Jim Jarmusch

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Iggy Pop , Jim Jarmusch - "Gimme Danger" photo call during the 69th Cannes Film Festival at Palais de Festivals, Cannes Film Festival - Cannes, France - Thursday 19th May 2016

Iggy Pop and Jim Jarmusch
Iggy Pop
Iggy Pop
Carter Logan, Iggy Pop, Jim Jarmusch and Fernando Sulichin
Carter Logan and Iggy Pop
Carter Logan, Iggy Pop, Jim Jarmusch and Fernando Sulichin

Iggy Pop , Jim Jarmusch - "Gimme Danger" photo call during the 69th Cannes Film Festival at Palais de Festivals, Cannes Film Festival - Cannes, France - Thursday 19th May 2016

Iggy Pop and Jim Jarmusch
Iggy Pop
Iggy Pop
Iggy Pop and Jim Jarmusch
Iggy Pop and Jim Jarmusch
Iggy Pop

Jim Jarmusch - 69th Cannes Film Festival - 'Paterson' - Photocall at Palais de Festivals, Cannes Film Festival - Cannes, France - Monday 16th May 2016

Jim Jarmusch
Jim Jarmusch

'Only Lovers Left Alive': Why This Achingly Cool Vampire Romance Is So Not 'Twilight' [Trailer]


Tilda Swinton Jim Jarmusch Mia Wasikowska

Only Lovers Left Alive is released in cinemas today, bringing Jim Jarmusch's supernatural romance to theatres. The movie's main draw is of course its two British leads: Tilda Swinton and Thor's Tom HIddlestone play the alluring onscreen vampire couple Adam and Eve, who are trying to find their way in the modern world.

Only Lovers Left Alive Swinton Hiddlestone
Tilda Swinton & Tom Hiddlestone Cut A Deathly Cool Couple In 'Only Lovers Left Alive.'

Described as a "crypto-vampire love story" by the director, Only Lovers Left Alive brings to life a fantastical yet gritty imagining of a modern day vampire tale. You'd have thought that by now, our desire for vampire romance movies would be well and truly sated, particularly after the five Twilight movies.

Continue reading: 'Only Lovers Left Alive': Why This Achingly Cool Vampire Romance Is So Not 'Twilight' [Trailer]

Only Lovers Left Alive Review


Excellent

It's hardly surprising that laconic filmmaker Jim Jarmusch (Broken Flowers) has created such an inventively offbeat vampire movie, helped hugely by the ace casting of Tilda Swinton and Tom Hiddleston as extremely long-term lovers. Fans of the genre might find the movie a bit slow and relaxed, but sharp humour and especially strong characters make it unmissable.

In a run-down house in Detroit, centuries-old Adam (Hiddleston) is living in squalor while anonymously creating club music with the assistance of Ian (Yelchin), who finds things like antique guitars for him to play. He gets his supply of clean O-negative blood from a helpful doctor (Wright). Meanwhile in Tangiers, Adam's wife Eve (Swinton) relies on her old pal Marlowe (Hurt) for the blood she sips at sunrise like a cocktail before lapsing into a deep sleep. Bored, Eve decides to visit Adam, so books nighttime flights and arrives to a blissful reunion. But their solace is interrupted when her wild-child sister Eva (Wasikowska) turns up.

These may be creatures of the night, but over thousands of years they have discovered exactly what kind of art soothes their souls. And Eva's boisterous presence disrupts their languorous peace even more than the fact that the blood supply is becoming increasingly contaminated. Adam and Eve call humans "zombies" dismissively and joke about their influence on key events and inventions throughout history. Hiddleston and Swinton are utterly perfect for these roles, bringing out details that are hilarious as well as emotionally moving. They also let us see the years of boredom mixed with a glimmer of childish curiosity that would be required to survive for so long.

