Sam Mendes, John Logan and Daniel Craig are a dream team.
James Bond fans received the news they’d be waiting for on Thursday – Sam Mendes would be returning for the twenty-fourth 007 movie, following the huge success of Skyfall.
Given his theatre commitments, it was assumed that the Oscar-winning director would be unable to helm the follow-up to the biggest grossing British movie in history – though he appears to have found a gap in his schedule to direct the next Bond for an October 23, 2015 release date.
Daniel Craig – often considered the finest Bond actor in history – had delayed his decision to return for his fourth movie, though the return of Mendes will see him don the tuxedo once again.
Continue reading: Sam Mendes Signs For ‘Bond 24,’ Though John Logan’s Return Is Key
Sam Mendes will be directing Daniel Craig in the next James Bond film. Producers Michael G. Wilson and Barbara Broccoli confirmed his position on Thursday (11th July). The 24th Bond film will released in 2015.
Director Sam Mendes will be directing the next James Bond movie. The film is due to be released in 2015. The Skyfall director will work with Daniel Craig, who will be reprising his role as the secret agent. The writer of the previous film, John Logan, will also return to write the next script.
Sam Mendes at the Charlie And The Chocolate Factory Press Night, Theatre Royal, Drury Lane.
The dates for release have already been confirmed. UK cinema goers will be able to see the film two weeks earlier than their American counterparts. The UK release date is set for 23rd October 2015 and the US for 6th November.
Continue reading: Sam Mendes Will Direct Daniel Craig In 24th James Bond Film
Skyfall director Sam Mendes and his co-script writer on the Bond film, John Logan, are embarking on a new collaboration, so great was their enjoyment in working together. Penny Dreadful is the title of the horror-tinged detective drama that Mendes and Logan are creating for US cable network Showtime. The show will include various established literary figures from horror-related texts, such as Dr Frankenstein.
Showtime is already responsible for a whole raft of successful dramas, such as Dexter, Californication and Homeland. Penny Dreadful will be set in 1880s London, and Showtime’s entertainment president, David Nevins said in a statement reported on by Entertainment Weekly, “It’s very realistic, it’s very grounded… It’s very psychological and highly erotic.” The network have already commissioned the series and it’s possible that Mendes will direct the first episode, if he has the time. Amongst the likely characters are Dorian Gray, Dr. Frankenstein and some Dracula characters.
In Skyfall, Mendes has created the most popular Bond movie of all time. However, the accolades that the movie was expected to get at the Oscars this year simply did not come, despite the fact that the franchise is celebrating its 50th anniversary. It’s not all bad news for the movie though; Adele has been nominated for an Academy Award for the title track for the movie and after her win at the Golden Globes last night, looks like a dead cert to bring the statuette home.
Sam Mendes must be feeling pretty smug right now. The director of Skyfall, the latest James Bond movie, has scored an impeccable 100% on the Rotten Tomatoes reviews site.
This will make excellent Monday morning news for Mendes, as well as the movie’s stars. The cast list includes Daniel Craig, of course, who plays the lead role, as well as Helen McCrory, Ralph Fiennes, Javier Bardem and Dame Judi Dench.
Skyfall has received a resounding round of applause from critics across the board; even the most cynical of movie reviewers seems to have struggled to find any cracks in this latest offering from the Bond franchise. Writing for the Hollywood Reporter, Todd McCarthy wrote that Skyfall “Feels more seriously connected to real-world concerns than any previous entry, despite the usual outlandish action scenes, glittering settings and larger-than-life characters,” making the movie a credit both to its scriptwriters Neal Purvis, Robert Wade and John Logan. Equally, Variety’s Peter Debruge remarked that Skyfall puts the “’intelligence’ in MI6. Skyfall reps a smart, savvy and incredibly satisfying addition to the 007 oeuvre.”
Continue reading: 100% Rating: Is Skyfall The Best Bond Movie Ever?
