Joe Mantegna

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The eighth annual George Lopez Celebrity Golf Classic presented by Sabra - Arrivals

Joe Mantegna - The eighth annual George Lopez Celebrity Golf Classic presented by Sabra - Arrivals at Lakeside Golf Club - Toluca Lake, California, United States - Monday 4th May 2015

Joe Mantegna

Noble Awards

Joe Mantegna and Gary Sinise - A host of celebrities were photographed as they arrived for The 3rd Annual Noble Awards which honor humanitarians and their hard work around the world. The awards were held at the Beverly Hilton Hotel in Beverly Hills, California, United States - Friday 27th February 2015

The 3rd Annual Noble Awards

Joe Mantegna and Gary Sinise - The 3rd Annual Noble Awards at The Beverly Hilton Hotel - Beverly Hills, California, United States - Saturday 28th February 2015

Joe Mantegna and Gary Sinise
Joe Mantegna and Gary Sinise
Joe Mantegna and Gary Sinise

17th Annual Women In Film Golf Classic

Joe Mantegna - 17th Annual Women In Film Golf Classic - Thousand Oaks, California, United States - Sunday 13th July 2014

Joe Mantegna
Joe Mantegna
Joe Mantegna
Joe Mantegna
Joe Mantegna

George Barris Birthday Party

Joe Mantegna - American designer of custom cars George Barris celebrates his 88th birthday. George Barris is known throughout the world as the 'original' King of Kustomizers. His creations are legendary in the world of television and motion pictures including the likes of the original television series Batmobile, Munster Koach, Beverly Hillbillies and KITT from Nightrider. - North Hollywood, California, United States - Sunday 24th November 2013

Joe Mantegna
Joe Mantegna
Joe Mantegna
Joe Mantegna
Joe Mantegna

Cars 2 Review


OK
There's an astounding level of detail in the animation of this sequel to Pixar's iffy 2006 hit Cars. It's good fun but, with so many characters and plot strands, it also feels cluttered and rather chaotic.

Global daredevil Axelrod (Izzard) has challenged the world's fastest cars to a three-part grand prix, so rally champ McQueen (Wilson) heads to Tokyo with his pal Mater (Larry) to take on rival F1 racer Francesco (Turturro). But Mater obliviously stumbles into a sinister international espionage operation, mistaken for a spy by British agents Finn and Holly (Caine and Mortimer). As the competition continues to the Italian Riviera and London, McQueen frets that he has insulted Mater. But he's actually entangled in a mission to stop a mysterious villain from blowing up the racers.

Continue reading: Cars 2 Review

Cars 2 Trailer


Lightning McQueen knows he's the best and fastest race car in the world and when he hears about the first-ever World Grand Prix he decides he must enter. Along with his best friend Mater the tow truck they start their journey overseas.

Continue: Cars 2 Trailer

Redbelt Review


Excellent
David Mamet is a difficult guy to figure. His latest film, Redbelt, which he wrote and directed, is perhaps his most confounding project yet. That's not to say it's not enjoyable -- at its best, Redbelt is twisty, heady, butt-kicking fun -- but it's hard to recognize the writer of Glengarry Glen Ross as the man behind a film set in the mixed martial arts (MMA) subculture. Sure, the world of MMA fighting is fertile territory for Mamet's twin obsessions -- masculinity and domination -- but seriously... MMA? I've seen some MMA bouts in my day, and those guys don't look capable of speechifying the way Mamet's character's do. And yet somehow, in ways past reckoning, Redbelt manages to be pretty darn entertaining, even, in some parts, affecting.

Let me quickly establish some caveats. Redbelt is one of the most unapologetically macho movies made in the last several years, and the story ultimately buckles under the weight of its earnestness. The plot is constructed on the theme of warrior culture, personified by the lead character Mike Terry, played soulfully by Chiwetel Ejiofor (American Gangster, Dirty Pretty Things), who seems incapable of anything short of brilliance. Terry is a mixed martial arts instructor who lives his life by a code. His ethos is never really explained, but it clearly involves things like honor, integrity, and a bunch of other quiet, old-fashioned virtues most people don't think too much about. But Terry has a problem: Despite a loyal stable of disciples, his gym doesn't make any money and he has to do something to dig his way out of debt.

Continue reading: Redbelt Review

Witless Protection Review


Unbearable
First, he gave us the interesting but incoherent Larry the Cable Guy: Health Inspector. It was a film so completely devoid of intelligence that the screenplay consistently threatened to choke on its own drool. Not to be outdone, the Blue Collar Tour vet then went military with the mindless Delta Farce. There, he at least had Bill Engvall and D.J. Qualls to share the blame with. Now comes Daniel Lawrence Whitney's latest celebration of skidmarks, atomic flatulence, personal filth, and animal husbandry. And as Witless Protection proves, the timer on this comic's 15 minutes of funnyman fame has hit an hour and a half.

Poor dumb backwoods deputy Larry Stalder (Mr. Cable Guy). He longs to be an FBI agent, much to the chagrin of his country-fried friends and Daisy Mae wannabe gal pal Connie's (Jenny McCarthy). While spending a quiet morning at the local coffee house chewing the fat, he sees a big city vixen (Ivana Milicevic) surrounded by several men in black. Mistakenly believing she's the victim of a kidnapping, Larry springs into action. He hijacks the lady, avoids the mystery men, and believes he has saved the day.

Continue reading: Witless Protection Review

Cougar Club Review


Grim
What movie do Faye Dunaway, Carrie Fisher, and Joe Mantegna have in common? That's right: Cougar Club!

