Joel David Moore

Joel David Moore

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The Guest Trailer

After Caleb Peterson dies whilst fighting on the frontline in the war in Afghanistan, his family back home are overcome with grief. Comfort appears to present itself in the form of a friendly handsome stranger named David, who knocks on the Petersons' door claiming that he fought alongside Caleb, and promised him that he would take care of his family if he should fall. Mrs. Peterson welcomes David with open arms, glad of some respite finally, and while Caleb's brother and sister Anna and Luke are wary of their guest, David's winning smile and unceasing helpfulness soon gains their trust. However, it seems there's more than meets the eye with their visitor, as the family discover how a set of unexplained deaths have been linked to him, and it seems his intentions may not be so honourable after all.

Continue: The Guest Trailer

Wallis Annenberg Center For The Performing Arts Inaugural Gala

Joel David Moore - Wallis Annenberg Center For The Performing Arts Inaugural Gala Held at Wallis Annenberg Center for the Performing Arts - Beverly Hills, California, United States - Friday 18th October 2013

'CBGB' West Coast Premiere

Joel David Moore - 'CBGB' West Coast Premiere Held at ArcLight Cinemas - Los Angeles, CA, United States - Wednesday 2nd October 2013

Joel David Moore

CBGB West Coast Premiere

Joel David Moore - 'CBGB' West Coast Premiere Held at ArcLight Cinemas - Departures - Los Angeles, California, United States - Tuesday 1st October 2013

CBGB Trailer

In 1973, New York nightclub CBGB opened as a venue for Country, BlueGrass and Blues acts led by music entrepreneur Hilly Kristal. However, it soon became clear that that wasn't the way the music scene was going in the city and he soon began to book new rock and punk bands - excluding all cover and tribute bands - to play regular shows there which helped raise the profile of several musical pioneers including Talking Heads, Blondie, The Ramones and the Patti Smith Group. It wasn't the easiest ride for Kristal, however, who suffered many money troubles due to his vision and ambition for the bands that he showcased, as well as much scrutiny over the general poor health and safety of the venue. Nonetheless (and despite its closure in 2006), it will always been known as the kick off point for so many 70s and 80s bands.

Randall Miller ('Nobel Son', 'Bottle Shock', 'Houseguest') directs this music drama alongside his frequent writing partner Jody Savin as it follows the highs and lows of Hilly Kristal's life and ambition to give innovative local bands a chance at success. The movie will premiere at the CBGB Festival over its October 10th-13th weekend; not far off the anniversary of its 2006 official closure.


First CGBG Movie Shots Revealed [Pictures]

Malin Akerman Taylor Hawkins Joel David Moore Rupert Grint Alan Rickman Justin Bartha

The first pictures of the potentially dodgy looking CBGB movie have been revealed, showing the film's stars filming in the specially built CBGBs nightclub set up. Obviously the most notable star here is Malin Akerman who is shown as Blondie's Debbie Harry for the first time - she's seen here in the below photo with Taylor Hawkins, who plays proto-punk pioneer and general gadabout Iggy Pop.

Taylor HawkinsMalin Ackerman and Taylor Hawkins

Hawkins of course is a member of a band in real life - the Foo Fighters. The Ramones are another band set to appear in the film, with Joel David Moore, Steven Schub and Julian Acosta set to portray Joey, DeeDee and Johnny Ramone respectively. Twilight star Ashley Greene is also onboard to play Lisa Kristal, daughter of the CBGB owner Hilly Kristal. You can see what she's looking like in the gallery link at the bottom of the article. 

Continue reading: First CGBG Movie Shots Revealed [Pictures]

'CBGB' movie

Joel David Moore, Julian Acosta, Steven Schub and Ramones - Actors on the set on 'CBGB' - United States - Tuesday 30th April 2013

Joel David Moore, Julian Acosta, Steven Schub and Ramones

Grassroots Review


There's a terrific sense of righteous anger in this scruffy comedy about disenfranchised people shaking American politics to its core. But the film plays it far too safely, dealing lightly with important themes while refusing to take a real stand on anything. It also never makes the most of its likeable, fully invested cast.

Based on a true story, the film is set in 2001 Seattle, where long-time buddies Phil and Grant (Biggs and Moore) are both unemployed journalists. When Grant decides to run for city council, Phil helps with the campaign. Grant's main passion is public transportation, which he sees as a social justice issue since it's what allows lower-income people to work and improve their lives. And his counter-culture approach makes him stand out opposite the unruffled incumbent (Cedric). On the other hand, Phil's girlfriend Emily (Ambrose) starts to worry when Grant's campaign becomes a centre for frat-boy antics, including rather a lot of pot-smoking. But this populist approach is like a breath of fresh air to voters.

Watching these no-hopers take on a well-oiled political machine is pretty inspirational, especially when the characters have so much raw charm. Biggs is superb in the central role, grounding even the most chaotic scenes in earthy honesty. By contrast, Moore feels a little overwrought as the hyperactive Grant, which makes us wonder why anyone would take him seriously. Although he nicely brings out Grant's inner resolve. And both Ambrose and Cedric add complex layers to their rather thinly written characters.

