Pixie Hollow fairy friends Tinker Bell, Vidia, Iridessa, Fawn, Silvermist and Rosetta are all blessed with a unique talent to manipulate certain areas of nature. During an ice show, they discover that estranged fairy Zarina is responsible for the poppy decorations which send all the guests to sleep allowing her to steal the Blue Pixie Dust for her pirate friends at Skull Rock. Tink and the others must get the Dust back as soon as possible as it is essential in their ability to fly, but when they manage to anger Zarina by approaching her, they find that all their talents have been swapped between them. Struggling to control their new found powers, they must continue their quest to retrieve the Pixie Dust for when the rest of Pixie Hollow awaken - but that all proves to be easier said than done as time is quickly running out.
Gnomeo (voiced by McAvoy), son of Lady Bluebury (Smith), is the leader of the blue Montague garden. Accompanied by his sidekick Benny (Lucas), Gnomeo engages in tit-for-tat warfare with the red Capulets next door. Then he meets Juliet (Blunt), daughter of Lord Redbrick (Caine), and it's love at first sight. Which sends red warrior Tybalt (Statham) into a rage. As they plot a secret life together, Gnomeo and Juliet are assisted by Juliet's frog friend Nanette (Jensen) and the garden flamingo Featherstone (Cummings). But can these star-crossed lovers find happiness?
Continue reading: Gnomeo & Juliet Review
Hundred Acre Wood is home to a very special group of friends, Pooh, Piglet, Eeyore, Tigger, Rabbit, Owl Kanga and Roo, their day to day lives are filled with adverture - and most importantly the hunt for honey! For anyone familiar with the escapades of Pooh and Co, they will know that Eeyore is constantly out of luck, and when he looses his tail it's cause for the whole gang to get together and help Eeyore find a new tail.
Continue: Winnie The Pooh Trailer
Some gardens just wouldn't be complete without the addition of a garden gnome or two. The gardens on Verona Drive are no exception; the owners of the houses are extremely fond of their little hat wearing friends. What the human residents don't realise is that when all's quiet and there are no humans around, their garden comes to life!
Continue: Gnomeo & Juliet Trailer
In 1940s New Orleans, Tiana (voiced by Rose) has grown up with a dream to have her own jazz joint. But as a young black woman she has to work two jobs to make ends meet. One day the sinister Facilier (David) turns a visitor, Prince Naveen (Campos), into a frog as part of an elaborate plot to take over the city. But things don't go as expected Tiana reluctantly kisses the frog, and soon they're lost in the bayou with only a trumpet-playing gator (Wooley) and a lovelorn firefly (Cummings) to help them.
Continue reading: The Princess And The Frog Review
OK, I'll be the first to admit it - I wasn't looking forward to this picture. Yet another Disney animated epic, jam-packed with computer generated cels, overdone musical numbers, and one-dimensional characters that long ago stopped being characters and became cartoons. "More colorful fluff to sell t-shirts, pajamas and tennis shoes," I mumbled to myself as I took my seat. "Eye candy." But as the curtain drew up to reveal a pre-movie Disney-style mambo from Lou Vega (of "Mambo No.9" fame), I was whisked back to a time when a man named Walt Disney first introduced us to our imaginations.
Continue reading: The Tigger Movie Review
In this rendition, Mickey, Donald, and Goofy are janitors who lobby for jobs as musketeers in the service of the princess (no idea where the king and queen might be) of France (well, animated, animal-populated France), and it isn't long before they get their wish. The mini-film (about 65 minutes long) gets just about every other traditional Disney character into the film in some odd role or another -- most notably the Beagle Boys as the villains of the film and Minnie Mouse as the princess. It isn't long before Mickey and Minnie are making goo-goo eyes, while the heroes have to foil Peg-Leg Pete's plot to steal the throne for himself, with the aid of the precious Beagles.
Continue reading: The Three Musketeers (2004) Review
When you're a revered part of childhoods galore, even Disney can afford not to play overt marketing games. Thank goodness. If I had kids, I would take them to Piglet's Big Movie because it feels like a storybook--you get a chance to take in what's onscreen and not get bombarded with toy advertisements and contemporary alterations (let's say: Tigger as a laid-back, smack talking skateboard champ).
Continue reading: Piglet's Big Movie Review
One of Disney's greatest achievements, this is to my knowledge the only animated film to be turned into a Broadway musical. (Beauty and the Beast doesn't count, since that film had prior life outside the Disneyverse.)
The Lion King is primarily memorable because it's not based on a fairy tale or a children's story, and thus avoids the cliches that saddle so many Disney flicks. There's no "love conquers all" message, no moral about how trying hard will make everything come out OK. In fact, for much of its running time, The Lion King says the exact opposite: Hakuna Matata means "no worries," right? It's in the past, so let it go. But The Lion King also tells us that we can learn from the past, that tyrants should be overthrown, and that we should own up to our mistakes in the end.
This also makes The Lion King one of Disney's most adult movies. Though it's rated G, it features numerous scenes of peril and death -- with lion cub Simba orphaned after his uncle kills off his dad to usurp the throne and title of king of the jungle. But that too is part of the famed Circle of Life. Ashes to ashes, dust to dust. Simba runs off to live in the jungle -- gettin' real, ya know -- stricken with guilt that he (thinks he) killed his father. Eventually he returns home to showdown with evil uncle Scar, who has been ruling the jungle with an iron fist, disrupting the Circle of Life.
The Lion King is one of Disney's last great 2-D creations, with computers aiding in some truly stellar moments such as the wildebeest stampede. Lots of perspective shots and moving cameras make this one of the genre's most film-like movies.
If there's anything annoying about the film, it's the singing, young Simba sounds like a young Michael Jackson. On the new song added to the just-out DVD release of the movie, the atrociously vapid "Morning Report," he sounds like a castrato Michael Jackson. You almost don't want him to succeed, but thankfully, Simba eventually grows up and is replaced, voice-wise, by Matthew Broderick. By way of other extras, there's a whole second disc of goodies, including an extensive selection of making-of footage, a deleted scene or two, an alternate first verse of "Hakuna Matata," a special home theater audio mix (sounds good), and about a bazillion kid-friendly features like games and singalongs.
The Lion King has rightfully spawned one of the most enduring industrial complexes ever to come from an animated cat. Way to go, Disney.
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Ah, the majesty.
How Hollywood's animated filmmakers can continue to crank out pictures built on the same template year after year and have them continue to be even occasionally entertaining is something I'll never completely understand. But "The Road to El Dorado," a 100-percent formula cartoon adventure set against Cortes' arrival in the Yucatan, does it again.
This one is about Tulio (Kevin Kline's voice) and Miguel (Kenneth Branagh), two-bit Spanish con men with a treasure map, caught as stowaways on the conquistador ship as it makes for the Americas in 1519.
Late one night on the high seas they make their escape in a row boat and wash up on foreign shores.
Continue reading: The Road To El Dorado Review
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