But somehow, the pissy little export from the land of the five boroughs -- and rarely has a show so viscerally captured the city's day-to-day, boiling-over, rat-in-a-cage anger -- survived. And this is after sending the wife of the Chief (Jack McGee) into a debilitating Alzheimer's nightmare and not only devastating Tommy Gavin's (Leary) family with the long-term and low-intensity emotional warfare of a never-ending divorce but then, near the end of the second season, having a drunk driver kill Tommy's little boy. That tragedy was then capped off by a nothing-to-lose Uncle Teddy (Lenny Clarke) gunning down the driver in full view of the cops, since a life behind bars seemed preferable to anything else he had going.
Continue reading: Rescue Me: Season Three Review
The first season of the show was a rollicking explosion of male-bonding, sadistic humor, and whiskey tears spiked with that FX Channel-brand of almost-HBO boundary-pushing. Gavin was a weekly train wreck of rage, bouncing from his mistress to booze to his failing marriage to booze to tempting death on the job with FDNY Engine 62 to booze again. Along the way, Tommy also held long and in-depth conversations with the ghost of his dead cousin, before deciding to shack up with and impregnate his cousin's equally messed up widow, Sheila (Callie Thorne) in the aftermath of his wife running off with the kids. Season Two opens with everything in disrepair, to say the least, as the firefighters keep pushing through the emotional wreckage of 9/11 long after the country has moved on.
Continue reading: Rescue Me: Season Two Review
The silly, one-joke story is reason enough to find Whammy (not a movie about Press Your Luck!) so inspiring. Leary plays a cop who, only through some fault of his own, is never able to bust a perp. It starts out in a fast food joint, when a gunman drives through the wall and starts shooting. Leary slips and hits his head, and a little bespectacled kid uses his gun to save the day. Later, his apartment supervisor is killed while he's oblivious in the building. Various quirky characters (like Hurley's masseuse) try to distract you into thinking this movie is actually about something, but the deception never works too well.
Continue reading: Double Whammy Review
Continue reading: Monument Ave. Review