Alice once again returns to Wonderland and meets a lot of familiar faces. This time her biggest enemy is Time, quite literally. As the Blue Caterpillar reminds her, 'You've been gone too long, Alice there are matters that might benefit from your attention. Friends cannot be neglected.' Instead of falling down a rabbit hole, this time Alice gains entry to wonderland through a large mirror which takes her to a topsy-turvy universe which could only be associated with Wonderland. There appear to be a few differences between the book and the new film; whilst Lewis Carol's original version of the book was based six months after the original tale, the inclusion of Time might mean that Linda Woolverton's version make time travel much quicker in Wonderland. Again, Carol used many chess analogies in the book, at the moment its unknown how much this will play a part in the movie. The majority of the lead cast from Tim Burton's 2010 version of Alice in Wonderland including Johnny Depp as Mad Hatter, Helena Bonham Carter as the Red Queen and Anne Hathaway as the White Queen. Alice Through The Looking Glass was directed by James Bobbin who previously worked on the 2011 Muppets film and Muppets Most Wanted.
Despite this being a film about Sherlock Holmes, the fact that it's not much of a mystery may disappoint die-hard fans, but as an astute drama it's more than worth a look because Ian McKellen is simply terrific in the title role. This is a much more complex character than he has been able to play recently either in movies (like the X-men and Lord of the Rings franchises) or television (the nutty sitcom Vicious). The film also reunites him with Bill Condon, who directed him to an Oscar nomination in Gods and Monsters 17 years ago.
It's 1947, and Sherlock is 93 years old when we meet him, living on the Sussex coast where he keeps bees and has befriended Roger (Milo Parker), the curious son of his tough-minded housekeeper Mrs Munro (Laura Linney). As Sherlock teaches Roger about both beekeeping and sleuthing, he is also trying to work out his final case some 30 years ago, which his mind simply refuses to recall. As he relives it in his mind, rather than through Watson's embellished account, all he can remember is a worried husband (Patrick Kennedy) asking him to follow his wife (Hattie Morahan). In addition, Sherlock is also still thinking about the things he discovered while recently in post-war Japan at the invitation of a fan (Hiroyuki Sanada).
The main story and the two flashback sequences are intriguingly intertwined in Sherlock's mind, offering parallel discoveries that help him piece together events that unfold in all three. It's a clever approach that allows McKellen to dig deep into the character as a man discovering that his mind is fading, perhaps into senility. His take on Sherlock is simply fascinating, a witty detective who has always resisted the fictional depiction of him in Watson's stories. And he's also an ageing man who hasn't lost his childlike curiosity, which makes his friendship with the young Roger surprisingly tender and engaging.
Continue reading: Mr. Holmes Review
Throughout the 1950s and 1960s, London was at the mercy of the terrifying Kray twins (Tom Hardy). Reggie Kray was forced to spend most of his life holding back his identical twin brother, Ronnie, who suffered from paranoid schizophrenia. As acclaimed night club owners and feared gangsters, the two twins were seen to own London, and lived a life of glitz and glamour, as well as blood and brutality. That is, until Detective Superintendent Leonard "Nipper" Read (Christopher Eccleston) took the task of bringing two of the most powerful and dangerous criminals in the city's history to justice, by any means necessary.
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Pudsey is tired of living alongside his cooing middle-aged owner and decides to embark on a solo journey across town. Soon enough though, he meets teenagers Molly, George and Tommy - siblings who he spectacularly saves from some bullies - who take him in with the promise of a treat for his bravery. However, the children are bereft after the death of their father and their mother is moving them to an isolated country village. Pudsey decides to join them, despite the new landlord Mr. Thorne's objections, and he makes friends with some of the farmyard animals. He soon discovers that Mr. Thorne's hatred of dogs is not the only questionable thing about him and he starts to uncover a dastardly plan unfolding. Will this little dog manage to thwart Mr. Thorne and save the town?
