Joey Ansah

Joey Ansah

Joey Ansah Quick Links

Pictures Video Film RSS

The Numbers Station Review


Grim

There's an interesting, timely idea in this espionage thriller, as well as adept leading actors who are able to make the most of the script's dry wit. But the film is ultimately sabotaged by a clearly low budget and lacklustre direction that fails to connect the dots of the story. Even with some clever touches, the plot is resolutely fuzzy, and since it never comes into clear focus it's difficult for us to care what happens.

The title refers to radio stations governments have used for decades to broadcast strings of numbers that are decoded by covert field operatives. One of these agents is Emerson (Cusack), whose job is to clean up messes around America. But after a nasty incident he's having second thoughts about his career, so his boss (Cunningham) reassigns him to a numbers station in rural England, where his task is to keep an eye on civilian cryptologist Katherine (Akerman). Then the station is suddenly compromised, leaving Emerson and Katherine locked inside while a gang of baddies tries to break in.

Director Barfoed gives the movie a nicely haunted quality that builds a strong sense of menace. Cusack adds his trademark cynicism to the mix as a man who resorts to brittle humour to mask his torment over the death of a teen girl on an earlier mission, made worse by the fact that Katherine is now a "loose end" here. And so is he, for that matter. Akerman is a superb foil for him, giving Katherine a spiky braininess that catches Emerson off guard: if he's falling for her, he can't kill her. Can he? These themes are thoroughly involving, even if the script never goes anywhere with them.

Continue reading: The Numbers Station Review

Picture - Joey Ansah , Monday 14th May 2012

Joey Ansah Monday 14th May 2012 World Premiere of Snow White and the Huntsman held at the Empire and the Odeon - Arrivals

The Bourne Ultimatum Review


OK
There are actually three screenwriters credited for The Bourne Ultimatum, though it's hard to imagine what exactly they all did to earn their paycheck. "You don't remember anything, do you?" "It's Bourne." "It ends here." [insert car chase] That doesn't mean that this third installment of the popular shaky-cam travelogue spy thriller series doesn't deliver all that it's intended to, and occasionally more, it just means that you're more likely to hear barked-out commands or the sound of squealing tires and shattering glass than two or more actors exchanging full sentences as part of a conversation. This is a film that asks exactly how much traditional storytelling structure can you cleave away and still have a coherent and engaging piece of work? The answer: Nearly all of it.

Coming off last year's abysmally underrated United 93, director Paul Greengrass thankfully returns for his second film in the series about the titular amnesiac CIA-trained assassin (Matt Damon) with identity issues. Although the resulting film is not nearly up to the hard-to-match bar set by the preceding film, The Bourne Supremacy, it's hard to imagine any other director currently working who would be able to keep the relentless pace delivered by Ultimatum. Unfortunately, it's also all too easy to see that the filmmakers and Damon are coasting when they could be soaring.

Continue reading: The Bourne Ultimatum Review

Joey Ansah

Joey Ansah Quick Links

Pictures Video Film RSS
Advertisement