A chick-lit-flick, Book Club is poorly directed by Robin Swicord from her own inconsistent adaptation of Karen Jay Fowler's novel about five women (and one coerced man) who use Austen's novels as a means to escape their broken lives. They cover one book a month, and we roll our eyes as their individual problems mirror the quandaries found in Austen's chapters.
Continue reading: The Jane Austen Book Club Review
And what jokes they are! The very American Robert Morse stars as a British visitor to L.A., a wannabe poet who gets caught up in the machinations of a cemetary owner (Jonathan Winters) and his top mortician (Rod Steiger in the role of a lifetime). It's more cult than cemetary, and Morse soon becomes enchanted with one the cemetary's guide/beautician/chanteuse (a dippy Anajette Comer). The film haphazardly careens from subplot to subplot, eventually settling into a set piece about a kid obsessed with rockets, which Winters sees as the solution to the problem of running out of space for "loved ones" in the cemetary (aka corpses).
Continue reading: The Loved One Review
The setup holds promise: Four characters in dreary London couple and de-couple, falling in and out of relationships over a four year span. The story is told piecemeal, as it focuses on brief events in the couples' lives, separated by months or years. It begins as American stripper Alice (Natalie Portman) meets British obituary writer Dan (Jude Law) by happenstance. A year later, Dan encounters photographer Anna (Julia Roberts), whom he immediately begins to lust after. Later, Dan plays an internet prank on dermatologist Larry (Clive Owen), which unexpectedly sends him into the arms of Anna. They marry, and Anna promptly starts an affair with Dan. Dan confesses to Alice, she becomes a stripper again. Anna confesses to Larry, and she leaves him, sending Dan to Alice for the first time. And round and round we go until everyone's had a shot at everyone else.
Continue reading: Closer Review
And so it did to Mike Nichols and Buck Henry, collaborators on The Graduate who conspired once again to make one of the greats of cinema. While Catch-22 has none of the cachet of other war movies (and we'll get to that...), it's by far one of the best out there, ranking with Platoon, Full Metal Jacket, and Apocalypse Now as one of the greats.
Continue reading: Catch-22 Review