Sátántangó opens with 10 minutes of cows emerging onto the muddy landscape of a farming community, which let you know you had to have a saint's patience to endure the rest of the movie. Werckmeister Harmonies, on the other hand, has a more arresting and immediately engaging sequence. It helps that Tarr follows one central protagonist this time, one János Valuska (Lars Rudolph), whom many critics have referred to as a "Holy Fool." But in fact, this supposedly simpleminded guy is a practitioner of the theatrical arts. He has more in common with great Polish theater directors like Grotowski and Artaud than he does with holy fools, and he is first glimpsed staging a bit of performance art for the drunken patrons of an alehouse right before closing time.
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Gorilla Bathes at Noon is a very simple story (especially considering Makavejev's earlier films) about a Russian soldier named Victor (Svetozar Cvetkovic), caught in East Berlin as the wall is coming down. The clownish oaf wanders through the aftermath of communism, still adhering to his hero, Lenin. He even climbs the giant statue erected in his honor to scrub the paint from his head (see picture below). And he imagines(?) his girlfriend (Anita Mancic) in Lenin's image, complete with beard and moustache. (Of special note is Éva Ras, who appears as the girl's mother, previously was murdered by Makavejev in his film Love Affair, some 26 years earlier.)
Continue reading: Gorilla Bathes At Noon Review
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