RT @NoSensPosts: Her: we need to talk Me: https://t.co/kOEHTSC0mm
Everyone knows the tale of David Levinson and Captain Steven Hiller, the two men at the forefront of the last Alien invasion. Since that last fateful day, Levinson has worked tirelessly to protect the world and strengthen it from alien attacks, even using the technology they discovered on board the alien spaceship to counter their possible attack methods.
When the people of Earth learn that Aliens are on their way back to our planet, there's automatic hysteria and a hope that the newly installed space defences will help counter the attack. Whatever stringent plans David develops he, more than anyone, realises that it will probably not be enough to protect us.
Independence Day: Resurgence takes place twenty years after the original movie and sees many of the cast taking up the same role again. The film is directed by Roland Emmerich (known for The Day After Tomorrow, Godzilla and the first Independence Day movie.)
Nolan Gould , Joey King - 22nd Annual Screen Actors Guild Awards at The Shrine Expo Hall - Arrivals at Shrine Auditorium, Screen Actors Guild - Los Angeles, California, United States - Saturday 30th January 2016
Joey King, Catherine Hardwick , Diane Warren - Premiere of Focus Features' 'Suffragette' - Arrivals at Samuel Goldwyn Theater at AMPAS - Beverly Hills, California, United States - Tuesday 20th October 2015
Danny Winters is a young man in 1969, who becomes disenfranchised from the marginalisation and discrimination of some members of society. His radical opinions cause his parents to kick him out of their Kansas home, and so he takes the opportunity to travel to New York where he meets a group of liberal and flamboyant youths who shelter him and bring him to a discreet gay club run by the mafia known as The Stonewall Inn. Unfortunately, this is a place frequently raided by cops, who are less than liberal in their way of thinking. Tired of the constant social threats and alienation, Danny leads an army with members of the gay, trans and cross-dressing community to fight against the corrupt police with a full scale riot.
Continue: Stonewall Trailer
Aidan Bloom may look like he's got a lot going for him on the outside, in his prime at 35 with a beautiful wife and two loving children named Grace and Tucker, but the truth is he's floundering. He dreams of being an actor, but that's not a job you can guarantee stability from and thus he no longer has enough money to send his kids to a private school - even with the full to bursting swear jar. He decides to home tutor them after deciding against public school, and soon discovers that he's not the only one in his life who is having problems. With his father having his own issues and his daughter feeling deep regret after cutting off her hair, he starts to realise that he might have to save his family before he himself can be saved.
Continue: Wish I Was Here Trailer
This may look exactly like Gerard Butler's over-serious Olympus Has Fallen, but it's actually that film's smarter, sillier younger brother: the one you like even though you really shouldn't. As he did with 2012, filmmaker Emmerich has injected this huge action romp with a generous dose of tongue-in-cheek humour while never sacrificing the overwrought spectacle. So even if it's wildly contrived and ludicrously patriotic, it's so gleefully destructive that we can't help but have a lot of fun.
It starts out as ex-military man John (Tatum) tries to impress his estranged 11-year-old daughter Emily (King) by taking her along with him on a job interview at the White House. At that moment, home-grown terrorists strike, led by a disgruntled security chief (Woods). In the chaos, John gets separated from Emily, and as he looks for her he stumbles across the US President (Foxx). As John and the President work to subvert the villains, the politically savvy Emily is posting videos of them on YouTube, which helps the Pentagon command centre, overseen by security chief Carol (Gyllenhaal) and Speaker Raphelson (Jenkins), keep the nation from falling apart. But it turns out that one of the baddies (Clarke) has a personal vendetta against John.
As always, Emmerich infuses the film with a sombre tone then undermines it at every step with witty irony. Each scene is packed with quirky characters, snappy one-liners, knowingly corny sentimentality and bigger-than-necessary mayhem. For example, he manages to wedge a full-on car chase into the White House grounds, complete with a rocket launcher. At the centre, Tatum and Foxx are a lively double-act, bouncing off each other with feisty energy. Furrowed-brow gravitas is supplied by Gyllenhaal, Jenkins and Woods, while scene-stealers include King's plucky young hero and Simpson's megalomaniac hacker.
Continue reading: White House Down Review
Old-style filmmaking makes this movie scarier than other recent horror films, simply because director Wan (Saw/Insidious) takes the time to actually develop suspense. By not using cheap trickery, he continually sends chills up our spine. So it's a shame that the story isn't more original, merely pasting together every haunted house cliche imaginable into what's apparently based on real events, but is clearly fictionalised.
Real-life ghostbusters Ed and Lorraine Warren (Wilson and Farmiga) investigated a series of hauntings, possessions and other supernatural events over their career. Their most famous case is Amityville, while this story has apparently only recently been released. It involves the Perron family, which experiences all kinds of strange phenomena when they move into a Rhode Island house in 1971. Carolyn (Taylor) starts having freaky nightmares accompanied by nasty bruising, while Roger (Livingston) struggles to cope with the odd behaviour of their five daughters (Caswell, McFarland, King, Foy and Deaver). As the Warrens determine that this is a case of demonic possession, things get even crazier.
The plot is set out as a fairly straightforward investigation, as the Warrens try to get proof of possession so they can call in a priest. Filmmaker Wan uses this to lure us into a false sense of security, quietly taking us through long scenes in which nothing much happens before gently turning the screws then shocking us with something intensely creepy. Some of this is rather obvious (like a nasty-looking doll or an evil-sounding music box), but it's such sure-handed filmmaking that it can't help but make us squirm in our seats.
