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Repulsion Review


Essential
Today's lesson: Don't leave the crazy lady alone with a straight razor.

Roman Polanski's Repulsion has been rightly hailed as a chilling examination of a woman going mad. With unnerving intensity, it places us in the shoes of Catherine Deneuve's fragile beautician, whose unexplained trauma and sexual repression induce bizarre, frightening hallucinations that ultimately drive her to murder. But just as powerful is its notion of an outside world incapable of aiding her. Polanski's penchant for exploring helplessness and indifference has seen more overt expression in other films, but here it forms a haunting counterpoint to the central drama, a statement both on insanity and the banal monstrosities which enable it.

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Tunes Of Glory Review


Good
After WWII, Alec Guinness gets passed over for promotion of command of his Scottish garrison. This leads to a tussle between he and the new boss, played by John Mills. What follows is the slow decay of morale at the base, followed by the mental breakdown of Guinness in what is often heralded as one of the best performances ever put to film. Too bad then that the story gives Guinness and Mills little chance to shine, as the script is crafted from weirdly insidery Scots arcana (lots of dancing, lots of bagpiping) and interferes with the character study. Interesting counterpoiont to Guinness's Bridge on the River Kwai, but the overall, washed-out look and mopey pacing of the film drag it down.
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