New York City is typically the stuff of romantic ruminations, but Shadows' NYC is a clash of interests and ethical moralities -- a place where unmotivated musician Ben (Ben Carruthers) and his artistry-driven, professional singer brother Hugh (Hugh Hurd) can co-exist. The film foremost deals with race in relationships -- personal, professional, and fleeting -- following the two brothers and their sister Leila (Leila Goldoni). Hopes are dashed as Hugh's nightclub performance is cut short by a white owner and an untalented chorus line, Ben's free-wheelin' life becomes as empty as his brother implies when he's beaten up for hitting on some other cat's chicks, and Leila's first love turns out to be a racist, pseudo-intellectual.
Continue reading: Shadows Review
Cassavetes gets credit for the homage this picture still is paid. The monotone piano music is hauntingly similar to that in Eyes Wide Shut. Remember that music and be warned: Even on DVD, this picture has the worst sound I've ever heard on a feature film. Shame on the studio for not cleaning it up for the digital release.
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Is the doctor's boyfriend -- who's experience sadistic nightmares -- the culprit? Or is it an otherworldly beast called the incubus?
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Continue reading: Faces Review
But then we cut to Nicky, and he is indeed standing in the street in the very same spot as before. The moment fits the plot, which follows the adventures of these two over the course of one long night in which Nicky unknowingly thwarts his friend's every attempt to place him within striking range of the hitman, and it fits Nicky's character, which is that of a hyperactive, wearingly obnoxious adolescent boy occupying the body of a full-grown man. But more than anything, it's another moment of eerily misplaced humor in a film full of anger and remorse.
Continue reading: Mikey And Nicky Review
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