John Thompson

John Thompson

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Jazz FM Awards

John Thompson - Jazz FM Awards at Vinopolis - Arrivals - London, United Kingdom - Wednesday 10th June 2015

John Thompson
John Thompson
John Thompson
John Thompson
John Thompson
John Thompson

Celebrities At The ITV Studios

John Thompson - John Thompson photographed outside the ITV studios - London, United Kingdom - Thursday 28th August 2014

John Thompson
John Thompson
John Thompson

The Expendables 3 Review


OK

Striking a tone somewhere between the po-faced original and the silly Part 2, this rampaging action nonsense is badly overcrowded and chaotic, but there's plenty of comedy and whizzy stuntwork to keep the audience entertained. It of course helps a lot that the film is packed to the rafters with iconic actors and lively newcomers. And their sassy dialogue helps make up for the idiotic plot.

It opens with a prison break, as Barney (Sylvester Stallone) and his team (Jason Statham, Dolph Lundgren, Randy Couture and Terry Crews) rescue their old cohort Doc (Wesley Snipes) then head off on a mysterious mission that turns out to involve their presumed-dead nemesis Stonebanks (Mel Gibson), who is targeting Barney's team. So Barney and his pal Bonaparte (Kelsey Grammer) set about finding four new commandoes (Kellan Lutz, Ronda Rousey, Glen Powell and Victor Ortiz) to take on Stonebanks, but of course nothing goes as plan. For the final face-off they're joined by the old team, CIA boss Drummer (Harrison Ford), former colleagues Trench and Yin (Arnold Schwarzenegger and Jet Li), and chatty newcomer Galgo (Antonio Banderas).

The ever-increasing cast means that some characters can't help but be pushed into the shadows (Crews and Li are barely in this film), while others hover around the edges of scenes injecting moments of sarcastic wit. Each of the characters gets his or her moment of eye-popping action, as the film lurches from set-piece to set-piece in a whirl of bombs, bullets and blades. All of this is fun because the actors are gleefully refusing to take any of this seriously. The scene-stealers this time are Gibson, terrific as the swaggering villain, and Banderas, who's hilarious as the only person who can string a sentence together.

Continue reading: The Expendables 3 Review

David Cameron Making World War I Album With Danny Dyer. Yep.


Danny Dyer David Cameron Sean Bean John Thompson

Prime Minister David Cameron has teamed up with Eastenders star Danny Dyer to record an official World War I centenary album of spoken words and music. Cameron has recorded the classic war poem The Soldier by Rupert Brooke while Dyer read In Memoriam by Ewart Alan Mackintosh.

Danny DyerDanny Dyer At Broadcasting House

Elsewhere, the Cold Feed actor John Thompson recorded Wilfred Owen's Dulce et Decorum Est and Sean Bean, Stephen Fry and comedian Sarah Millican also recorded tracks. Some descendants of recipients of World War I Victoria Crosses have recorded John McCrarie's In Flanders Fields, which will be released as a single with 40 pence from each sale being donated to the Royal British Legion and Victoria Cross Trust. 

Continue reading: David Cameron Making World War I Album With Danny Dyer. Yep.

Homefront Review


Weak

With a powerhouse cast and an anaemic script, this violent revenge thriller never quite gets off the ground. It's watchable for the character detail, but resolutely refuses to make any logical sense as it charges through its corny plot. Fortunately the slick filmmaking and charismatic acting hold our attention, adding a hint of sophistication to the bluntly brutal story.

It's set in the Louisiana bayou, where former undercover agent Phil (Statham) is trying to have a quiet life with his young daughter (Vidovic). But the locals are wary of outsiders, and a schoolyard confrontation escalates into a feud between Phil and a resentful woman (Bosworth) who calls her gangster brother Gator (Franco) for help in getting even. Gator quickly discovers Phil's past, then enlists his trashy pal Sheryl (Ryder) to contact Phil's old enemies. But as these ruthless thugs descend on the bayou, they fail to take into consideration the fact that Phil has nearly super-human fighting skills.

