John Cale is relentlessly innovative, his latest project is a radical re-interpretation of his 1982 album Music For A New Society. The result is a dramatically different album using familiar building blocks, perhaps a better title would have been Music For A New Century. The 73 year-old Velvet Underground co-founder certainly isn't a stranger to producing experimental and challenging material, but with M:FANS he seems to have found a balance that demonstrates these traits while remaining accessible. While the word masterpiece is often associated with the original album, I'd stop short of that description for its offspring.
Pleasingly although packaged together here, M:FANS works in isolation to Music For A New Society. It's a strong album in its own right and shouldn't be compared too closely to the former incarnations of these songs. There's a sense that this is not a project draped in the usual nostalgia. Cale has chosen to revisit an album that endured a difficult gestation to achieve some closure. Indeed the themes of regret and loss found on Music For A New Society seem just as relevant for the Welshman in 2016 as they did in 1982. While talking about the creation of M:FANS Cale has referenced the death of former bandmate Lou Reed as a contributing factor, and it's palpable when listening to this new material that a certain exorcism of past pain is being undertaken here.
M:FANS opens with a track that Cale regretted omitting from his original work, a spoken word telephone conversation with his mother. As you'd expect 'Prelude' is deeply personal and plays like an ambient daydream. It seems to set the stall out that this is not to be a faithful track-by-track re-adjustment of the original record. The sparseness of arrangement and general absence of other musicians on Music For A New Society is transformed on M:FANS. Cale adopts his more recent style of electronically enhanced instrumentation using a full band with vocal loops and samples. It's a radical departure from the largely solo and improvised takes on the original.
Continue reading: John Cale - M:FANS/Music For A New Society Album Review
The man behind such notable rock hits as 'Cocaine' and 'After Midnight' passed away on Friday (26 July)
The legendary artist JJ Cale passed away on Friday 26 July, an announcement made on his official website stated earlier this week. The man behind the Tulsa Sound, which blended blues, rockabilly, and country music to create a much-copied, laid back sound, was responsible for a string of notable rock tracks, many of which were covered by some of rock music's biggest names, including Eric Clapton, Tom Petty, Santana and Lynyrd Skynyrd.
Born John Weldon Cale in Tulsa, Oklahoma in 1938, Cale adopted the moniker JJ Cale to avoid confusion with the Velvet Underground's John Cale, having released music under the name Johnny Cale prior to the New York band's rise to stardom in the late 60's. The statement on his website states that he passed away following a heart attack at his California home, after which he was rushed to Scripps Hospital in La Jolla, California, where he was pronounced dead. No further information relating to his death has been released yet, nor have any details into any memorial services due to be held for the songwriter.
Continue reading: Legendary Singer/Songwriter JJ Cale Dies, Aged 74
John Cale's new single, 'Catastrofuk', is taken from his brand new EP, 'Extra Playful', which is available on 12'', on CD and as a digital download now, through Domino Records. His next studio album, also his 16th, is expected to be released in spring 2012. It will follow on from his last album, 'blackAcetate', which was released in 2005.
Continue: John Cale - Catastrofuk
There's a line on John Cale's latest EP Extra Playful that seems to sum up his attitude to music, "You were hopefully looking for perfection". It's something he seems to have been searching for during his half a decade as a recording artist, from his classical training to his more experimental rock. As he approaches the elder statesman age of 70, he certainly isn't calling off the search.
Continue reading: John Cale, Extra Playful EP Review
Robinson's family connection to the story is tenuous but intriguing. Her uncle, Danny Williams, was a bright young kid from Massachusetts with a promising future who, after a brief flurry of creative activity in Manhattan, disappeared after a family gathering in 1966. His body was never found, but it was widely assumed he drowned in Boston Bay, whether by accident or design. By happenstance, decades later Robinson happened to be working at the Warhol Foundation for the Arts when her connection was discovered and she was directed to a Warhol archivist who had unearthed a collection of 20 silent short films which were similar to but quite different from Warhol's other work and were marked "Danny Williams," who nobody knew much about.
Continue reading: A Walk Into The Sea: Danny Williams And The Warhol Factory Review