Continue reading: Only Lovers Left Alive Review

'Only Lovers Left Alive': Tilda Swinton, Tom Hiddlestone Celebrate Undying Love In New Vampire Romance [Trailer]


Tilda Swinton Jim Jarmusch John Hurt Mia Wasikowska

You'd think we'd have had our fill of vampire romances by now, but new movie Only Lovers Left Alive is set to show us that there's still fresh blood to shake from the undead fantasy genre. It helps that Jim Jarmusch's soon-to-be-released film boasts the hair-raisingly talented lead duo of Tilda Swinton and Thor's Tom Hiddlestone, who play a pair of trendy vampire lovers trying to find their fill of blood whilst keeping a low profile.

Only Lovers Left Alive
Tilda Swinton & Tom Hiddlestone Strike A Deathly Pose In The New Vampire Romance.

Swinton and Hiddlestone are moulded into the deathly cool couple Adam and Eve. After being around for centuries, Adam, a rock star with a penchant for vintage guitars, is finding it difficult to get his head around the modern world with all of its technology. His need for reclusiveness is threatened by the people drawn to his air of mystery and the music he makes.

Continue reading: 'Only Lovers Left Alive': Tilda Swinton, Tom Hiddlestone Celebrate Undying Love In New Vampire Romance [Trailer]

Only Lovers Left Alive Trailer


An ancient vampire named Adam is desperate to remain hidden from the world in his Detroit home. But that's harder than it looks as people are becoming increasingly interested in the music he makes and his mysterious ways. However, it seems music is not his only passion when his old lover Eve makes her way over to his home to rekindle their long lost feelings for each other. Enamoured at the sight of each other, it isn't long before all their attentions are focused on each other, but things aren't as easy as they should be when Eve's perpetually irritating little sister Ava shows up to see them and proceeds to test Adam and Eve's relationship to the limits as Adam struggles to contain his frustration at having her around. The pair have more to worry about, however, such as how they are going to survive in a quickly decaying world.

'Only Lovers Left Alive' is a hearty vampire flick written and directed by Jim Jarmusch ('Ghost Dog: The Way of the Samurai', 'Broken Flowers', 'Dead Man'). What makes it different to vamp films of recent times, however, is that the characters' monstrous natures take a bit of a back seat as romance and drama become the movie's main themes. It is due for release in the UK on February 21st 2014.

Click here to read the film review for Only Lovers Left Alive

Jim Jarmusch and Tilda Swinton - The 51st New York Film Festival - 'Only Lovers Left Alive' - Press Conference - New York City, New York, United States - Friday 11th October 2013

Jim Jarmusch and Tilda Swinton
Jim Jarmusch and Tilda Swinton
Jim Jarmusch and Tilda Swinton
Jim Jarmusch and Tilda Swinton
Jim Jarmusch and Tilda Swinton
Jim Jarmusch and Tilda Swinton

Jim Jarmusch - 66th Cannes Film Festival - 'Only Lovers Left Alive' - Photocall - Cannes, France - Saturday 25th May 2013

Jim Jarmusch
John Hurt, Tom Hiddleston, Jim Jarmusch and Tilda Swinton
Jim Jarmusch
Jim Jarmusch
Jim Jarmusch
Jim Jarmusch

The Limits Of Control Review


Excellent
While it's probably too meandering and vague for mainstream cinemagoers, this offbeat thriller is a terrific example of Jarmusch's subtly cheeky tone, plus gorgeous Christopher Doyle cinematography and a terrific cast.

A lone man (De Bankole) is on a mysterious mission, flying into Madrid then travelling to Seville and Alicante. Along the way, he has a series of clandestine meetings with a nervous violinist (Tosar), an enigmatic blonde (Swinton), a naked seductress (de la Huerta), a British guitarist (Hurt), an edgy Mexican (Garcia Bernal), a silent driver (Abbas) and an arrogant American (Murray). But he's all business, never distracted from his assignment and quietly hearing the philosophy that seems to swirl around his every move.