Following the spectacular win of Pudsey the dog and his young trainer Ashleigh Butler on the sixth series of 'Britain's Got Talent', the dancing pooch embarks on a screen adventure with 'Pudsey The Dog: The Movie'. The charming comedy film has been directed by BAFTA nominee Nick Moore ('Wild Child', 'Horrid Henry: The Movie') and written by Paul Rose ('Dani's House', 'My Parents Are Aliens'), and will reach UK cinemas on July 18th 2014.
As another full-on Irvine Welsh adaptation Trainspotting did in 1996, this bracingly original movie puts a new filmmaker on the map. Not only is this a loud blast of both style and substance, but it refuses to water down its subject matter, taking us through a shockingly profane story in a way that's both visually inventive and emotionally resonant.
This is the story of Bruce (McAvoy), an Edinburgh detective who's determined to beat his colleagues to a promotion. He's also a relentless womaniser, sexist, racist and drug addict. And he'll do anything to get ahead, hiding the sordid details of his private life from his boss (Sessions) while undermining the other cops at any chance while pretending to be their friends. In quick succession, he gets young Ray (Bell) addicted to cocaine, flirts continually with Amanda (Poots), has a fling with the kinky wife (Dickie) of fellow officer Gus (Lewis), torments Peter (Elliott) about his sexuality, and takes Bladesey (Marsan) on a sex-tourism holiday while making obscene calls to his needy wife (Henderson). All of this happens while Bruce leads the investigation into a grisly murder.
McAvoy dives so far into this role that we barely recognise him in there. Bruce is so amoral that we are taken aback by each degrading moment. And yet McAvoy somehow manages to hold our sympathy due to the film's blackly hilarious tone and a startling undercurrent of real emotion. Even though he's a monster, we see his boyish fragility, especially in surreal sequences involving his therapist (Broadbent), which merge with his fantasies, hallucinations and nightmares.
Continue reading: Filth Review
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Bruce Robertson is a vile, devious and emotionally disturbed individual who also happens to be a Detective Sergeant. Off duty, he lives a life of debauchery; snorting line after line of cocaine and indulging in sordid sexual encounters with numerous women while trying to control his unpredictable bipolar personality. On duty, he does everything within his power to trick, deceive and ruin the lives of his colleagues with whom he competes to achieve a promotion to detective inspector. He does nothing to hide his radical views on race and women as he attempts to solve a grisly murder that seems to have more to it than he initially thought. With the web of lies he weaves throughout his life, will he be able to sort out truths from the untruths in order to maintain his sanity as his deteriorating mental health threatens to cripple him? And will he ever be reunited with the wife he is so desperate to resolve things with?
Adapted from the novel by Irvine Welsh, 'Filth' has been directed and written by Jon S. Baird ('Cass') and sees an intense star-studded cast convert to screen an compelling story of insanity, romance and deceit. This shocking 18-rated crime drama is set to hit UK cinemas in September 2013.
In 1968, Rita (Hawkins) works in the Ford plant in Dagenham. She quickly rises to a leadership role on the shopfloor where 187 women work on upholstery. But they earn a fraction of their male counterparts' wages, and their jobs are being reclassified as "unskilled". So Rita and her colleagues (including James, Winstone and Riseborough) team up with their union rep (Hoskins) to demand equality from the Ford execs (including Graves and Schiff). But their strike action has repercussions, catching the attention of government minister Barbara Castle (Richardson).
Continue reading: Made In Dagenham Review
Valentin (McAvoy) is a young Tolstoyan in 1910 assigned by the movement's leader Chertkov (Giamatti) to keep an eye on Leo Tolstoy (Plummer) and his sceptical wife Sofya (Mirren). But what Valentin finds is a lively, loving marriage that's strong enough to include opposing views. This isn't good enough for Chertkov, who moves to get Leo to change his will to leave everything to the movement. Which of course enrages Sofya. Meanwhile, Valentin is experiencing his first flush of love with a Tolstoyan commune resident (Condon).
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