It's been 14 years since a scientist (Cromwell) invented surrogates, robots controlled by brainwaves that let us experience anything. Now some 99 percent of the population has one, and people spend their lives in darkened rooms living virtually. Then FBI Agent Greer (Willis) and his partner Peters (Mitchell) discover that a guy (Noseworthy) has a weapon that can kill both surrogates and their human controllers. But the hunt for this weapon opens old wounds with the humans-only religious fanatics who live on reservations and follow the word of their Prophet (Rhames).
Continue reading: Surrogates Review
That's how long we've been hearing about humanity's war against the machines, a battle James Cameron first initiated in 1984 when he sent Arnold Schwarzenegger back in time to terminate an unsuspecting Linda Hamilton. Armageddon was averted, then later triggered, in subsequent sequels before arriving at Salvation. But our predestined, apocalyptic future looks a lot like products from Hollywood's past. Specifically, imagine the love child of Mad Max and The Matrix as delivered by Michael Bay, and you're beginning to get this picture.
Continue reading: Terminator Salvation Review
Already, T3 has a strike against it. Sequels with "Three" in the title tend to reek, from The Godfather: Part III to Jaws 3-D. Strike two comes in the form of high expectations. Twelve years ago, James Cameron raised the bar with Terminator 2: Judgment Day, a superior sequel and a long-standing leader in the high-tech special effects field. The shoes director Jonathan Mostow (U-571) was asked to fill look mighty big.
Continue reading: Terminator 3: Rise Of The Machines Review
The movie begins filming in the UK.
The 'Sherlock' and 'Doctor Strange' star joined Gilmour onstage at the Royal Albert Hall for a rendition of the Pink Floyd classic.
Lean and sleek, this futuristic thriller propels us entertainingly through its story without pausing for...