A collection of random shorts that focus mainly on idiotic male behaviour, this portmanteau comedy is only occasionally amusing, never making anything of its astonishing cast. Frankly, we spend most of the time wondering how the filmmakers lured these A-listers to appear in these pointless, nasty little films. And while the premises have potential, not a single one has a decent punchline.
As a prank, two teens make up a banned online film called Movie 43. While their brainly little brother searches for it, he runs across a series of clips that mainly focus on awkward vulgarity between the sexes. Bitter exes (Culkin and Stone) have a rude exchange that's broadcast on a supermarket sound system. Pratt is shocked when his girlfriend (Faris) asks him to "poop" on her, and agrees because he loves her. Parents (Watts and Schreiber) homeschool their teen son (White) with the goal of showing him how excruciating life will be. Two pals (Scott and Knoxville) kidnap a leprechaun (Butler) who's reluctant to give them his gold. And a 1950s basketball coach (Howard) tries to convince his players that they're winners because they're black.
Others are dating scenarios: Winslet goes on a blind date with a guy (Jackman) who has testicles on his neck; Berry and Merchant play an increasingly deranged game of Truth or Dare in a Mexican restaurant; a pre-teen (Bennett) can't cope when his young date (Moretz) has her first period; Batman (Sudeikis) messes up Robin's (Long) attempt at speed-dating; Banks struggles to cope with her new boyfriend's (Duhamel) obsessive cartoon cat. There are also a few random advert spoofs, including one for the naked-woman shaped iBabe, which leads to trouble for the company CEO (Gere).
Continue reading: Movie 43 Review
Here's the setup: Hopeless romantic/loser Anderson (Jason Biggs, playing his usual persona yet again) proposes to his girlfriend so elaborately that she has a heart attack and dies on the spot. He mopes endlessly until his best friend (Michael Weston) goads him into getting back in the game. Anderson misunderstands... and proposes to the next girl he sees, Katie (Isla Fisher), the waitress at the diner where they're eating. It just so happens that Katie was proposed to the very day before all this happens; she doesn't want to marry that guy, so she agrees to marry Anderson on the spot. Who'd a thunk?
Continue reading: Wedding Daze Review
Stop me if you've heard this one before. A cute young gal named Madison (Christensen) moves to a New Jersey town and instantly becomes smitten with star swimmer Ben (Jesse Bradford). But there's trouble: Ben's got a girlfriend (Shiri Appleby), and he's got a rough past... trouble with drugs and a stint in juvie. Now he's cleaned up and is eyeing a scholarship to Stanford, but an ill-conceived one-nighter with Madison lands him in all kinds of trouble once again.
Continue reading: Swimfan Review
Based on the critically-acclaimed play of the same name, I'm Not Rappaport as the story of two elderly men, Nat, a Jewish/socialist radical and compulsive liar (Walter Matthau), and Midge, a black, nearly blind apartment superintendent (Ossie Davis). The pair has an uneasy friendship based on the fact that they sit on the same bench in Central Park, where Nat fills Midge's head with fabrications. Nat's flair for creating new personae for himself draws the pair into one minor adventure after another, involving a young artist-in-training (Martha Plimpton), a drug dealer (Craig T. Nelson), a mugger (Guillermo Diaz), and threats from Nat's daughter (Amy Irving) regarding the ever-looming old folks' home.
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Haphazardly slapped together without an original bone in its anorexic frame, the film stars Brittany Murphy as Molly Gunn, daughter of a late rock icon. Since day one, Molly has been living like a pig in you-know-what off her father's royalties. One day, though, her accountant bolts for South America with all of her savings, forcing our intrepid heroine to climb down from her pedestal and find a paying job.
Continue reading: Uptown Girls Review
Turturro plays a dramatist, Tuccio, struggling to make his name in the Manhattan theater scene at the turn of the century. Tuccio uses the unexpected illness of an actor (played by Matthew Sussman) to convince the owners of a Manhattan theater to chance his play, Illuminata. Unfortunately, that is not only the movie's premise, but also most of the plot.
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What we really need is a satire of those good conspiracies from the 1960s. With that in mind, Company Man, a brazen new comedy by Douglas McGrath and Peter Askin, supplies that swift kick in the confidential files of the CIA, the FBI, the NSA, and even the Boy Scouts. It's a quick-witted, grammatically correct, and often hilarious satire aimed dead center at the conspiracy nutcases and their shining theories.
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Benjamin Bratt is provocative in the role of Miguel Piñero, the troubled and disillusioned force behind the notable work Short Eyes, produced during one of Piñero's incarceration stints in the mid '70s. Bratt effectively exudes the pain and anger that transcends some posturing material, with a portrayal as lyrical as the throbbing beat of the movie's Latin-induced soundtrack. While the propensity for audiences to get caught up in Piñero's wayward world of instability is almost inevitable, the movie follows an uncharted path by trying to reinforce the demons without really being perceptive about Piñero's undeniable skill as a writer. The cliché about creative minds who become consumed by their art is almost a manipulation here. The film is valiant in the way it strides for that redemptive note as it tries to make us accept (and understand) his premature death of cirrhosis in 1988.
Continue reading: Piñero Review
So I am sitting down and now pondering which to write: the good review or the bad review, each a definite possibility, and the decision is reached: heads for good, tails for bad. But alas, the coins are upstairs and I am a lazy bum. So I guess I write option C: the mediocre review. The movie really wasn't either.
Continue reading: A Price Above Rubies Review
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