Continue reading: The Conjuring Review
'Django Unchained' star Jamie Foxx and 'Magic Mike' actor Channing Tatum are snapped posing together on the blue carpet at the New York premiere of 'White House Down' held at the Ziegfeld Theater. They are soon joined by supporting cast members Maggie Gyllenhaal, Joey King and garcelle beauvais.
Some of the supporting cast from 'White House Down' including 'Crazy, Stupid, Love.' actress Joey King, 'Flight' star garcelle beauvais, James Woods from 'Shark' and 'The Dark Knight' star Maggie Gyllenhaal are snapped arriving at the New York premiere at the Ziegfeld Theater. Woods appears to be with a young relative and he jokes, 'I'm gonna bring me whole family now, they're coming with me!'
When USCP officer John Cale is turned down as he applies for a highly coveted role in the Secret Service, he is devastated but cannot find it in himself to disappoint his young daughter Emily who idolises him and his job. In a bid to give Emily an experience to remember, he takes her on a tour of the White House, but what started out as the most normal of days (if a little extra exciting for Emily) quickly becomes a situation of life and death when terrorist groups launch a series of bombs that hit the White House causing a shocking scene of devastation. John now finds himself with the responsibility of keeping his daughter safe from harm as well as protecting President James Sawyer along with the rest of his country. He may have lost out on becoming an official protector of the President, but he now faces a true test of his abilities that is unlikely to go unnoticed.
Continue: White House Down Trailer
Stars pose with their families and Mickey Mouse and Minnie Mouse on the red carpet at the Disney Live! Mickey's Music Festival held at Madison Square Garden, New York City. Among them are comedienne Ali Wentworth, whose daughters have donned Mickey Mouse ears, and 'Grey's Anatomy' star Eric Dane with his wife, Rebecca Gayheart, and daughters Billie and Georgia.
Like Tim Burton's Alice in Wonderland, this film shows the overpowering strength of Disney and producer Joe Roth, as they once again bury a gifted filmmaker and cast in an effects extravaganza that's strong on visuals but short on story. There are glimpses of Raimi's genius here and there, most notably in his eye-catching use of 3D. And the actors manage to inject a bit of spark into their family-friendly characters. But the plot and the relentlessly simplistic tone will only please children or undemanding adults.
At least it looks amazing. And like the 1939 classic The Wizard of Oz, the film opens in black and white with a Kansas-set prologue, where the womanising conman Oscar (Franco) performs as the flashy magician Oz. Chased into a hot-air balloon by an angry husband, he is engulfed by a tornado and drops into the colourful land of Oz, where people are looking for a messianic wizard named Oz to save them from the witch who murdered their king. But which witch is the wicked one? Oscar first meets the naive Theodora (Kunis), who hasn't yet decided if she'll be evil or not, then her big sister Evanora (Weisz), the steely interim ruler, and then the too-good Glinda (Williams). And even though he's not a real wizard, he might have some tricks up his sleeve that can help.
The film mixes ideas from L Frank Baum's stories with references to the iconic 1939 film, plus much more epic landscapes of Oz recreated with eye-popping digital trickery. On the other hand, the plot is formulaic and predictable, with characters who are only superficially complex and are far too obvious in the way they interact, badly underestimating the sophistication of even very young children in the audience. But the real problem is that the film is focussed on visual spectacle rather than endearing characters. The sidekicks this time are a slightly creepy-looking flying monkey (Braff) and a feisty china doll (King), both rendered with elaborate motion-capture effects that never quite seem to be there on the set with the actors.
Continue reading: Oz The Great And Powerful Review
Date of birth
30th July, 1999
RT @NoSensPosts: Her: we need to talk Me: https://t.co/kOEHTSC0mm
RT @NoSensPosts: When you're home alone and hear a noise downstairs https://t.co/2IbkQJC4rR
Is there really a #NationalPizzaDay? Because I thought that was everyday? No?
RT @iamrachelcrow: Life just keeps hitting me right in the feels, man.
I survived 3:07 while awake @creepypuppet
I'm so sad that Lauren H. went home. I really hope she's the bachelorette. She's so bubbly and real. I loved her. #TheBachelor
You already know https://t.co/p4kFLvfSfG
Happy happy birthday @JoshuaMorrowYR!!!!! Hope you have an #insatiable birthday 😂😂
Cracked that piñata like nobody's business #SuperBowl #JamesKnightNewman https://t.co/j6nkejUiSg
Queen Yonce, Christ Martin, and Bruno. I'm in heaven. #SuperBowl https://t.co/BWUYdktTO8
Watching the Halftime show is just making me happy😄😄😄😄
I CANNOOTT WAIT 2 share the new Super Bowl commercial 4 #IndependenceDay: Resurgence in theaters June 24 ERRYBODY! https://t.co/JLnc5jhQxT
RT @HunterHaleyKing: Hopefully we're still this happy after the game #broncos #SuperBowl50 🏈💙 https://t.co/DtdidEymIp
RT @jasonblakephoto: The moment I fell completely in love with you! @JoeyKingActress https://t.co/oq6Su1V9OE
Be safe this weekend everybody and always trust your gut. #phew.
RT @spodermenpls: rt if u liv in an pineapel undr teh see
I love how flies can manage to get in the house through the tiniest of spaces but can't seem to find their way out through a wide open door?
@loganejohnson no Logan, it is not a megamind reference 😂
Tomato tomato, potato potato..... That didn't translate as well as I'd hoped 🤔🍅🍠