Joel Edgerton (born 23.06.74) Joel Edgerton is an Australian actor, producer and screenwriter, best known for his roles in films like 'Star Wars Episode 2: Attack of The Clones' and 'The Great Gatsby' and 'The Warrior'.
Net Worth: According to Celebrity Net Worth in 2013, Joel Edgerton has a net worth of three million USD.
Childhood: Joel Edgerton was born in Blacktown, New South Wales, Australia, to Michael and Marianne Edgerton. He attended The Hills Grammar School in Sydney, graduating in 1991. After this, he moved to the University of Western Sydney, where he studied at Nepean Drama School. Edgerton then went on to work at Sydney Theatre Company amongst other venues.
Career Edgerton: made his screen debut in an episode of the Australian television show, 'Police Rescue', in 1995. This was followed by his feature film debut the following year in 'Race the Sun'. After appearing in a series of short films and television movies, Edgerton landed a role in 'Star Wars Episode 2: Attack of the Clones' in 2002. In 2004, Edgerton appeared in the film 'King Arthur' alongside Clive Owen before reprising his role in 'Star Wars Episode 3: Revenge of the Sith'. In 2006, Edgerton appeared in the film 'Smokin' Aces', before landing a main role in the television series 'Dangerous' in 2007. Edgerton later appeared in the children's animated movie, 'Legend of the Guardians: The Owls of Ga'Hoole' in 2010. The following year, Edgerton shot into the limelight following his starring role opposite Tom Hardy in 'Warrior'. This was followed by an appearance in 'Zero Dark Thirty' in 2012, and a large part in 2013's 'The Great Gatsby'. Also in 2013, Edgerton wrote his first feature-length screenplay for 'Felony', which also saw Edgerton star. In 2014, Edgerton appeared opposite Christian Bale in the Ridley Scott film 'Exodus: Gods and Kings'.
Loving is a new film that documents the lives of Mildred and Richard Loving, a black woman and a white man who experienced racial discrimination during the 1950's. The film follows the couple on their journey through life and their aim to live peacefully and create a stable home for them and their three children.
Continue: Loving - 'Build Our House' Clip
The actress stars in Jeff Nichols’ drama about an interracial couple in 1950s' Virginia.
It’s only May, but critics already believe they have a frontrunner for next year’s Best Actress Oscar, Loving star Ruth Negga. The acclaimed drama debuted at the Cannes Film Festival yesterday (May 16th) and has already garnered plenty of Oscar buzz, especially for the Ethiopian-Irish actress.
Ruth Negga stars in Loving.
In the drama Negga stars opposite Joel Edgerton, as married interracial couple Mildred and Richard Loving, who battle against the supreme court for their right to live together as husband and wife, during a time when interracial marriage was illegal.
Continue reading: 'Loving' Star Ruth Negga Tipped For Oscar After Wowing Cannes
Joel Edgerton - The cast and director of "Loving" leave the Palais de Festivals after the screening at the 69th Cannes Film Festival at Palais de Festivals, Cannes Film Festival - Cannes, France - Monday 16th May 2016
With its grindingly low-key tension and unusual perspectives, this Western has a chance to revamp the genre in intriguing ways. The first-rate cast adds plenty of depth to the usual roles, including a strong female point-of-view from Natalie Portman, who also produced the film. But some rather simplistic thematic touches undermine the originality, and the film never quite cracks through the surface to become something meaningful.
It's set in 1871 New Mexico, where Jane (Portman) lives on a hidden ranch with her outlaw husband Bill (Noah Emmerich) and their young daughter. But Bill's been badly injured, and the notorious scoundrel Bishop (Ewan McGregor) has vowed to track him down. For help Jane turns to her ex-fiance Dan (Joel Edgerton), an angry gunslinger who has never got over being abandoned by Jane all those years ago. He agrees to help her, and of course Bill isn't too happy about this, but he's too injured to protest. And Jane is so fiercely independent that she refuses to let her history with these two men define her future.
The premise is packed with all kinds of intriguing layers, but the script continually over-explains everything with a series of flashbacks to Jane's earlier encounters with Dan, Bishop, Bishop's hotheaded brother (Boyd Holbrook) and a particularly brutal desperado (Rodrigo Santoro). Not one of these people has even a hint of morality about them, which gives the actors a chance to inject a lot of complex texture into their performances. These are tough-minded men who never stop to think about the rule of law. And Portman's Jane is steelier than all of them, a woman who makes her own hard decisions in a place that doesn't let anyone off easily. Portman is terrific in the role, even if director Gavin O'Connor (Warrior) undermines her with his rather straightforward approach. Even so, her scenes with Edgerton and McGregor crackle with subtext.
Continue reading: Jane Got A Gun Review
Gifted director Jeff Nichols takes on another genre in his fourth film with actor Michael Shannon, after Shotgun Stories, Take Shelter and Mud. This one's an involving character-based sci-fi adventure made in the style of classic films like E.T. or Close Encounters. As the characters are thrown into an extraordinary situation, the story gradually reveals its fantastical secrets without resorting to the usual overblown blockbuster formula, which makes the movie remarkably resonant and genuinely thrilling.
Shannon plays Roy, a man who is on the run across Texas with his 8-year-old son Alton (Jaeden Lieberher) and his childhood friend Lucas (Joel Edgerton), who's now a state trooper. And the FBI is on their trail, investigating the religious cult they escaped from. Led by the defiant Calvin (Sam Shepard), the cult seems to have been centred around the unusual ability Alton has to gather information from government satellites. Which is why the FBI is so intent on tracking him down. Working with the FBI, NSA Agent Sevier (Adam Driver) is fascinated by Alton's abilities, and he begins to worry what might happen if the boy is captured. Meanwhile, Roy and Lucas have reunited with Alton's mother Sarah (Kirsten Dunst) and are continuing their journey across the American South. And time is clearly of the essence, since Alton is growing seriously ill.