Continue reading: The Limits Of Control Review

The Limits Of Control Review


Excellent
It was about three years ago when, emerging from a press screening of Pedro Almodóvar's Volver, a good friend said to me, "You just can't argue with Almodóvar," referring to the idiosyncratic style that the great Spanish director has held steady for nearly three decades now. It didn't matter that Volver was, arguably, one of the director's more languid entries in terms of story, thematic content, and ambition. It simply mattered that it was undeniably Almodóvar.

The Limits of Control, the 11th feature by the New York-born auteur Jim Jarmusch, is another work that is inarguably stamped by its director's idiosyncrasies and, like Volver, there have been several critics who have questioned if its artistic success is not so much a result of it being a Jarmusch film rather than simply a good film. It emits a dark-shade cool, as befits any Jarmusch joint, and it features several of the director's usual performers, including the Ivorian-born actor Isaach De Bankolé in the lead.

Continue reading: The Limits Of Control Review

Night On Earth Review


Very Good
Riding around five shaded cityscapes in four different countries, Jim Jarmusch's nocturnal delight Night on Earth has the esteem of being the auteur's most accessible exercise to date while also being his least seen. After its premiere at the 29th New York Film Festival, this set of through-the-windshield vignettes was picked up for a short theatrical run in May of 1992 before it was released on VHS and only released on DVD in foreign markets (Australia put out two separate editions). That was until those noblest practitioners of cinephilia over at Criterion took a special interest in Jarmusch, releasing both Earth and his 1984 opus Stranger Than Paradise, which also includes the director's fascinating debut feature Permanent Vacation.

Throughout the course of one night, we are driven around in five separate taxi cabs that range from familiar ports of L.A. and New York City to the echoing streets of Paris and Rome to the final ride through the frozen-over metropolis of Helsinki, right as the sun is rising. In Los Angeles, a big-time agent (Gena Rowlands) tries to seduce her rough-and-tumble cab driver (an insolent Winona Ryder) into becoming an actress. While in New York, a jerky Brooklynite (the superb Giancarlo Esposito) teaches his German cab driver (Armin Mueller-Stahl) how to drive, talk, and jive correctly while also trying to escort his sister-in-law (Rosie Perez) home.

Continue reading: Night On Earth Review

Joe Strummer: The Future Is Unwritten Review


Excellent
The flames from the bonfires around which the participants in Julien Temple's loving filmic portrait Joe Strummer: The Future is Unwritten helps bring something more to their faces and words than the cold glare of a documentarian's prying camera. Warmth, heat, honesty... whatever it is, that factor is a large part of what makes this documentary such a rollicking, damn near inspirational film, since these people for the most part don't appear to be simply spitting words at an interviewer in the standard manner of a documentary, but rather conversing. They're not being interviewed, it seems, but just talking, telling stories around a fire to whomever happens to be listening (as one does), helping the crackling flames keep back the circle of night by remembering one of the century's most astounding and inexplicable talents.

A child of British diplomats who was always keenly embarrassed of his public school education and refers to himself as "a mouthy little git," Strummer was squatting in London with gypsies in the mid-1970s, busking for food money, playing in a pub band called the 101ers, and generally charming the pants off of everyone he met. It was a hand-to-mouth existence, but seemed like the kind of thing Strummer could do for years, living his beloved lowlife. Then he was being introduced to a trio of short-haired punks, The Clash was formed, and Strummer was on his way to rock stardom. He wasn't a singer, he was a yelper (as some fantastic footage of him laying down the vocal track for "White Riot" shows particularly well), a snaggletoothed smoker with a penchant for nonsensical lyrics and overblown statements. But in Strummer's work, with The Clash and afterwards, there always rang true a tone of absolute and unmistakable sincerity, sung and played with complete conviction each and every time. This was a man without irony, leading a band that set the model for all the conscious groups which would follow (tellingly, Bono is one of the interviewees here, talking about The Clash being his first concert, and in short the reason he got into music).

