Joe Pantoliano attending the World Premiere of 'Fantastic Beasts and Where To Find Them', held at Alice Tully Hall in the Lincoln Center for the Performing Arts, New York City, United States - Thursday 10th November 2016
Joe Pantoliano attending the World Premiere of 'Fantastic Beasts and Where To Find Them', held at Alice Tully Hall in the Lincoln Center for the Performing Arts, New York City, United States - Friday 11th November 2016
Funeral-goers flock in their masses to pay tribute to the late 'Sopranos' star James Gandolfini at the Cathedral of St. John The Divine in New York City. Among them are his lifelong friends and co-stars including Steve Schirripa, Joe Pantoliano and Tony Sirico.
Joe Pantoliano - The funeral service for Emmy award-winning Sopranos actor James Gandolfini at the Cathedral of St. John The Divine in New York City, NY, USA on June 27, 2013. Best known for his portrayal of mob boss Tony Soprano in the HBO TV series "The Sopranos", Gandolfini died of a heart attack at the age of 51 while on vacation with his family in Rome, Italy on June 19, 2013. His big screen credits include The Incredible Burt Wonderstone, Zero Dark Thirty and Killing Them Softly - New York City, NY, United States - Thursday 27th June 2013
Although, the Greek-gods premise lets the filmmakers indulge in some visually whizzy sequences that keep this rather lightweight action movie entertaining.
Percy (Lerman) is a New York teen whose mother (Keener) has never told him that his father is the god Poseidon (McKidd) and his best pal Grover (Jackson) is actually a protector satyr. When Zeus (Bean) discovers that his lightning bolt has been stolen, he blames Percy. So Percy has to learn quickly who he is so he can find the lightning thief and restore peace to feuding brothers Poseidon, Zeus and Hades (Coogan). In addition to Grover, he gets help from a professor-centaur (Brosnan) and his fellow demigod Annabeth (Daddario).
Continue reading: Percy Jackson & The Olyimpians: The Lightning Thief Review
Watch the trailer for Percy Jackson & the Olympians: The Lightning Thief
An idea man, you see.
Continue reading: The Amateurs Review
As the men talk memories filter back slowly: The man in the jean jacket (Jim Caviezel, Passion of the Christ) recalls a violent kidnapping, the man with the broken nose (Greg Kinnear) recalls running, the man in the rancher shirt (Barry Pepper) is sure he can only trust one of them. They cannot decide if they should free the bound man (Joe Pantoliano) or help the handcuffed man (Jeremy Sisto) who is barely conscious. These desperate men slowly come to the realization that they are all involved in a kidnapping that went horribly awry. The question is: Who are the kidnappers and who are the kidnapped?
Continue reading: Unknown Review
The hardest thing about an outsider trying to infiltrate a subculture and explain it to the masses is that the truth is often lost in the translation. Toback throws together a huge canvas of characters and actors in attempt to create a clear picture of why white kids are motivated to impersonate black rappers' lifestyles and why rich whit guys treat black rappers like Arnold and Willis from Diff'rent Strokes.
Continue reading: Black And White (1999) Review
Christian Bale stars as Jim, a British kid born in Shanghai, the son of upper crust expatriates who feel the rising tide of Japanese-Chinese aggression will never reach there strata. Of course it does, and as the Japanese overtake Shanghai, Jim's family is torn asunder, scattering in the chaos. But eventually, like Ben-Hur, Jim returns home to discover his house in ruins and his loved ones gone, so he does the only thing he can think of -- surrender to the Japanese. Only the Japanese don't even want the worthless kid, until finally, after hooking up with a seedy scam artist named Basie (John Malkovich) and his flunkie (Joe Pantoliano), does he manage to get himself arrested and thrown into an internment camp where at least there is the promise of a daily potato and some gruel.
Continue reading: Empire Of The Sun Review
About half way through "The Matrix," the ostensibly intellectualand certainly expensive virtual reality sci-fi thriller starring KeanuReeves as a genius hacker, the movie turns suddenly simple, as if a WarnerBros. exec showed up on the set and said "I don't get it. You're gonnahave to dumb this down for me."
The writing-directing team of brothers Larry and Andy Wachowskicomplied, and once the movie peels away the mystery of the world in whichit takes place -- which happens about 40 minutes into the story -- it becomeslittle more than wildly over-produced string of action sequences, pausingonly for the obligatory smarmy remarks made between barrages of fancy weaponsfire.
Continue reading: Matrix Review
David Arquette's escaped-lunitic-on-a-double-espresso style of nitwit comedy is an aquired taste. Or at least I assume it is since I don't find him funny but movie directors continue to cast him and AT&T saw fit to make them their collect-calling spokesman.
He's a one-note Jim Carrey wannabe with a Jerry Lewis IQ and two facial expressions: Half-asleep stoner and vein-popping screaming mimi. He's also a front-runner for Least Convincing Actor Alive, as he frequently seems to be looking desperately toward the camera for approval of over-the-top his antics.
David Arquette is also the star of "Ready To Rumble," a slow-pitch comedy about professional wrestling fans, seemingly made for some niche market of moviegoers that find Pauly Shore pictures too intellectually taxing.
Continue reading: Ready To Rumble Review
An unremarkably routine superhero movie based on the cult-favorite comic book about a satanically-costumed blind vigilante, "Daredevil" plays like a C-grade grad project for a night school course called Superhero Filmmaking 101.
Faithful to his inspiration -- the era of "Daredevil" issues written by "Batman" revitalizer Frank Miller and comic-crazy film director Kevin Smith -- in several important details, writer-director Mark Steven Johnson's one stroke of true genius comes in the pulses of fluid, misty, ghostly imagery he uses to depict the sightless crime fighter's enhanced ability to "see" through sound waves and smells.
But most of the picture apes its action style -- and many whole fight scenes -- from last year's "Spider-Man." It has the same ineffectual opening voice-over, the same unconvincingly CGI-assisted rooftop leaping and building-swinging (Daredevil uses a grappling-hook-modified walking cane instead of spider-webbing) and its hero has the same slow-mo back-flip method of dodging weapons thrown by villains.
Continue reading: Daredevil Review
Many ticket-holders couldn't get into the O2 Arena show on Tuesday night (September 19th) because they didn't bring photo ID to match their booking.
An album re-release, a new song and a documentary mark the singer's legacy this year.
The film will be the first in the Marvel Cinematic Universe led by a person of colour.
The actor plays the titular hero in the forthcoming adaptation.
Watch the trailer for Percy Jackson & the Olympians: The Lightning Thief Percy Jackson isn't...
I have officially reached my quota for the year of talking animal movies. Dr....
God bless Hollywood's family film genre. Where else could Malcolm in the Middle star Frankie...
What many people forget when comparing The Matrix to its own sequels (or the Star...
A very unique and brutal subculture exists in America these days. It's a strange...
The year is 2080 and not a damn thing has changed - wannabes still roam...
It would be a hard heart indeed that couldn't find a bit of affection for...