Jim Broadbent Page 5

Jim Broadbent

Jim Broadbent Quick Links

News Pictures Video Film Quotes RSS

Jim Broadbent Loves His Flawed Character In The Sense Of An Ending


Jim Broadbent

To play the lead role in the film adaptation of Booker Prize-winning novel The Sense of an Ending, Jim Broadbent says that going back to Julian Barnes' writing was the key. "Just how someone speaks reveals so much about them," Broadbent says of his character, Tony. "Hearing that voice is the most useful thing you can get."

Jim Broadbent in The Sense Of An EndingJim Broadbent in The Sense Of An Ending

Broadbent says that the role resonated in his own past, especially his school days. "I wasn't quite one of those smart, intellectual sixth-formers," he laughs, "but those schoolboy relationships are fairly consistent over the generations, and I certainly recognise him from my own. I also recognise the arrogance and awkwardness of youth. So the arc of his life from school until now, I knew exactly where he was coming from."

Continue reading: Jim Broadbent Loves His Flawed Character In The Sense Of An Ending

The Sense Of An Ending Review

Very Good

Julian Barnes' Booker Prize-winning novel is adapted into a remarkably intelligent, gently involving film anchored by a terrific performance from Jim Broadbent. With an unusually realistic depiction of London life, this an introspective story about finding closure, and it's nice that the filmmakers avoid ramping up the narrative to push a big emotional climax. Instead, it's in the small moments that the film rings true.

Broadbent plays Tony, a pensioner who runs a small camera shop as a hobby. His primary distraction is his single daughter Susie (Michelle Dockery), who is in the final stages of pregnancy. So Tony and his ex-wife Margaret (Harriet Walter) are providing whatever support they can. Then out of the blue he is notified of an inheritance from someone in his distant past. This sends him down memory lane, as he remembers his life as a university student (then Billy Howle), falling in love with Veronica (Freya Mavor) and feeling crushed when she fell for his best friend Adrian (Joe Alwyn) instead. So Tony tracks down Veronica (now Charlotte Rampling) in the present day to try to sort out their loose ends.

This is a complex story about how tricky it is to make sense of a messy past. The film refuses to simplify things in any way, leaving the audience to see themselves in the characters and situations as it flickers back and forth between the two timelines, dropping hints and details until the final piece falls into the puzzle. And the message is that you can't get closure until you accept even the more difficult elements of your story.

Continue reading: The Sense Of An Ending Review

Jim Broadbent Says The Sense Of An Ending Is About Complexity, Not Age


Jim Broadbent

At 67 Jim Broadbent is also one of the few actors who plays his age on-screen. In the British drama The Sense of an Ending, he plays a retired man looking back at his life, pondering his regrets through the eyes of his ex-wife and an old flame (played by Harriet Walter and Charlotte Rampling, respectively).

Charlotte Rampling and Jim Broadbent in The Sense Of An Ending

Broadbent says that the character was easy to identify with. "He's actually not really grown up," he says. "A lot of us older people like to think we're mature and grown-up and know what we're about. But we're still anxious and vulnerable and as arrogant and flawed as when we were at 20. We just get better at disguising it, at editing our life and behaving, supposedly, properly. I'm constantly astonished that I'm 67 years old and approaching 70. I think I'm just starting to think maybe somewhere down the line I'll get the hang of things. You never feel you've gotten there, that you've achieved any sort of wisdom."

Continue reading: Jim Broadbent Says The Sense Of An Ending Is About Complexity, Not Age

Jim Broadbent Reveals Details About His 'Game Of Thrones' Season 7 Character


Jim Broadbent

Veteran British actor Jim Broadbent has teased a few details about the “significant” character he will portray in the upcoming seventh season of ‘Game of Thrones’ – and it turns out that a great deal of the fan speculation was correct!

Despite the HBO hit show’s producers wishing to keep almost everything about season seven under wraps ahead of its arrival later this year, Broadbent spilled a few crucial details for ‘GoT’ fans in a new interview with entertainment site Screencrush.

Jim BroadbentJim Broadbent talked about his 'Game of Thrones' character

Continue reading: Jim Broadbent Reveals Details About His 'Game Of Thrones' Season 7 Character

The Sense Of An Ending Trailer


Tony Webster is a retired man in his sixties whose past comes back to haunt him when he receives a strange letter in the post. It takes him back to his university days when he met the love of his life Veronica Ford. Though they have been estranged since then, she bequeaths him a diary in her will. Their separation was one of bitterness and heartbreak; his best friend Adrian Finn ended up stealing Veronica's heart, and Tony reacted by sending them a very angry letter in response to their partnership. Not long after, Adrian died in mysterious circumstances and with all the horror of those years brought up once again, Tony is forced to confront his guilt and innoncence in the whole saga - as well as other people's suspicions.

Continue: The Sense Of An Ending Trailer

Bridget Jones's Baby Review

Excellent

As it's been 12 years since the last Bridget Jones movie, expectations aren't too high for this sequel. So it's a very nice surprise that this film stands on its own as a charming and often very funny romantic comedy while rounding off the trilogy in style. The cast is terrific, and the script bristles with snappy dialogue and witty characters that lead the audience down an unpredictable route to a complicated happy ending.

