A collection of random shorts that focus mainly on idiotic male behaviour, this portmanteau comedy is only occasionally amusing, never making anything of its astonishing cast. Frankly, we spend most of the time wondering how the filmmakers lured these A-listers to appear in these pointless, nasty little films. And while the premises have potential, not a single one has a decent punchline.
As a prank, two teens make up a banned online film called Movie 43. While their brainly little brother searches for it, he runs across a series of clips that mainly focus on awkward vulgarity between the sexes. Bitter exes (Culkin and Stone) have a rude exchange that's broadcast on a supermarket sound system. Pratt is shocked when his girlfriend (Faris) asks him to "poop" on her, and agrees because he loves her. Parents (Watts and Schreiber) homeschool their teen son (White) with the goal of showing him how excruciating life will be. Two pals (Scott and Knoxville) kidnap a leprechaun (Butler) who's reluctant to give them his gold. And a 1950s basketball coach (Howard) tries to convince his players that they're winners because they're black.
Others are dating scenarios: Winslet goes on a blind date with a guy (Jackman) who has testicles on his neck; Berry and Merchant play an increasingly deranged game of Truth or Dare in a Mexican restaurant; a pre-teen (Bennett) can't cope when his young date (Moretz) has her first period; Batman (Sudeikis) messes up Robin's (Long) attempt at speed-dating; Banks struggles to cope with her new boyfriend's (Duhamel) obsessive cartoon cat. There are also a few random advert spoofs, including one for the naked-woman shaped iBabe, which leads to trouble for the company CEO (Gere).
Continue reading: Movie 43 Review
If you were hoping for a romantic comedy with a harmless storyline, romance and inoffensive jokes, the here's a warning: read no further. 'Movie 43' is one of the most cringe-worthy and uncensored taboo-filled flicks to be released in the history of comedy. Here you will see several interlinked stories with characters' lives surrounding unusual proposals, interrupting blind kids' parties, bad parenting, teenage menstruation, a confused and slightly racist basketball coach, innovative business ideas and the kidnapping of a violent leprechaun. Once you see this movie it is unlikely you will find a subject that offends you ever again.
With twelve different comedy genius directors including Peter Farrelly ('Dumb & Dumber', 'There's Something About Mary', 'Shallow Hal'), Steve Carr ('Daddy Day Care', 'Dr Dolittle 2'), Steven Brill ('Little Nicky') and Brett Ratner ('Rush Hour') to name but a few and eight different writers, this jaw-droppingly crude and often obscene movie features a diverse star-studded cast, both British and American, who have banded together to shock you in the most hilarious ways you can think of. Whatever kind of comedy you're into, 'Movie 43' probably has something in it for everyone and it is set to hit the big screen on February 1st 2012.
Continue: Movie 43 Trailer
Toe Thompson (Bennett) is a lonely kid in school, picked on relentlessly by the school bully Helvetica (Vanier) and her big brother Cole (Gearhart). They're the children of Mr Black (Spader), owner of the monolithic company that employs everyone in town, including Toe's parents (Cryer and Mann). Then Toe finds a mysterious rainbow-coloured rock that has the ability to grant wishes. After passing through the hands of his schoolmates Loogie and Nose (Gagnon and Short), the town is awash in walking crocodiles and giant boogers. And Helvetica is about to get her hands on it.
Continue reading: Shorts Review
Kate and John (Farmiga and Sarsgaard) live in a spectacular designer home in the snowy countryside with their bright children Danny and Maxine (Bennett and Engineer), who happens to be deaf. But they have a tormented past, peppered with infidelity, addiction and a tragic miscarriage. They decide to adopt a child to get back on course, and settle for the perky Esther (Fuhrman), a 9-year-old Russian who learns very quickly indeed. She's also up to no good, as the ominous underscore keeps reminding us.
Continue reading: Orphan Review
Carell's been smart, so far, with his choices of role. Stepping out with small roles in Bruce Almighty and Woody Allen's Melinda and Melinda, Carell hit pay dirt with last summer's sleeper-hit The 40-Year-Old Virgin, quickly establishing him as an actor with even measures of heart and humor. Then he starred in another sleeper: last year's Oscar-nominated Little Miss Sunshine. It now seems time to allow Carell to try his hand at big-budget ($175 million to be exact) summer comedies, seeing if his mug can rake in the big bucks.
