The nominal plot has stout-hearted Colonel Loring Leigh (C. Aubrey Smith -- who else?) kicked out of the Lancers for signing an order allowing a shipment guns to find their way into the hands of a band of Indian rebels, who end up massacring 90 men at one of those Indian passes so famous in '30s movie adventure yarns. Colonel Leigh is drummed out of the army but knows he's been set up and his signature forged. Returning to England he summons his four sons -- dim bulb Oxford student Rodney (William Henry), pompous barrister Wyatt (George Sanders), shallow ladies man/aviator Chris (David Niven), and stuffy British attache Geoffrey (Richard Greene) -- in order to show them the evidence proving he was framed by an international gun cartel. He doesn't get that far. While the boys are sipping bitters in the ante room, Colonel Leigh is shot dead in his study and the evidence removed. The press claims Leigh committed suicide from his disgrace, but the boys know better and set about to find his killer and clear his name.
Continue reading: Four Men And A Prayer Review
But others just languished between the two extremes being neither one nor the other, in the end being nothing at all. Into this classification falls The Good Guys and the Bad Guys, a meaningless and harmless bit of flatulence that caused barely a ripple of interest in 1969, when critical sniffers where inhaling deeply of Peckinpah's The Wild Bunch.
Continue reading: The Good Guys And The Bad Guys Review
The New York Film Festival offered a double bill of savory morsels in this succulent vein, presided over master chef Martin Scorsese and his restoration outfit, The Film Foundation. On the bill-of-fare at The New York Film Festival were two 20th Century Fox three-strip Technicolor sweetmeats -- John Ford's Drums Along the Mohawk and John Stahl's Leave Her To Heaven.
Continue reading: Drums Along The Mohawk Review
Continue reading: Stagecoach Review
A classic John Ford film (and one of the last black and white westerns to be made), Wayne and Stewart make a great Odd Couple in the podunk town of Shinbone. Unfortunately, the middle of the film sags under the overly patriotic history lessons we are given when Stewart takes it upon himself to teach the locals how to read and write. The ensuing fight for statehood isn't much better, except when Valance comes a-knockin'.
Continue reading: The Man Who Shot Liberty Valance Review
Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.
In a busy year that has seen John Krasinski star in movies and TV shows, he somehow managed to find the time to direct, produce and star in the new...