Continue reading: Joe Strummer: The Future Is Unwritten Review

Z Channel: A Magnificent Obsession Review


Very Good
Z Channel was one of the first pay cable stations ever. It's "magnificent obsession" was movies, as Z Channel became known for being the definitive place to go for those obsessed with film -- snobs, cineastes, and plain old cinema junkies.

And then its programming chief killed his wife and himself.

Continue reading: Z Channel: A Magnificent Obsession Review

Punk: Attitude Review


Excellent
At the start of Don Letts' excellent new documentary Punk: Attitude, ex-Black Flag-er and perennial curmudgeon Henry Rollins explains punk as being in essence one guy looking at the world he's living in and saying "Fuck this." A pithy summation of the movement, to be sure, and also quite a smart one, as this is one of the few films about the birth, death, and pseudo-revival of punk rock to actually acknowledge the genre's limitations (you can only say "Fuck this" while playing 90-second songs for so long), while simultaneously reveling in another trip down the antiestablishment memory road.

Most of the literature and documentaries on punk tend to start out in the same place, talking about how in the mid-1970s music had become this bloated, big-business monster, with pretentious arena rock bands playing 20-minute solos and so on - and then came The Ramones to shatter all that. Letts - a former producer and icon in the scene, as well as director of the authoritative documentary on The Clash, Westway to the World - digs deeper than that, going back to the 1960s and early '70s, finding the root of the coming musical uprising not just in expected places like The Velvet Underground, MC5, and Iggy Pop, but also in the jaggedly poppy sounds of many now mostly forgotten garage bands (whose sound is still inspiring post-punkers like The Hives). In describing the ascent of punk later in the '70s, Dead Kennedys frontman Jello Biafra talks about how just about every smaller town and city had one guy who was into The Stooges and The Velvet Underground who then moved to the bigger cities, met up with all the other like-minded small-town new arrivals, and started bands.

Continue reading: Punk: Attitude Review

Jim Jarmusch

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'Modern Family' Casts TV's First Transgender Child Actor

'Modern Family' Casts TV's First Transgender Child Actor

Jackson Millarker will star in episode ‘A Stereotypical Day’ set to air in the US on Wednesday evening.

'Will And Grace' Comes Back For Mini Episode To Voice Support For Hillary Clinton

'Will And Grace' Comes Back For Mini Episode To Voice Support For Hillary Clinton

The cast had teased something big was coming and all was revealed on Monday night.

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Drake Launches Intense New Short Film 'Please Forgive Me'

Drake Launches Intense New Short Film 'Please Forgive Me'

The rapper teams up with Apple Music on his latest project.

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Jim Jarmusch Movies

Only Lovers Left Alive Movie Review

Only Lovers Left Alive Movie Review

It's hardly surprising that laconic filmmaker Jim Jarmusch (Broken Flowers) has created such an inventively...

Only Lovers Left Alive Trailer

Only Lovers Left Alive Trailer

An ancient vampire named Adam is desperate to remain hidden from the world in his...

The Limits of Control Movie Review

The Limits of Control Movie Review

While it's probably too meandering and vague for mainstream cinemagoers, this offbeat thriller is a...

Stranger Than Paradise Movie Review

Stranger Than Paradise Movie Review

Jim Jarmusch's debut feature Stranger Than Paradise seems both a throwback to the American independents...

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Z Channel: A Magnificent Obsession Movie Review

Z Channel: A Magnificent Obsession Movie Review

Z Channel was one of the first pay cable stations ever. It's "magnificent obsession" was...

Coffee And Cigarettes Movie Review

Coffee And Cigarettes Movie Review

Coffee and cigarettes. What is it about this magical combination of caffeine and cancer that's...

Ghost Dog: The Way of the Samurai Movie Review

Ghost Dog: The Way of the Samurai Movie Review

Written and directed by Jim Jarmusch, Ghost Dog: The Way of the Samurai embodies a...

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