Continue reading: Grassroots Review

Gone Trailer

Jill lives with her sister, Molly. While Jill is sensible and somewhat guarded, Molly is more carefree. One night, Molly is organising a dinner and asks Jill if she can come. Jill is unsure, as she works a night shift but eventually she relents and says she'll go. That same night, she leaves for work as normal, saying good night to Molly over the phone.

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Avatar Review

After a 12-year-break, Cameron returns to feature filmmaking with a mind-bending epic that's both visually spectacular and emotionally involving.

And the fact that it's in gorgeously rendered 3D is icing on the cake.

In the year 2154, paraplegic Marine Jake (Worthington) is transported to the planet Pandora to join the avatar project. Soon he's in the middle of hostile territory in the genetically cloned body of the Na'vi: three metres tall with blue skin, a tail and a very sensitive ponytail. In the jungle, Jake befriends Neytiri (Saldana), who trains him in the ways of the Na'vi. But this puts him at odds with his employers, who want him to help move the Na'vi so they can plunder the land for a rare mineral.

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Art School Confidential Review

Few things are more mystifying to outsiders than the world of modern art. Which of course makes it the perfect backdrop for a Terry Zwigoff film. Where else is eccentricity, flamboyance, and pretension considered normal? And who's more alienated and misunderstood than an art student rejected by his art school classmates, who are, quite naturally, alienated and misunderstood themselves? Art School Confidential, Zwigoff's latest, mines this territory for humor and poignancy, raising questions about the nature of art and alienation.As in Zwigoff's previous films, which include Crumb, Ghost World, and Bad Santa, Art School's hero is far from heroic. Played by Max Minghella, with his dark eyes and brooding bushy brows, Jerome Platz is a young art student whose primary aspiration is to be the greatest artist of the 21st century, the next Picasso. His secondary concern -- to find an emotional, intellectual, erotic connection with a woman -- proves even more ambitious since he feels only one girl, luminous art model Audrey (Sophia Myles), is worthy of his attention.The trouble is, after an initial connection with Jerome, Audrey shifts her attention to another freshman painter, the hunky Jonah, whose simple, innocent paintings have turned him into something of a campus hero. In order to win Audrey back, Jerome asks for the help of Jimmy (Jim Broadbent), a bitter, reclusive, alcoholic painter. Broadbent's performance is the film's strongest, which is saying something in a film packed with celebrated actors. His Jimmy is sensitive and fearsome, wise, and terrible -- all at once. At several points in the film, during fits of artistic pique, Jimmy's eyes flash with anger and fix on Jerome -- and the misery of a rotten, wasted life paralyzes both Jerome and the audience. The jolting power of these moments, of Broadbent's poisonous eyes, makes his turn a thing to behold.Jerome's classmates and instructors at the Strathmore Institute figure prominently in the film's wry exploration of what makes good art good, and what makes the truest art timeless. Professor Sandiford (John Malkovich) is a failed painter who is unable to see Jerome's talent and potential but wouldn't mind sleeping with him. Jerome's roommate Vince (Ethan Suplee, of TV's My Name Is Earl) is a fast-talking, sexually obsessed film student. And Jerome's friend Bardo is a talentless, wayward womanizer who doesn't belong in art school. Several heavyweight actors play the bit parts that round out the cast, including Angelica Huston as a sage art history professor, Steve Buscemi as a freewheeling gallery owner, and Michael Lerner as a greedy art dealer.Art School marks Zwigoff's second collaboration with Daniel Clowes, who wrote both the screenplay and the graphic novel on which it was based. Their first collaboration, the 2001 film Ghost World, earned them an avalanche of critical praise and an Academy Award nomination for Best Adapted Screenplay. However, Art School isn't as good as Ghost World, despite their abundant similarities. The connection between the central characters in Ghost World, Thora Birch's Enid and Buscemi's Seymour, was fascinating, odd, and easily understood. Jerome and Audrey's relationship, meanwhile, never takes shape, partly because Audrey's character is completely lifeless. Zwigoff and Clowes never get around to showing us who she is or what she wants. It's never clear why she would turn her back on Jerome to pursue Jonah when she knows better than anyone that Jerome is the real talent.Such problems keep Art School from the heights of achievement of Ghost World and Crumb, but don't keep it from being a provocative, entertaining movie. Art School will go down as a minor work from the maker of off-kilter gems.Between you and me...

Dodgeball: A True Underdog Story Review


Can somebody please stop Ben Stiller?

Since becoming a box-office draw with "There's Something About Mary," the guy has been a horrendous ham, devouring scenery with an eye-bugging, eyebrow-stitching schtick so stale and predictable that his last dozen movies have all included the same gag: slow-motion scenes of Stiller madly mugging while dancing, or running, or playing the titular game of schoolyard pain and humiliation in "Dodgeball: A True Underdog Story."

The only variation in his on-screen persona is that sometimes he's an irritatingly neurotic, hapless chump ("Along Came Polly," "Envy," "Meet the Parents") and other times he's an irritatingly arrogant, mock-sexy-pouting, self-obsessed moron ("Starsky & Hutch," "Zoolander").

Continue reading: Dodgeball: A True Underdog Story Review

Joel David Moore

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