The Suicide Squad was formed by Amanda Waller, the head of Belle Reve Penitentiary and a high ranking government official. Wishing to protect the world from deadly threats, Waller formulates a plan to reform (by force) a number of her most special inmates who all possess unique abilities.
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Stephen Elliot is a writer who's lost his way. He's previously had books fictional works published but his current case of writers block is causing disruption to his output. Another increasing problem with his creativity is a growing dependency of Adderall, an ADHD medication.
As Elliott learns of a fascinating murder case, he becomes more and more drawn to the story and the convicted murderer behind the crime. Whilst investigating the case, Elliott also finds himself going through a number of personal changes. His father, who pretty much abandoned his son as a young teenager, once again appears in his life and he's also introduced to a journalist called Lana Edmond which leads to a positive relationship for a man who mainly associates females with negative experiences.
Whilst trying to piece his new novel together, Elliott finds himself on a journey of self-discovery and must take his past to pieces to reveal exactly what's true and what's been fabricated in his mind.
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Jim Parrack - New York premiere of Warner Bros. Pictures' 'Batman v Superman: Dawn of Justice' at Radio City Music Hall - Arrivals at Radio City Music Hall - New York, United States - Sunday 20th March 2016
When there's nowhere left to turn, the bad guys might just turn out to be your only option. Amanda Waller is the leader of a task force who keeps on losing members of her team, she comes up with an idea to form a specialised task force formed with some of the most dangerous criminals that are currently in jail.
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Is it really wise to trust your most dangerous sworn enemies? Sometimes you have little choice when there are threats in the world too brutal to put your best men on. Amanda Weller is in charge of a top secret government organisation known as A.R.G.U.S. They have in their detainment some of the world's craziest psychopaths, supervillains and powerful mutants, and while they are being of no use to society stuck in prison cells, Weller introduces a brand new team known as the Suicide Squad in which these criminals can carry out seemingly impossible missions with the promise of freedom or, at least, reduced sentences. Among them are such fiends as Harley Quinn, The Joker, Captain Boomerang, Deadshot, Enchantress, Rick Flagg and Killer Croc - who are all willing to band together and save the world, even if they die trying.
From Training Day to this year's Sabotage, filmmaker David Ayer writes and directs movies about the cathartic power of releasing your inner warrior. And this World War II action thriller is more of the same, with a "war is hell" message stirred in for good measure. The problem is that there's nothing particularly new here. It's a beautifully shot and edited film, with terrific performances and a remarkable sense of scale, but there have been so many movies made about this conflict that it's difficult to find something original to connect with.
It's near the end of the war, April 1945, as Wardaddy (Brad Pitt) leads the crew of a tank named Fury: Bible (Shia LaBeouf) is a true believer, Gordo (Michael Pena) is a relaxed joker, and Coon-Ass (Jon Bernthal) is a hot-headed thug. Having just lost their driver, they're joined by rookie Norman (Logan Lerman), who doesn't yet have a wartime nickname because he never thought he'd end up driving a tank. Together, they head further into Germany, not as liberators but as invaders and occupiers, working with other tank crews to take a strategic town before heading further into the hot zone, where a series of particularly brutal Nazi assaults ensue.
The point of the film seems to be that war erodes a person's humanity over time, and the sharpest aspect is the way each character emerges at some point on the continuum. Obviously, Norman is the naive newbie who still has a strong conscience, while at the other extreme Coon-Ass is virtually a monster. Wardaddy is somewhere in between, a tough guy who still has a sense of perspective, such as when he reasons that Norman should be allowed to have some private time with a young German girl (Alicia von Rittberg) simply because they're "young and alive". All of the actors are excellent, adding telling details to their characters that deepen every scene. And the camaraderie between the five-man crew is remarkably authentic, as is their ease inside the cramped quarters of the tank, which makes submarine movies look spacious by comparison.
Continue reading: Fury Review
Almost everybody received a ticket to the New York premiere of 'Fury'. David Ayer, the film's director, snuck in almost unnoticed in the crowds. Jim Parrack, who appears in the film, was also there with his fiancé - 'Hunger Games' actress Leven Rambin.
