With the tagline "A Star Wars Story", this first spin-off from the saga isn't actually a stand-alone movie. It requires some understanding of the context as it chronicles events that lead directly into 1977's Episode IV: A New Hope. It's also a seriously rousing action film with a riveting cast of characters and a surprising willingness to embrace even the darkest elements of storytelling. In other words, it might be the first Star Wars movie made specifically for grown-ups.
It opens as the Empire is systematically crushing the rebellion, leaving them wondering if there's any point to continuing the fight. Rumours are swirling that the Empire is building a massive Death Star, and rebel Jyn (Felicity Jones) discovers that it was designed by her long-lost father Galen (Mads Mikkelsen), who sends her a message saying that he left a flaw in the system specifically for the rebels to exploit. So she joins a team to contact him, led by Cassian (Diego Luna), who doubts that Galen is on their side. They're accompanied by pilot Bodhi (Riz Ahmed) and the sarcastic robot K-2SO (Alan Tudyk), plus the blind wannabe Jedi Chirrut (Donnie Yen) and his battling sidekick Baze (Jiang Wen). And as their mission goes rogue, they come up against the slimy Imperial Director Orson (Ben Mendelson) and the vicious Darth Vader (again voiced by James Earl Jones).
Director Gareth Edwards (Monster) packs the movie with visual references to A New Hope, cleverly matching the design work by avoiding fakey digital effects in lieu of more practical, battle-scared models and lively settings on a series of new planets and a familiar one. This gives the film an electric atmosphere that's edgy and unpredictable even though we all know exactly how this mission has to end. At the beginning, the plot feels a bit splintered, but the strands come together with power, building a gnawing sense of momentum and some real gravitas along the way.
Continue reading: Rogue One: A Star Wars Story Review
Rogue One: A Star Wars Story is a standalone Star Wars film which acts as an important subplot to the original 1977 movie 'A New Hope'. In the man film, Luke and his uncle take ownership of a droid sold to them and as Luke cleans the droid up he hears a section of a message left for someone called Obi-Wan Kenobi pleading for his help. Luke decides to find the only man he knows by the name of Kenobi and his mission turns into the story we all know.
The data on R2-D2 memory is the story of Rouge One. The Rebel Alliance are aware that the Galactic Empire are building a humongous super machine capable of destroy vast areas of space and one of their rebel fighters might just hold the key to more information than she knows.
Jin Erso is a loyal member of the Alliance though she often acts as a lone rebel and takes risks greater than her superiors would like. When a fraction of the Alliance learns that Erso's father played a crucial role in building the device she knows that she must track him down.
The Galaxy is on the brink of a major war being won by dangerous rulers and only a few fighters stand between the Emperor and his unrelenting army which is constantly surging peaceful plants. The destruction and invasion of any planet who won't agree to the Empire's stringent regulations is all but destroyed.
Jyn Erso is one such rebel fighter who is willing to go to any lengths to fulfil her mission, often landing her in trouble with her seniors but her independent demeanour means that she might be a perfect candidate for an imperative mission - the failure of which could mean the end of the galaxy as its citizens know.
Jyn and a small team of fellow rebels must steal plans for the Emperor's newest and deadliest weapon, The Death Star.
Continue: Rogue One: A Star Wars Story Trailer
Jimmy Smits - The Paley Center For Media's Tribute To African-American Achievements In Television at the Beverly Wilshire Four Seasons Hotel - Arrivals - New York, New York, United States - Wednesday 18th May 2016
After five long years, the Clone Wars are still raging across the galaxy. Count Dooku (Christopher Lee), the Separatist leader and his minion, General Grievous, have captured the Chancellor of the Galactic Republic. Jedi master Obi-Wan Kenobi (Ewan McGregor) and Anakin Skywalker (Hayden Christensen) are tasked with his rescue. Once the chancellor is saved and Dooku is defeated, the location of General Grievous is discovered. If the Jedi can send a strike force to capture or kill Grievous, then they will be able to end the war entirely. But there is a darkness growing within Anakin, and the Jedi Order are slowly starting to become aware of it. But as the power of the Chancellor continues to grow, and his hold over Anakin grows too, leading to a revelation which will forever change the galaxy, and lead to a greater, more destructive war.
