John Dighton

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Kind Hearts And Coronets Review


Very Good
This is often considered a classic black comedy and one of Alec Guinness' best films, but Kind Hearts and Coronets is far from perfect. The protagonist, a young Londoner named Louis Mazzini (Dennis Price), bears a grudge against his mother's family, the blueblood D'Ascoynes, because they ostracized mom. So he rubs out the eight living members of the family (all played by the versatile Guinness) who stand between him and inheriting the dukedom and family estate.

This very British film features a successful surprise ending and a strong supporting cast, especially Joan Greenwood as the bad girl who threatens to be Mazzini's undoing. But Dennis Price is not Guinness' match as a screen presence, and his character is too amoral to be believable, even for a farce, so the film doesn't quite work. It could also have used more Alec Guinness -- in spite of playing eight roles, Guinness doesn't actually get enough screen time. And when Sir Alec is not on screen, the whole thing is a little too slow and contrived.

Continue reading: Kind Hearts And Coronets Review

The Man In The White Suit Review


Good
Cute and a little too pat, The Man in the White Suit offers Alec Guinness trapped in an undercooked story with so much wasted potential. Guinness plays Sidney Stratton, a textile researcher who -- after years of effort -- develops a miracle fabric that doesn't wear out or get dirty. Rather than find himself the company hero, he's immediately the subject of various lynch mobs: The company doesn't want such a fabric because they won't be able to sell new clothes every year, and neither do the workers, who know they'll soon be out of a job. Even the cleaning ladies are pissed. Funny stuff, but that's about the end of it. Ultimately you feel it could have gone miles further.

Roman Holiday Review


Extraordinary
One can't help but wonder how Roman Holiday would have been different is it was made today instead of in 1953 (Mr. Deeds aped Holiday more closely than its ostensible source material). The Gregory Peck-Audrey Hepburn classic features a reporter in Rome (Peck) and an incognito princess (Hepburn) -- with both pretending they're someone else. Of course, he knows she's playing hooky from her royal family and he's out to write the story of a lifetime (with photographer pal Eddie Albert in a priceless role). She on the other hand is oblivious to what's going on. She wants to have a little fun outside the watchful eyes of her keepers. Of course they fall in love along the way.

Roman Holiday is one of the most beloved of both Hepburn's and Peck's films, a lovely little romance, full of fun and playfulness, stellar performances (Hepburn won an Oscar and Albert was nominated), and all set against the beauty of Rome. Many of its scenes are nothing short of priceless: the ad-libbed moment when Peck sticks his hand into the mouth of a statue and pretends it's been bitten off (sending Hepburn into hysterics) is absolutely unforgettable.

Continue reading: Roman Holiday Review

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John Dighton Movies

Roman Holiday Movie Review

Roman Holiday Movie Review

One can't help but wonder how Roman Holiday would have been different is it was...

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