Isabella Rossellini and Jody Shapiro - 58th San Francisco International Film Festival - 'Isabella Rossellini's Green Porno Live' - Screening at Castro Theatre - San Francisco, California, United States - Sunday 26th April 2015
It all starts, as it so often does, on a train. The main character (Darcy Fehr), a rebellious, alternate-reality incarnation of Maddin himself, sleeps and dreams his way through the main avenues, alleyways and inlets of Winnipeg in the business class section of a ghost engine. Desperate to leave the memories of his home burg, he begins remembering his childhood, partly recreates it, and then peppers it with large swigs of fantasized recollections and recreational mythologies.
Continue reading: My Winnipeg Review
All of which seems to further 2003 as the year of the outlandish fantasy. As Sylvain Chomet's singular vision brought us a work derived purely from an irrepressibly inventive mind with The Triplets of Belleville, here Canadian director Guy Maddin (Dracula: Pages from a Virgin's Diary, Fleshpots of Antiquity) works from a co-authored original screenplay with Kazuo Ishiguro (The Remains of the Day) in a manner that combines the storytelling and musical vitality of Topsy-Turvy with the visual imagery out of the German expressionism of F.W. Murnau (Nosferatu, The Phantom) but with its own richness of character. I call it "high concept 8mm."
Continue reading: The Saddest Music In The World Review