Joachim Krol

Joachim Krol

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Joachim Krol and wife Heidrun Teusner-Krol - Joachim Krol, wife Heidrun Teusner-Krol 59th annual Berlin Film Festival (Berlinale) Berlin, Germany - Reception for Adam Resurrected (Ein Leben fur ein Leben) at Hotel Kempinski Saturday 7th February 2009

Joachim Krol and Wife Heidrun Teusner-krol
Joachim Krol and Wife Heidrun Teusner-krol

Joachim Krol Wednesday 5th November 2008 Premiere of the new BMW 7 series at BMW Kurfurstendamm Berlin, Germany

Joachim Krol

Joachim Krol Monday 23rd July 2007 Special Screening of "Death Proof" at the Kino in der Kulturbrauerei movie theater Berlin, Germany

Joachim Krol
Joachim Krol
Joachim Krol
Joachim Krol

Gloomy Sunday - Ein Lied Von Liebe Und Tod Review


Very Good
This melodrama is set against the backdrop of World War II, the invasion of Budapest, and the Holocaust. Amazing how much heft love triangles gain when set against the backdrop of global crises. Gloomy Sunday - Ein Lied von Liebe und Tod is an epic period film with a ménage-a-trois at its center; one that asks its audience to wish happiness upon a merry threesome that tries to get along despite the world falling apart around them. That would be a clever enough twist, told with surprising poignancy and depth, but Gloomy Sunday goes even better. Its title refers to that famous European ballad that became notorious for supposedly driving its listeners to suicide, and indeed that titular song becomes the crux of the film. One of the threesome, moody pianist András (Stefano Dionisi), is the composer of that ballad --and the conscience of the film as lost souls die around him and the Nazis come to town.

Director Rolf Schübel handles 1930s Budapest with period film stateliness, but he encourages lively performances from his three leads. Erika Marozsán is a sumptuous young hostess to restaurant owner Laszlo, played with flair and a touch of good-natured swarthiness by Joachim Król (Run Lola Run). Laszlo hires András to play in his restaurant, they both fall for the same woman, and they find an accommodating relationship. It's handled with an appropriately light touch.

Continue reading: Gloomy Sunday - Ein Lied Von Liebe Und Tod Review

Gloomy Sunday - Ein Lied Von Liebe Und Tod Review


Very Good
This melodrama is set against the backdrop of World War II, the invasion of Budapest, and the Holocaust. Amazing how much heft love triangles gain when set against the backdrop of global crises. Gloomy Sunday - Ein Lied von Liebe und Tod is an epic period film with a ménage-a-trois at its center; one that asks its audience to wish happiness upon a merry threesome that tries to get along despite the world falling apart around them. That would be a clever enough twist, told with surprising poignancy and depth, but Gloomy Sunday goes even better. Its title refers to that famous European ballad that became notorious for supposedly driving its listeners to suicide, and indeed that titular song becomes the crux of the film. One of the threesome, moody pianist András (Stefano Dionisi), is the composer of that ballad --and the conscience of the film as lost souls die around him and the Nazis come to town.

Director Rolf Schübel handles 1930s Budapest with period film stateliness, but he encourages lively performances from his three leads. Erika Marozsán is a sumptuous young hostess to restaurant owner Laszlo, played with flair and a touch of good-natured swarthiness by Joachim Król (Run Lola Run). Laszlo hires András to play in his restaurant, they both fall for the same woman, and they find an accommodating relationship. It's handled with an appropriately light touch.

Continue reading: Gloomy Sunday - Ein Lied Von Liebe Und Tod Review

Anne Frank Review


OK
So what happened after Anne Frank got busted and stopped writing her diary? The TV movie Anne Frank tells us not only of her days in the annex but also what happened afterwards -- namely, being shipped off to Auschwitz. Based not on her famed diary but on Melissa Muller's biography of Anne, the film also covers the time before the Franks sequestered themselves in the hiding, when Anne was just a preteen worried about boys.

Hannah Taylor-Gordon is an interesting find for the role of Anne, her few credits belying her ability before the camera. The story itself is, at three hours, far too long to carry our attention -- most notably because the scenes in the annex are overly repetitious and can't carry the hour and a half they are asked to do. Although Ben Kingsley is quite good in these scenes, starring as Anne's father, he can't cut through the plodding repetition. After only 10 minutes, we get it -- it was really claustrophobic up there.

Continue reading: Anne Frank Review

The Princess And The Warrior Review


Weak
German auteur Tom Tykwer downshifts from the frenetic pace of Run Lola Run, landing solidly back in first gear -- if that -- with The Princess and the Warrior, a glorified and conceited film school project if ever I've seen one.

Tykwer reunites with Lola star Franka Potente, casting her as Sissi (the princess, presumably) a troubled mental ward nurse who probably ought to be a patient herself. After a morose 20-minute setup wherein the players are cryptically introduced, we find Sissi lying near death under a semi truck, run down in a city street. To her rescue comes the unlikely hero Bodo (the warrior?), played by the Gary Oldmanesque Benno Fürmann (also Potente's Anatomy costar), a two-bit crook who indirectly caused the collision in the first place. Bodo saves Sissi's life by giving her a homemade tracheotomy, and after a long recovery, the already unstable Sissi soon finds herself obsessed with her savior.

Continue reading: The Princess And The Warrior Review

The Princess & The Warrior Review


OK

The second collaboration between German writer-director Tom Tykwer and his muse, actress Franka Potente, "The Princess and the Warrior" couldn't be a further departure from "Run Lola Run," the influential and groundbreaking piece of kinetic, adrenaline-fueled pop cinema that put them both on the map.

In that 1999 hit, Potente played a boyishly sexy post-modern alt-punk trying to save the life of her petty criminal boyfriend, who lost a cash delivery for his gangster boss. Set to Tykwer's own rave-styled soundtrack and edited to match, "Lola" followed Potente as she marathoned across Berlin seeking desperate last-minute solutions before the scheduled money drop. It's not quite an all-out assault on the senses, but it's nothing if not hyperactively energetic.

By contrast, "The Princess and the Warrior" is eerily serene, deliberately paced (135 minutes to "Lola's" 84), deeply reflective and intensely psychological.

Continue reading: The Princess & The Warrior Review

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The Princess and the Warrior Movie Review

The Princess and the Warrior Movie Review

German auteur Tom Tykwer downshifts from the frenetic pace of Run Lola Run, landing solidly...

The Princess & The Warrior Movie Review

The Princess & The Warrior Movie Review

The second collaboration between German writer-director Tom Tykwer and his muse, actress Franka Potente, "The...

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