There's plenty of possibility in this rather tired premise, but Stallone's boneheaded script never bothers to make things believable, skipping over key details and indulging in trite coincidences. Fleder manages to obscure this with his fluid, pacey direction, and the cast is unusually good for such a simplistic thriller. The charismatic Statham doesn't stretch himself much, occasionally attempting a bit of real acting in the father-daughter scenes (his romance with LeFevre's teacher is never developed). Bosworth and Ryder add some unpredictable edges to their stereotypical roles. And it's Franco who steals the film as an unusually thoughtful redneck thug. Although his moral quandary doesn't put off any of the nastiness.

Continue reading: Homefront Review

Thomas & Friends: King Of The Railway - VIP Film Screening

John Thompson - Thomas & Friends: King of the Railway - VIP film screening - Arrivals - London, United Kingdom - Sunday 18th August 2013

John Thompson

The Expendables 2 Review


OK
Although there's been no attempt to tone down the first film's bloodthirsty hyperviolence or dim-witted plotting, this sequel is a massive improvement simply because they have fun with the premise. As a result, so do we.

Barney (Stallone) and his team of ageing mercenaries are coerced by Church (Willis) into heading into hostile territory to retrieve a top secret electronic gadget. Most shocking is the fact that Church insists that a woman, Maggie (Yu), joins them. And when things go wrong, Barney leads the gang on a grisly revenge mission against a nasty villain (Van Damme) who's callously putting humanity in peril. Along the way they're joined by Church and Trench (Schwarzenegger), and get help from lone-wolf Booker (Norris).

Continue reading: The Expendables 2 Review

The Mechanic Review


Weak
Remade from Michael Winner's 1972 thriller, this action movie can't be bothered to get as dark and edgy as it should be. But the cast members keep us watching, even as things turn unnecessarily grisly.

Elite hitman Arthur (Statham) lives a solitary life in a New Orleans bayou with his stinking wealth and exquisite taste. But he's shocked when his boss (Goldwyn) gives him his next assignment: to kill his mentor Harry (Sutherland).

Arthur is a cool professional, but now he's also wracked with guilt. So he takes Harry's wastrel son Steve (Foster) under his wing, teaching him the assassination trade and letting him practice during a few jobs. But the work gets increasingly dangerous, and soon it becomes apparent that Harry was set up. Revenge is in the air.

Continue reading: The Mechanic Review

Film Premiere Of 'Charlie Noades R.I.P' Held At Liverpool Showcase Cinema - Arrivals

John Thompson Tuesday 18th January 2011 Film premiere of 'Charlie Noades R.I.P' held at Liverpool Showcase Cinema - Arrivals Liverpool, England

John Thompson
John Thompson
John Thompson

The Expendables Review


Weak
Relentlessly loud and bombastic, this old-school thriller is clearly trying to exceed the 1980s action movies it so shamelessly emulates. And Stallone and his fellow potato-faced buddies come very close to doing just this.

Barney (Stallone) is the leader of a ruthless team of mercenaries: knife-wielding Lee (Statham), chop-socky Yin (Li), tattooist Tool (Rourke), hotheaded Gunnar (Lundgren), muscle-gun toting Hale (Crews) and demolition man Toll Road (Couture). Their new mission is to infiltrate the Latin American island of Vilena and overthrow the dictator (Zavas). But he's merely the puppet of a rogue American agent-turned-trafficker (Roberts). He also has a sexy daughter (Itie) to distract the boys. Then there's the issue of Gunnar, who's disgruntled after being thrown off the team.

Continue reading: The Expendables Review

Brooklyn's Finest Review


OK
This darkly shaded cop drama has an effectively moody tone, although it never feels any more gritty or realistic than a TV series. And despite solid acting, the plot feels both contrived and rather lethargic.

Three Brooklyn cops are confronting moral dilemmas on the job. Eddie (Gere) is a week away from retirement when he's asked to help a couple of rookies learn the ropes. But he'd rather just keep his head down. Tango (Cheadle) is deep undercover in a drug sting, threatened by a tough FBI agent (Barkin) to set up his childhood friend (Snipes). And Sal (Hawke) is looking to steal some drug-bust cash to top up his salary so he can look after his pregnant wife (Taylor) and children.

