Mutants and humans alike are familiar with the story of Apocalypse, he was the first mutant and began harnessing his power in ancient times. Now, millions of years after his reign, Apocalypse is reborn and finds himself in the middle of a modern society and shocked by the direction both human and mutant life has taken.
Feeling there are few options left, Apocalypse calls on the help of Magneto and a group of other mutants to help 'cleanse' the earth of all the citizens who have contributed to its downfall. The Horsemen of the Apocalypse - headed by Magneto - start to wreak havoc around the world and it looks like the X-Men's attempts to save it are all but lost - especially when their team is badly hurt by the loss of one member.
Land of the Dead is Romero's fourth zombie picture, a sequel of sorts to his last "...of the Dead" picture, Day of the Dead. It all began, of course, with the infamous '60s shocker Night of the Living Dead - now a denizen of the public domain and released by every fly-by-night DVD company around - which combined social commentary and, at the time, shocking gore. It was a combo that inspired a whole genre, the zombie-athon, and countless imitators, very few of which are as inspired as any of Romero's. (The engaging and referential Shaun of the Dead comes closest.)
Continue reading: Land Of The Dead Review
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