Continue reading: Evan Almighty Review
34 years ago, The Poseidon Adventure rode the trendy disaster meme of its day to stellar box office and numerous Oscar nominations. Today, Poseidon sits poised to ride the current effects meme to similar financial reward and perhaps some technical nods to boot. What it probably won't see is acclaim for its dialogue, story, or characters, but those laurels largely eluded its predecessor as well.
As with its forerunner, Poseidon opens with an introduction to its namesake, a massive luxury liner, and its passengers, which in this installment include an ex-mayor/firefighter (Kurt Russell), his daughter (Emmy Rossum), her beloved (Mike Vogel), a gambler (Josh Lucas), a jilted lover (Richard Dreyfuss), a stowaway (Mía Maestro), an inevitably hot single mom (Jacinda Barrett), her inevitably adorable tyke (Jimmy Bennett), and a waiter (a completely wasted Freddy Rodríguez). If you think reading a list of these stereotypes is tiresome, watching them establish their personas is more so.
Continue reading: Poseidon Review
Taken from the loving arms of his foster parents by unstable mom Sarah (Argento), Jeremiah (Jimmy Bennett for the first half; Dylan and Cole Sprouse for the latter section) finds himself unwillingly thrust into an itinerant life of substance abuse and sex-for-sale, a babe cast into the big bad woods of Middle American tract house communities and interstate truck stops. An odyssey of innocence parentally defiled, Argento's film strives, from the opening shot of a stuffed animal being waved in Jeremiah's face, to assume the perspective of her pint-sized protagonist, both through straightforward knee-high point-of-view shots as well as by grotesquely distorting her carnival-esque compositions to create a mood of terrified awe and dread. The result is a funhouse-mirror vibe rooted in squalor, from the decrepit apartments that Sarah and Jeremiah temporarily occupy with her assortment of boyfriends, to the parking lots where she plies her trade as a prostitute, to a combustible crack kitchen where the filth is so tangible that it can almost be felt creeping under one's fingernails. Still, working with cinematographer Eric Alan Edwards, Argento carefully balances these more out-there inclinations - felt most strikingly in Jeremiah's visions of cawing, flesh-eating red crows - with conventional setups and chronology, thereby deftly maintaining a tremulous sense of coherence even as her narrative begins spiraling into madness.
Continue reading: The Heart Is Deceitful Above All Things Review
Willis plays Jeff Talley, a former LAPD hostage negotiator who resigns his guilt-ridden, big city post for a quiet, safe position as chief of police in the small town of Bristo Camino. Even with the new surroundings, Talley has yet to heal the emotional scarring he's inflicted on his wife and daughter. Instead of reconciling the damage at home, he runs from it: "See you next weekend" he tells his family before scurrying off to work. It's hardly the behavior you'd expect from someone touted as an expert in mediation.
Continue reading: Hostage Review
Now the studios have commissioned a straight-ahead remake.After all, why go to the bother of writing new stories, or for that matter,coming up with material for another sequel? This way no one needs to thinkof anything at all.
Written by Scott Kosar (the 2003 "Texas Chainsaw Massacre"remake), the new "Amityville Horror" begins in 1974 with a flashbackto the catalyst murders, steeped in darkness and lit by intermittent, flickeringflashes of lightning.
A year later, the Lutz family moves into the creepy housewith the big eye-like windows. George (RyanReynolds) is the second husband of Kathy (MelissaGeorge), who has three children from a previous marriage.
Continue reading: The Amityville Horror Review
Several stock action-thriller ingredients are slung togetherand served up as new Hollywood hash in "Hostage," including aburned-out cop with personal problems, novice young criminals in over theirnervous heads, a brave little kid who outwits his kidnappers, and a possiblegovernment conspiracy hiding behind seemingly lesser crimes.
Bruce Willis plays an LAPD hostage negotiator who has losthis touch (with bloody results) and retired to a more relaxing job as policechief for a quiet, upscale enclave in the Southern California mountains.He's also left behind an unhappy wife and a bitter teenager (played bydaughter Rumor Willis), who pay an occasional visit to quarrel about apossible divorce.
But his tempered tranquility is truly shattered when asimple SUV theft by a threesome of hoodlum drop-outs turns into a cop-killingstand-off at the high-security cliffside compound of a rich resident (KevinPollak) who launders money for a group of shadowy, dangerous mystery men.
Continue reading: Hostage Review
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