Continue reading: Brooklyn's Finest Review

The Bad Lieutenant - Port Of Call: New Orleans Review


Good
A loose remake of Abel Ferrara's 1992 immorality tale, this film becomes bizarrely comical as it gets increasingly depraved. But Herzog's deliberately bonkers approach, matched by Cage's hammy performance, is strangely entertaining.

Detective Terence McDonagh (Cage) has been promoted to lieutenant in the wake of his heroic actions during Hurricane Katrina. Even though he's a coke-snorting, evidence-tampering, gambling-addict rapist with a hooker (Mendes) for a girlfriend. Now he's investigating the grisly murder of a family. He knows that local gangster Big Fate (Joiner) is to blame, but he has no proof beyond a nervous 15-year-old witness (Whitaker). As his entire world squeezes in on him, he merely turns to more drugs, violence and sex to worm his way out.

Continue reading: The Bad Lieutenant - Port Of Call: New Orleans Review

The UK Premiere Of 'Watchmen' Held At The Odeon Cinema, Leicester Square. - Arrivals

John Thompson Monday 23rd February 2009 The UK premiere of 'Watchmen' held at the Odeon Cinema, Leicester Square. - arrivals London, England

John Thompson
John Thompson

Rambo (2008) Review


OK
What do you do when Tinseltown no longer cares for your career, when your latest attempts at an artistic renaissance or cultural relevancy have failed miserably? Well, if you're one time box office king Sylvester Stallone, you cannibalize your past and hope that someone out there in film geek nation still cares. After 2006's Rocky Balboa proved that audiences could cotton to a self-referential return to former glory, a post-Planet Hollywood Stallone decided pissed off Vietnam Vet John Rambo was due for a comeback. Of course, the main question in everyone's mind was, after three previous installments of the mercenary and mayhem series, could the actor bring anything new to the show?

The answer is yes, and it's painted in glorious clots of deep, deep red. When a group of goody-two-shoes religious types get caught up in the middle of Burma's brutal civil war, a reluctant reverend (Ken Howard) seeks out soldier-turned-snake wrangler John Rambo for help. Seems he wants to send some paid "professionals" in to retrieve his flock, and since our hero guided the original tour into enemy territory, he's the best man to lead this latest incursion. Of course, when the hired help proves woefully egotistical, Rambo steps up to show them the proper way to kick bad guy butt. Besides, he has been "spiritually" touched by the sole female member, an idealist named Sarah (Julie Benz). He must then break into a heavily-guarded compound and save her and her friends before a corrupt local General throws them to his collection of flesh-eating pigs, among other inhuman tortures.

Continue reading: Rambo (2008) Review

16 Blocks Review


Weak
It's just about eight in the morning, and the worst cop in the world needs a drink. Instead of a drink, the lieutenant gives him a job: at some point over the next 118 minutes, get this witness 16 blocks downtown to 100 Centre Street so he can give testimony before a grand jury. The witness is a talker, with a whiney voice; way too early for this. Traffic is bad, though, so the cop nips into a liquor store while they're on the way. While he's in the store, two hitmen try to kill the witness. Cop drops his brown-bag bottle of Canadian Club, plugs one of the hitmen, hightails it with the witness to a friendly nearby bar, where his backup finds him and announces, sorry, but we've got to kill the witness anyway, he's going to testify against a bunch of us police. Cop decides for once to side with his conscience and takes off again with the witness, only now the streets between them and the courthouse are filled with NYPD who want to take them both out.

As a short story in some pulp magazine of a sadly bygone era, 16 Blocks would be a dirty little gem. Crooked cops, lots of twists and turns, some tough-guy badinage spit out on the knife's edge. In the hands of Richard "Lethal Weapon" Donner, however, it morphs into a strange and weak buddy flick that mixes 48 Hrs., Die Hard: With a Vengeance, and about a dozen other cop movies together in a desperate attempt to seem vital and gritty. The result is something more than a complete failure (unlike, say, Donner's last one, Timeline) but something quite a bit less than good.

Continue reading: 16 Blocks Review

John Thompson

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