Continue: Star Wars: Revenge Of The Sith Trailer
Jimmy Smits - The stars of the hit FX series ‘Sons of Anarchy’ were photographed on the Red Carpet at the TCL Chinese Theatre, in Hollywood, Los Angeles, California, ahead of the premiere for the seventh and final series of the show. - Saturday 6th September 2014
Jimmy Smits - Ahead of the premiere for FX’s seventh and final series of ‘Sons of Anarchy’, the stars were photographed on the Red Carpet at the TCL Chinese Theatre, in Hollywood, Los Angeles, California. - Saturday 6th September 2014
Charlie Hunnam, Jimmy Smits and Mark Boone Junior - Charlie Hunnam films an action scene where he is involved in a fight while filming Sons Of Anarchy. Co-star Jimmy Smits is also on the set. - Los Angeles, California, United States - Monday 14th July 2014
Oliver Platt made his appearance at the Media Presents: 'Fargo' event at The Paley Center in New York alongside 'Braddock & Jackson' stars Martin Lawrence and Kelsey Grammer. Platt features in the 'Fargo' film-to-TV crime drama series alongside Martin Freeman and Billy Bob Thornton.
Fortunately writer-director Garcia is very careful to avoid wallowing in sentimentality.
Elizabeth (Watts) is a shark-like lawyer who easily seduces her new boss Paul (Jackson). She's had a difficult emotional life, and prefers to keep things under control, managing her friendships and relationships with icy distance.
Continue reading: Mother And Child Review
When creator Aaron Sorkin left The West Wing abruptly in 2003, many people wrote the show off. Sorkin imbued the show with his naïve left-liberal bias and scripted much of its glib dialogue, and his leaving seemed to guarantee an identity crisis. In fact, The West Wing was really nothing more than Sorkin's personal wish fulfillment: What if we elected a strongly moral liberal Democrat as president? Or to put it a different way, what if President Clinton (who was still president when the show started, in 1999) had been even more liberal, and not horny all the time? Sorkin's answer was Jed Bartlet, the imaginary president played by Martin Sheen. Bartlet is sort of a Ted Kennedy with gravitas -- a sententious, northeastern liberal Catholic who, because this is TV, is always right. (With John Kerry we actually had a chance to elect someone like Bartlet, minus the intellectual rigor, and not too surprisingly, the electorate didn't go nuts over him. Of course, Kerry was not as telegenic as Martin Sheen.)
Continue reading: The West Wing: Season Six Review
And so we're faced with the third Star Wars prequel, Revenge of the Sith, simultaneously the most anticipated and dreaded film of the summer. Nearly a decade of hype, dashed expectations, and Jar-Jar Binks jokes have finally come down to this, Lucas's third Star Wars prequel and, by all accounts, the last Star Wars movie that will ever be made.
Continue reading: Star Wars: Episode III - Revenge Of The Sith Review
The climactic lightsaber duel in "Star Wars: Episode II -- Attack of the Clones" has to be seen to be believed. It puts the awesome Darth Maul/Obi-Wan fight in "The Phantom Menace" to shame, and it's one of the big pluses in a mixed blessing of a movie that is a vast improvement over its immediate predecessor, but sometimes in fits and starts.
Any fan will have the same reaction to this showdown: As it's about to begin, you'll laugh, because with the characters involved the idea seems almost absurd. Then you'll cheer, because George Lucas knows you're laughing, and plays into it beautifully. Then your mouth will drop open in amazement. How did he pull this off? This is so cool!
Suffice it to say, this scene -- and the huge battle that surrounds it as the fabled Clone War begins -- is worth the price of admission all by itself.
Continue reading: Star Wars: Episode II - Attack Of The Clones Review
It's a shame "Price of Glory" is such an elementary piece of utterly predictable, movie-of-the-week style filmmaking, because this boxing-themed, strife-defeating family drama certainly has its heart in the right place.
A throwback to the kind of medicinal matinee movies made for Sunday afternoon outings with the whole family, this Jimmy Smits vehicle is a sincere -- if sanctimonious -- affair about a former, failed middleweight contender living vicariously through his three sons, bruisers-in-training all.
A proud but temperamental, assembly-line union man with a do-it-yourself training ring in his back yard, Smits is a stern daddy who drives his boys hard. His beautiful wife with shampoo commercial hair (Maria Del Mar) wants the boys to go to college, but Pop thinks they could all be champs, and he's determined to manage each of them to a title.
Continue reading: Price Of Glory Review
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