With opening shots of a setting sun and a quaint small town, followed by a sequence involving a man being injured, very slow dialogue, and a woman being unbelievably stupid, and an Angelo Badalmenti rustic score on in the background, one would think that we were in the David Lynch world that we are used to... that this time we would get a cross between "Twin Peaks" and Blue Velvet. But, because we have seen the Disney logo in front of this film, we know that we're in store for something a little more watered down. We know that this film will raise no controversy, will anger no feminists, and that is highly doubtful that David Lynch will have an affair with Sissy Spacek (the fact that he would have to get remarried to his wife in order to do that notwithstanding).
We are not in Lynch's world, and, despite several pieces of stylistic evidence to the contrary, there is no way we're going to enter Lynch's world in The Straight Story.
Continue reading: The Straight Story Review