During April, 1945, the final month of World War Two, the Allied Forces are making their final push into German territory. With the recent death of one of the crew of the tank, 'Fury', Norman (Logan Lerman) is inducted into the crew. The other members, 'Wardaddy' (Brad Pitt), 'Bible' (Shia LaBeouf), 'Gordo' (Michael Pena) and 'Coon-Ass' (Jon Bernthal) have been together for the entirety off the war so far, and desperately hope that the new recruit is ready to do his job. The film is brought to us by writer/director David Ayer ('Harsh Times' and 'End of Watch') and will be distributed by Columbia Pictures.
Wardaddy is an army sergeant with years of experience in the horrors and victories of war. He's one of the most effective and most courageous war heroes America has to offer and, now commanding a Sherman tank named Fury with a group of just five soldiers, he must lead his men into a highly risky operation right on their enemies' doorstep. Not only has he and his boys got the threat of serious outnumbering ahead of them, but Wardaddy also has to tutor a terrified new recruit named Norman Ellison, who's less than okay with shooting down hundreds of men in a vehicle he has never used before. It's all about having each other's backs and keeping everyone motivated to keep on fighting, but when a platoon of three-hundred German soldiers strike out, it doesn't look like that will be enough to keep them alive.
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Jim Parrack, Stephen Payne, Jim Ortlieb, Ron Cephas Jones, Alez Morf, Joel Marsh Garland and James McMenamin - Opening night after party for "Of Mice and Men" held at The Plaza Hotel - Arrivals - New York, New York, United States - Wednesday 16th April 2014
James Franco makes his directing debut with this ambitious adaptation of William Faulkner's notoriously downbeat novel. No surprise: it's extremely grim! It's also a bit too cleverly shot and edited to tell the tale from each character's perspective, which means there's no central point to draw us in emotionally.
The story takes place in rural Mississippi in the early 20th century, where the Bundren family have surrounded Addie (Grant) on her deathbed. Her children are all nearby: daughter Dewey Dell (O'Reilly) stays by her side, Cash (Parrack) saws timber for her coffin, Jewel (Marshall-Green) rides his precious horse to clear his mind, and Darl (Franco) tries to keep everyone happy, including youngest brother Vard (Permenter). But their dad Anse (Nelson) has promised to bury Addie in Jefferson, a three-day journey away. And as they painstakingly make their way across the countryside, each of them has a personal issue to deal with along the way.
All of the characters get a chance to narrate part of the film, which lets us see their inner thoughts and dreams and understand the secrets they are hiding from each other. Along with Franco's use of split screens to show scenes from multiple angles, this essentially makes us all-seeing witnesses to the story, unable to dive in and engage with the raw emotions that are churning around everyone. The film is beautifully shot and acted with real soulfulness, but it also feels eerily dispassionate about these fragile people.
Continue reading: As I Lay Dying Review
Addie Bundren is on her deathbed in the Mississippi town in which she lives with her family. However, she has very specific last wishes; she wants to be buried in the town of Jefferson, which is not the most straightforward of arrangements for her children Cash, Darl, Jewel, Dewey Dell and Vardaman, and husband Anse. Nonetheless, they dutifully make preparations to carry her coffin across county in a wagon but encounter many obstacles in the way from flooding to disturbing family secrets that threaten to tear their once tight-knit family apart. With each of the Bundrens suffering their own problems in their lives, the prospect of laying their beloved mother to rest becomes a burden for many of them and the entire mission turns into less of a dying woman's final request, and more of a test of loyalty.
Continue: As I Lay Dying Trailer
The Suicide Squad was formed by Amanda Waller, the head of Belle Reve Penitentiary and...
Stephen Elliot is a writer who's lost his way. He's previously had books fictional works...
Is it really wise to trust your most dangerous sworn enemies? Sometimes you have little...
From Training Day to this year's Sabotage, filmmaker David Ayer writes and directs movies about...
During April, 1945, the final month of World War Two, the Allied Forces are making...
Wardaddy is an army sergeant with years of experience in the horrors and victories of...
James Franco makes his directing debut with this ambitious adaptation of William Faulkner's notoriously downbeat...
Addie Bundren is on her deathbed in the Mississippi town in which she lives with...