Writer-director Nichols skilfully keeps the audience gripped by the central mystery, dropping in hints and revelations along the way that slowly build up to the final big picture. This forces the viewer into the same perspective as the characters, who don't have a clue what's going on but are gripped by the possibilities of what they're witnessing. This also makes it impossible to predict where the story might go next as it cycles through action, humour, emotion and exhilarating drama. Through all of this, the actors all offer beautiful textures in their characters, underplaying even the most intense scenes to make them feel strikingly realistic.
Continue reading: Midnight Special Review
Adam McKay, Tom McCarthy and George Miller have aso been announced.
The first set of nominees for the 68th Annual Directors Guild Of America Awards have now been announced, with nods for the category of Outstanding Directorial Achievement in Feature Film for 2015 featuring five directors from some of the biggest film favourites of the year.
Alejandro G. Iñárritu and Leonardo DiCaprio on the set of 'The Revenant'
Predictably, Alejandro G. Iñárritu is up there for 'The Revenant'; a visceral biopic which won three awards at the Golden Globes this year (Best Drama, Director and Actor in a Drama with Leonardo DiCaprio). He was previously nominated for 2006's 'Babel', won the award for his 2014 movie 'Birdman', and also won Outstanding Directorial Achievement in Commercials for Procter & Gamble's 'Best Job' campaign in 2012. Ridley Scott is another DGA staple who's once again looking at this award for 'The Martian' starring Matt Damon; another Golden Globes favourite with two awards under its belt. He has yet to win at the DGA's, but this is his fourth time nominated following 1990's 'Thelma and Louise', 1999's Gladiator and 2000's 'Black Hawk Down'.
Jane Hammond has always been an independent woman, but living in the developing West is precarious even for her. After a treacherous few years and constant aggravation from a nasty gang called The Bishop Boys, Jane marries a man by the name of Bill 'Ham' Hammond and things settle down.
However, when Hamm returns home badly injured after running into The Bishop Boys, Jane decides there's no other option but to face her past and take on the Colin McCann and the rest of the infamous gang. Jane contacts the only person she knows who she thinks will be able to help her, her ex-fiance and gunslinger Dan Frost. Recruiting Frost and returning to the family home, the three await the arrival of the gang. One way or another score will be settled.
Jane Got A Gun will be released in the UK from Spring 2016.
For a biopic of a real-life person, this feels like an oddly standard mob thriller. It's the true story of Boston gangster James "Whitey" Bulger, and it's told with gritty filmmaking and robust performances. But there's very little about the movie that sets it apart, leaving it as yet another depiction of violent criminal ambition and betrayal. And by the end, it's difficult to escape the feeling that we've seen it all before.
It opens in 1975 South Boston, where Jimmy Bulger (Johnny Depp) runs the Irish mafia, while his brother Billy (Benedict Cumberbatch) is a senator. Their childhood friend John Connolly (Joel Edgerton) is an FBI agent who has asked for their help in taking down the rival Angiulo family, which Jimmy sees as a win-win situation: he'll get rid of the competition while avoiding jail himself. Over the next 10 years, Jimmy expands his operation dramatically, and he's not afraid to get his own hands dirty as he sorts out problems that are created by his sidekicks (including Rory Cochrane, Jesse Plemons and W. Earl Brown), all of whom are increasingly annoyed at his control-freak ways. But as Jimmy becomes even more notorious, the FBI boss (Kevin Bacon) pressures John to take him down.
The actors dive into their roles. Depp transforms himself physically into a prowling thug with terrifyingly piercing eyes. He may be a heartless killer, but he's also a caring family man. Opposite him, Edgerton has a trickier role as a federal agent who operates more like the gangster he'd rather be, casually ignoring the law to push his own agenda. In the sprawling supporting cast, only a few characters emerge memorably: Cumberbatch has a sparky presence, Cochrane offers some thoughtfulness, and Bacon gets to chomp on the scenery. Other roles are much briefer, especially the sidelined female characters.
Continue reading: Black Mass Review
Alton is a very special young boy who has been given a unique gift. When his father, Roy, finds out that Alton is in trouble with his freedom - and life - in jeopardy, Roy takes matters in his own hands and kidnaps his son. On the run and being hunted by religious extremists and special agents, Roy takes to the road with his close friend in order to protect his son.
Continue: Midnight Special Trailer
The Hollywood Film Awards fire the starting pistol on awards season in the movie industry.
British star Carey Mulligan was among the winners at the 19th annual Hollywood Film Awards for her central role as Maud in the new movie Suffragette, a laundry worker who joins the fight for the right for women to vote.
The 30 year old star, who gave birth to her first child with husband Marcus Mumford just a few months ago, won Best Actress at the 2015 edition of the gongs, which are the first major ceremony in a long run of black-tie events leading up to the Academy Awards on February 28th.
The Hollywood Film Awards winners are announced in advance and are not televised, but prominently features movies not on general release and are a reasonable indicator of what will be on offer during awards season.
Here’s what you need to know about Natalie Portman’s new film, ‘Jane Got A Gun’.
Natalie Portman is taking on a whole new genre with her latest film, Jane Got a Gun. The trailer for the upcoming movie was released earlier this week and it bears all the hallmarks of an epic Western including gun slinging, shoot outs and a torrid but ultimately ill-fated romance.
Natalie Portman at the 68th Cannes Film Festival in May 2015.
Date of birth
23rd June, 1974
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