A languorous single take opens the film, sweeping across verdant Mississippi countryside being traversed by a railcar carrying a chain gang and armed guards, before spying a couple of other prisoners rowing their way across a pond, chatting about things inconsequential. A third accomplice shows up with a car and some civilian clothes. The car breaks down, they take off on foot. Eventually the trio -- a couple of hard cases, T-Dub (Bert Remsen) and Chickamaw (John Schuck), and one fresh-faced young Ozark farmboy, Bowie (Keith Carradine) previously serving life for a murder committed at 16 -- wind up at a relative's place, where they hide out and plan their first robbery. Because the three, who continually refer to themselves as "thieves," never seem to consider even for a moment to do anything but just keeping on robbing and running. And so they do.
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Roots begins with Kunta Kinte, emerging from childhood and undergoing warrior training in his tribal homeland. The slavers arrive soon enough, and after a harrowing three-month ride back across the Atlantic, Kunta is sold, becomes Toby under his new master, attempts repeated escapes, and eventually accepts his fate as he settles down with a wife and child. The Revolutionary War comes and goes, and Toby's daughter Kizzy is sold, becoming the mother of her new master's son, known as Chicken George. Chicken George in turn is sent to England to pay off a gambling debt. When he returns home after 14 years, he is a free man. The Civil War arrives, and the rest of the slaves are freed. Soon enough the family faces the perils of vehement racism and the KKK, and Chicken George finally leads his family to safety in a new settlement.
Continue reading: Roots Review