That's pretty much the story, with rising star Robert De Niro strangely inserted into the movie to take advantage of his upcoming celebrity (he's a bicycle racer that falls for the gang leader's (Jerry Orbach) kid sister (Leigh Taylor-Young, completely lost here). The bulk of the film has Orbach and co. scheming endlessly to off Stander's Baccala, and over and over it fails to amuse us, even when a live lion is thrown into the mix. That's the film. If it weren't for Villechaize, there'd be nary a laugh in the whole movie, and even that kind of comedy is hardly highbrow.
Continue reading: The Gang That Couldn't Shoot Straight Review
The setup is straight out of a '60s sitcom: Harold Fine (Sellers) is a stuffy lawyer. He re-encounters his dippy hippie brother Herbie (David Arkin) to take him to a funeral, and is immediately disgusted by his free-living ways. But when Herbie's pal Nancy (Leigh Taylor-Young) concocts a batch of pot brownies, Harold suddenly goes nuts for the hippie life. He turns his apartment into a love shrine, where he and Nancy can, well, eat a lot of pot brownies. Will he tire of this in the end and go back to his wife-to-be (whom he left at the altar to head off with Nancy)? Who cares?
Continue reading: I Love You, Alice B. Toklas! Review
In the film, Polanski plays a quiet man who moves into a small apartment recently vacated by a woman who committed suicide by jumping out of the window -- for unknown reasons. Polanski's Trelkovsky quickly becomes embroiled in mysterious goings-on, including a dalliance with a stranger (Isabelle Adjani) he encounters at the hospital while visiting the former tenant's death bed, endless creepy apartment-mates, and a slow descent into insanity as he becomes obsessed with the life of the former tenant.
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John Steinbeck's classic story draws on the Biblical tale of Cain and Abel, the two warring brothers from the Old Testament, and although Cain doesn't slay Abel in this version of the story, he comes close. Dean brings his emotive Method style to the role of Cal Trask, the "bad" son who must compete with his golden boy brother Aron (Richard Davalos) for the love of their cold, Bible-thumping father Adam (Raymond Massey). Together they work a lettuce farm in central California's fertile Salinas Valley. It's 1917, and World War I is raging overseas.
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Have I got a movie for you! The Burt Lancaster-Kirk Douglas rendition of the still-going-strong story of the shootout in Tombstone is possible the tamest and least inspired on record, a workmanlike and low-budget retelling of the story. No insight, no real violence, no soul. This Gunfight doesn't actually occur until 1 hour and 45 minutes into the film -- tragic in its deception and painful in the boredom induced on the way.
Continue reading: Gunfight At The O.K. Corral Review