Amid political and social turmoil, Martius (Fiennes) is a blunt Roman soldier, subduing insurrections in the surrounding kingdoms, making an enemy of Volscian leader Tullus (Butler) but returning home a war hero and crowned Coriolanus.
Despite the help of his military-leader mother (Redgrave), his loyal wife Virgilia (Chastain) and a respected senator (Cox), Martius is unable - and unwilling - to play the political game, insulting both the senate and the public. Banished from public life, he joins with Tullus and sets about conquering Rome his own way.
Continue reading: Coriolanus Review
Based on the Brian Selznick novel The Invention of Hugo Cabret, Scorsese's first family movie combines a young boy's adventure with a cinematic history lesson. It's a celebration of wide-eyed wonder that's a joy to watch, although the title isn't the only thing that's dumbed-down.
In early 1930s Paris, the orphaned Hugo (Butterfield) lives in Montparnasse station, where he scurries through forgotten passageways maintaining the clocks. He learned this skill from his late father (Law), but an automaton they were fixing is his only reminder of his happier childhood. Dodging the tenacious station inspector (Baron Cohen), Hugo worms his way into the life of grouchy shopkeeper Georges (Kingsley), and has a series of adventures with his goddaughter Isabelle (Moretz). When they learn that Georges is forgotten pioneer filmmaker Georges Melies, they decide to help bring him back to life.
Scorsese tells this story with bravura moviemaking trickery, from whooshing tracking shots to wonderfully inventive uses of 3D. He also peppers the screen with witty references to film history from Modern Times to Vertigo, clips from early cinema and flashbacks to the Lumiere brothers' exhibition and Melies' busy studio. Meanwhile, the main plot unfolds with a warmly inviting glow, sharply telling details and a colourful cast of memorable side characters.
Intriguingly, everyone is a bit opaque; like the automaton, the gears turn but we never really understand them.
Butterfield's Hugo may be consumed by an inner yearning, but he's always on guard, providing a watchful pair of eyes through which we see the drama, romance and slapstick of the station. And it's in these details that Scorsese and his cast draw us in. Standouts are Baron Cohen, who adds layers of comedy and pathos to every scene, and McCrory (as Mrs Melies), with her barely suppressed enthusiasm. As usual, Kingsley never lets his guard down: he invests this broken man with a bit too much dignity.
As the film progresses, the passion for the movies is infectious. Scorsese's gorgeous visual approach and writer Logan's controlled cleverness never overwhelm the human story. And even if Melies' life and Paris' geography are adjusted for no real reason, the film's warm drama and delightful imagery really get under the skin, making us fall in love with the movies all over again.
When a pet chameleon (voiced by Depp) is lost in the desert, he wanders into Dirt, a parched Wild West town populated by scruffy, attitude-filled vermin. He immediately reinvents himself as the heroic Rango, and as sheriff promises to restore the missing water supply. He proves his mettle by squaring off against a vicious hawk, but the slippery tortoise Mayor (Beatty), a family of sneaky moles and a vicious rattlesnake (Nighy) will require more effort. As will his developing romance with feisty girl-lizard Bean (Fisher).
Continue reading: Rango Review
Where other studios might have demanded proven singers for the parts, Paramount (bravely?) permits Burton to practice extreme nepotism. The director recruits his better half, Johnny Depp, for the title role of a wrongfully jailed barber who seeks vengeance against a covetous judge (Alan Rickman) and his troll-like lackey (Timothy Spall). As for the role of Mrs. Lovett, it goes to Burton's wife, Helena Bonham Carter. A meat-pie maker, Lovett helps dispose of Sweeney's human victims by turning them into delectable delicacies.
Continue reading: Sweeney Todd: The Demon Barber of Fleet Street Review
Bats is one of those movies where you have to get popcorn just to throw it at the screen. It is one of those movies where you have to make fun of those little kids scared out of their wits three rows behind you on the other side of the theatre. Most of all, however, it is one of those movies where you have to provide a running commentary.
Continue reading: Bats Review