren, Randy Couture and Terry Crews) rescue their old cohort Doc (Wesley Snipes) then head off on a mysterious mission that turns out to involve their presumed-dead nemesis Stonebanks (Mel Gibson), who is targeting Barney's team. So Barney and his pal Bonaparte (Kelsey Grammer) set about finding four new commandoes (Kellan Lutz, Ronda Rousey, Glen Powell and Victor Ortiz) to take on Stonebanks, but of course nothing goes as plan. For the final face-off they're joined by the old team, CIA boss Drummer (Harrison Ford), former colleagues Trench and Yin (Arnold Schwarzenegger and Jet Li), and chatty newcomer Galgo (Antonio Banderas).

The ever-increasing cast means that some characters can't help but be pushed into the shadows (Crews and Li are barely in this film), while others hover around the edges of scenes injecting moments of sarcastic wit. Each of the characters gets his or her moment of eye-popping action, as the film lurches from set-piece to set-piece in a whirl of bombs, bullets and blades. All of this is fun because the actors are gleefully refusing to take any of this seriously. The scene-stealers this time are Gibson, terrific as the swaggering villain, and Banderas, who's hilarious as the only person who can string a sentence together.

Continue reading: The Expendables 3 Review

David Cameron Making World War I Album With Danny Dyer. Yep.


Danny Dyer David Cameron Sean Bean John Thompson

Prime Minister David Cameron has teamed up with Eastenders star Danny Dyer to record an official World War I centenary album of spoken words and music. Cameron has recorded the classic war poem The Soldier by Rupert Brooke while Dyer read In Memoriam by Ewart Alan Mackintosh.

Danny DyerDanny Dyer At Broadcasting House

Elsewhere, the Cold Feed actor John Thompson recorded Wilfred Owen's Dulce et Decorum Est and Sean Bean, Stephen Fry and comedian Sarah Millican also recorded tracks. Some descendants of recipients of World War I Victoria Crosses have recorded John McCrarie's In Flanders Fields, which will be released as a single with 40 pence from each sale being donated to the Royal British Legion and Victoria Cross Trust. 

Continue reading: David Cameron Making World War I Album With Danny Dyer. Yep.

Homefront Review


With a powerhouse cast and an anaemic script, this violent revenge thriller never quite gets off the ground. It's watchable for the character detail, but resolutely refuses to make any logical sense as it charges through its corny plot. Fortunately the slick filmmaking and charismatic acting hold our attention, adding a hint of sophistication to the bluntly brutal story.

It's set in the Louisiana bayou, where former undercover agent Phil (Statham) is trying to have a quiet life with his young daughter (Vidovic). But the locals are wary of outsiders, and a schoolyard confrontation escalates into a feud between Phil and a resentful woman (Bosworth) who calls her gangster brother Gator (Franco) for help in getting even. Gator quickly discovers Phil's past, then enlists his trashy pal Sheryl (Ryder) to contact Phil's old enemies. But as these ruthless thugs descend on the bayou, they fail to take into consideration the fact that Phil has nearly super-human fighting skills.

There's plenty of possibility in this rather tired premise, but Stallone's boneheaded script never bothers to make things believable, skipping over key details and indulging in trite coincidences. Fleder manages to obscure this with his fluid, pacey direction, and the cast is unusually good for such a simplistic thriller. The charismatic Statham doesn't stretch himself much, occasionally attempting a bit of real acting in the father-daughter scenes (his romance with LeFevre's teacher is never developed). Bosworth and Ryder add some unpredictable edges to their stereotypical roles. And it's Franco who steals the film as an unusually thoughtful redneck thug. Although his moral quandary doesn't put off any of the nastiness.

Continue reading: Homefront Review

Picture - John Thompson - Thomas &... London United Kingdom, Sunday 18th August 2013

John Thompson - Thomas & Friends: King of the Railway - VIP film screening - Arrivals - London, United Kingdom - Sunday 18th August 2013

The Expendables 2 Review


Although there's been no attempt to tone down the first film's bloodthirsty hyperviolence or dim-witted plotting, this sequel is a massive improvement simply because they have fun with the premise. As a result, so do we.

Barney (Stallone) and his team of ageing mercenaries are coerced by Church (Willis) into heading into hostile territory to retrieve a top secret electronic gadget. Most shocking is the fact that Church insists that a woman, Maggie (Yu), joins them. And when things go wrong, Barney leads the gang on a grisly revenge mission against a nasty villain (Van Damme) who's callously putting humanity in peril. Along the way they're joined by Church and Trench (Schwarzenegger), and get help from lone-wolf Booker (Norris).

Continue reading: The Expendables 2 Review

Picture - John Thompson Liverpool, England, Tuesday 18th January 2011

John Thompson Tuesday 18th January 2011 Film premiere of 'Charlie Noades R.I.P' held at Liverpool Showcase Cinema - Arrivals Liverpool, England

John Thompson
John Thompson

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