Yes, the "MILF" craze has gotten so popular that even big stars (or at least people that used to be big stars) will show up for a MILF-oriented sex comedy.

Continue reading: Cougar Club Review

Persons Unknown Review


Grim
While I futilely try to figure out the ending of Persons Unknown means, I'm left to wonder why this film saw no real theatrical release, and why it took 11 years to make it to DVD. Maybe the fact that it's fairly ludicrous or nonsensical? The circuitous plot gives us a kind of cool beginning, with a security pro (Joe Mantegna) being hustled by a girl (Kelly Lynch) who's heading up a big heist. Eventually he tracks her down, figures out what's going on, runs off with their loot, and watches bodies pile up in the mountains. The last half of the film is alternately filled with typical shoot 'em up/run 'em down scenes and kind of silly plot twists. The top shelf cast is uniformly wasted, including Naomi Watts in an early role.

Bugsy Review


Excellent
After writing, directing and starring in one of the most politically intriguing films of the 1990s, Bulworth, Warren Beatty vanished. He only resurfaced in 2001 in the deplorable Town & Country, which had been finished since 1999. There was no loud announcement of quitting Hollywood, he just stopped acting and started complaining about the Governator.

A consummate leftist, Beatty was always into politics and into political filmmaking, or films that took on big topics at least. So, the question must be asked why he would decide to star as one of the most flamboyant, vain gangsters of all time, Benjamin "Bugsy" Siegel. Not only did he act in the film, he was the reason it started. Beatty wrangled up James Toback to write the thing and then snagged Barry Levinson to direct the picture, and decided that the focus of the film should be the end of Siegel's career/life.

Continue reading: Bugsy Review

Alice (1990) Review


Good
Alice in Wonderland gets a Woody Allen update and makeover in this oddball story of a woman (Mia Farrow) who is stricken with a backache and seeks the advice of a Chinese herbalist/hypnotist, who diagnoses her with emotional problems instead. Soon she's hallucinating, invisibly eavesdropping, communicating with the dead, and otherwise curing herself, all while navigating the waters of her heart. Allen earned a screenwriting nomination, but Farrow is charming in her red hat, and William Hurt is memorable as her straying husband.

Edmond Review


Grim
There's a slight chance, very slight, that David Mamet is a genius. As a writer, his blunt, edgy, and constantly interrupted dialogue has earned him a lot of weight, so much so that he is considered one of the more important playwrights of the last 25 years or so. As a director, he is precise and extremely-well calculated, if not a bit lacking in aesthetic substance and style. When he directs his own work, it tends to go remarkably smooth, as it did in the fantastic Heist and his best film, State and Main. However, when put in the hands of others, sometimes it goes exceedingly well (James Foster's Glengarry Glen Ross) or exceedingly bad (Michael Corrente's American Buffalo). The latest is a retelling of his play Edmond by King of the Ants helmer Stuart Gordon.On his way home from work, Edmond Burke (William H. Macy) decides to stop at a fortune teller. She simply tells him this: "You are not where you're supposed to be." This causes him to leave his wife (a brief Rebecca Pidgeon) and to go out on the town to get an old fashioned piece of tail, as suggested by a stranger at a bar (the reputable Joe Mantegna). He goes through strippers, booth girls and expensive call girls, played by a who's who of young actresses ranging from Mena Suvari to Denise Richards. He finally settles on a waitress (Julia Stiles) who he picks up after attacking a pimp and finding a newfound love for life. This passion, however, leads to a terrible act that lands him in jail and doing things that he was scared of before, constantly saying "every fear hides a wish."Mamet's sly style of writing somehow seems lacking here. In Glengarry, he wrote with blood and thunder about the rigorous work of real estate salesmen and in Oleanna, he split the sexual harassment debate so thinly that you couldn't see his opinion without microscope eyes. With Edmond however, he lays everything out for the audience and world to see, allowing the character to often pontificate on basic musings like what it's like to feel alive and the mundane nature of normal life. There is a serious lack of subtext that gives off the feeling of extreme annoyance.Gordon directs with a simple enough structuralism and he gives impressive terror to the climactic scene where Edmond goes over the edge. However, this simplicity also leads to a considerable loss in mood and atmosphere, which seems devoid after the excellent opening scene in the fortune teller's room. The actors, chiefly Macy and Stiles, struggle to keep the story afloat and exciting, but it's a losing battle. Reliable character actors like Bai Ling and Dylan Walsh (so good in Nip/Tuck) are given scant screen time to show their prowess, but Bokeem Woodbine works wonders as Edmond's bunkmate when he enters prison. None of this, however, allows Edmond to make more than a small ripple in the water. It's a fussy little movie that wants to be much more controversial and important than it is. Did I say those chances were very, very slight?The dead hooker's under the card in the middle.

Bugsy Review


Excellent
After writing, directing and starring in one of the most politically intriguing films of the 1990s, Bulworth, Warren Beatty vanished. He only resurfaced in 2001 in the deplorable Town & Country, which had been finished since 1999. There was no loud announcement of quitting Hollywood, he just stopped acting and started complaining about the Governator.

A consummate leftist, Beatty was always into politics and into political filmmaking, or films that took on big topics at least. So, the question must be asked why he would decide to star as one of the most flamboyant, vain gangsters of all time, Benjamin "Bugsy" Siegel. Not only did he act in the film, he was the reason it started. Beatty wrangled up James Toback to write the thing and then snagged Barry Levinson to direct the picture, and decided that the focus of the film should be the end of Siegel's career/life.

Continue reading: Bugsy Review

Joe Mantegna

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