As the ghoul from the 2012 horror hit stalks a new family, this sequel's sharply well-crafted set-up leaves the hackneyed conclusion feeling very disappointing. Up until the trite horror finale, the film is a terrific mix of complex characters and twisted relationships, with a palpable sense of underlying menace. But instead of grappling with the ramifications of the human drama, the screenwriters opt for simplistic violence instead.
The dorky deputy (James Ransone) from the first film has left the force but is still determined to stop the horror from happening again. Then he arrives at the "infected" farmhouse and finds single mother Courtney (Shannyn Sossamon) hiding out there with her feuding pre-teen sons Dylan and Zach (played by real-life siblings Robert Daniel and Dartanian Sloan). And her abusive husband Clint (Lea Coco) wants custody. But the boys have already been contacted by the creepy gang of ghost kids who have horrifically murdered their families and documented this in home movies that they show to Dylan each night. To appease the boogeyman, Dylan needs to do the same, and if he can't, they might be able to use Zach.
Frankly, Clint is a much scarier monster than the sinister spirit lurking in seemingly every dark corner in this movie. And Zach has learned from his dad how to be a seriously cruel bully. Director Ciaran Foy generates intensity in both the real-world and supernatural elements of this story, inventively creating visually stylish freak-out moments that have genuine peril attached. In this situation, the actors create strikingly authentic characters, from Ransone's likeably goofy deputy to Sossamon's steely, tenacious mother hen. And the Sloan brothers add a superb sense of sibling tension, mingling anger and frustration with real emotion. So when things begin to snap between all of them, the film becomes genuinely heart-stopping. Then the ghosts take over and it's not quite so thrilling.
Continue reading: Sinister 2 Review
Old age is usually seen as a sad time to reflect on your life's work and morn you past friends. For Carol (Blythe Danner), an elderly widow, this is the case. That is, until her friends force her back into the dating game. She is beginning to realise that her day to day life is becoming monotonous, yet she soon enough meets Bill (Sam Elliot). A retiree himself, Bill reminds her that even at the supposed twilight years of your life, there is still a chance to begin all over again.
Continue: I'll See You In My Dreams Trailer
Having finally caved in and sampled TNT, having sampled HBO on a fairly regular basis, I can now say without a doubt that not only is TNT not the best movie studio on television... it is by far one of the worst. With large payments towards directors who do not demonstrate fair ability, TNT seems to reward the kind of schlock-TV that has made "TV-movie" into a status symbol in the film industry.
Continue reading: Freedom Song Review
Let's not sugarcoat it. Tall remains a one-note genre picture specifically tailored to its shining star - The Rock. For what it is, though, Tall is quite good. It has fun with its limitations. It boasts strong fight choreography and interesting direction by Kevin Bray, who keeps the spotlight on its charismatic and camera-friendly leading man.
Continue reading: Walking Tall (2004) Review
After a 26-year career of coming off like fingernails on a chalkboard, Melanie Griffith has finally begun to mature as an actress.
In 1996 she stood out from the otherwise sorry "Mullholland Falls" in an emotional role as a cheating cop's heartbroken wife. Early this year she was a revelation as an aging heroine addict and ironically motherly, career petty thief in "Another Day in Paradise." And now there's "Crazy In Alabama," an daffy, obliging murder farce set precariously against more serious undertones of 1960s racial strife.
Griffith was the perfect choice to star as Lucille, a dizzy, Southern, '60s sex bomb housewife, on the lam and headed for Hollywood after offing her abusive husband. Of course, the part was hers anyway, since this picture is the directorial debut of her husband, smoldering Spanish sex symbol Antonio Banderas.
Continue reading: Crazy In Alabama Review
The all-American butt-kicking charisma of former wrestler and action-hero heir-apparent The Rock seems to have a miraculous, popcorn-pleasure effect on otherwise lame movies.
"The Scorpion King" would have been straight-to-video fare without his capricious, self-aware screen presence and "The Rundown" was bargain-basement Steven Seagal fodder that this guy's muscular smile helped lift to the level of a gratifying, preposterous-fracas matinee fodder.
Any fan of The Rock (the actor or the wrestler) will find similar lowbrow satisfaction in his latest B-movie -- a remake of the vigilante-justice flick "Walking Tall."
Continue reading: Walking Tall Review
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As the ghoul from the 2012 horror hit stalks a new family, this sequel's sharply...
Old age is usually seen as a sad time to reflect on your life's work...
Ironically, Walking Tall runs short. Credits included, the testosterone opera two-fists its way through 77...
After a 26-year career of coming off like fingernails on a chalkboard, Melanie Griffith has...
The all-American butt-kicking charisma of former wrestler and action-hero heir-apparent The Rock seems to have...