On her 43rd birthday, Bridget (Renee Zellweger) is finally content with her single life. Although her romantic past continues to torment her, especially when she runs into former flame Mark Darcy (Colin Firth) at a funeral. With a corporate shake-up underway at the TV news programme she produces, presenter Miranda (Sara Solemani) suggests that Bridget needs some sex to liven up her life, whisking her off to a music festival. There she has a cute, hot encounter with the dishy Jack (Patrick Dempsey). And a week later, she rekindles her romance with Mark when she learns that his marriage has ended. So when she discovers that she's pregnant, Bridget hasn't a clue which man is the father.

This premise offers plenty of scope for both thematic meaning and awkward plot turns, and the screenplay merrily dives right into all of it, mixing some silly slapstick with darker emotions as director Sharon Maguire maintains a breezy-comical tone. This kind of balance is difficult to get right, but the film feels effortlessly engaging.

Continue reading: Bridget Jones's Baby Review

Jim Broadbent Joins Cast Of 'Game Of Thrones' For Season 7


Jim Broadbent HBO

Veteran British actor Jim Broadbent has joined the cast of ‘Game of Thrones’ for its seventh series, in what is described as a “significant” role.

The 67 year old actor, renowned for dozens of award-winning roles in movies, on television and the stage, is to play a major part in the seventh and penultimate series of HBO’s ever-popular fantasy drama when it returns in the summer of 2017, according to Entertainment Weekly.

Jim BroadbentJim Broadbent is to play a "significant" role in 'Game of Thrones' series 7

Continue reading: Jim Broadbent Joins Cast Of 'Game Of Thrones' For Season 7

Bridget Jones's Baby Trailer


Bridget has always known how to get herself into a muddle - catastrophic muddles at that - even though she's been separated from her last love, Mark, for five years it appears their journey together hasn't come to an end as yet. 

After taking advice from one of her colleagues, Bridget decides that it's time to get back on the dating scene and after deciding that the likes of Tinder aren't for her, Bridget finds herself being set up with Jack Qwant who she sees in the news room studio. 

The pair get on remarkably well and soon find themselves spending the night together. A little fun is just what Bridget needed. When she finds herself at the christening of one of her friends little girls, her and Mark are forced to be amicable towards one another but the pair fall into old habits and Bridget and he also spend the night together. 

Continue: Bridget Jones's Baby Trailer

Eddie The Eagle Review

Excellent

Based on the true story of an unapologetic underdog who never won anything, this British comedy is a shameless crowd-pleaser. Eddie Edwards won the hearts of fans worldwide by coming in dead last at the 1988 Winter Olympics in Calgary, and the cast and crew follow his journey with buckets of humour and emotion, plus some seriously exhilarating ski jumping. And like its central character, the film is awkward, good-hearted and impossible not to love.

Eddie (Taron Egerton) grew up obsessed with becoming an Olympian even though he has no talent for sport. He manages to become a regional downhill skiing champion, but is so annoying that the head of the British Olympics Team (Tim McInnerny) changes the rules to disqualify him. So at 22 he instead decides to become Britain's only ski jumper. He moves to Germany to train on his own, meeting the jaded ex-jumper Bronson (Hugh Jackman) and persistently convincing him to offer some coaching tips. And as the Olympics officials keep raising the bar for membership on the team, Eddie improves just enough to qualify. His father (Keith Allen) thinks he should give up, but his mother (Jo Hartley) quietly offers support. And it's Eddie's sheer tenacity that gets him to Calgary.

Director Dexter Fletcher (Wild Bill) tells this story as a high-energy comedy centred on a dorky young man who simply won't take no for an answer. Egerton plays Eddie with perhaps too many physical tics, but exudes so much goofy charm that it's easy to see how he won over the people around him, and the global audience watching the Olympics. His interaction with everyone he meets on this journey is barbed and hilarious, and his joy at each small achievement is infections. Egerton also generates terrific chemistry with Jackman in one of his most enjoyable roles yet. It's hugely entertaining to watch this grouchy loser be begrudgingly coaxed out of his shell by Eddie's boundless enthusiasm.

Continue reading: Eddie The Eagle Review

Bridget Jones's Baby Trailer


After battling the dating scene and finally finding love with Mark Darcy, Bridget Jones is ready to take her relationship to the next stage - well, sort of. After years of thinking that Mark was all she wanted, she realises that their relationship isn't as close as it once was and decides to call it a day.

Back where she started, Bridget decides that the men in her life are just distractions, now it's time to get fully involved in her work and climb to the position she's always wanted. As things start to fall into place for Bridget, soon her love life begins to pick up speed too.

A fleeting meeting with Mr Darcy leads to the pair reuniting - temporarily at least - whilst Bridget is also being wooed by a smooth American called Jack, a man who doesn't have Darcy's prim and proper ways but is just as charming. Playing the field doesn't work out quite as easily as Bridget hoped as she falls pregnant. Now all she must do is find out which partner she wants to be with and more importantly, who the father is.

Continue: Bridget Jones's Baby Trailer

The Lady In The Van Review

Excellent

Maggie Smith couldn't be more perfect for the title role in this film if it were written for her. But the most astounding thing about this story is that it's true, an event from playwright-screenwriter Alan Bennett's own life. The film cleverly plays with the idea of a writer telling his own story. And it also gives Smith an unforgettable role in a movie that's both entertaining and sharply pointed.

It happened in 1970 Camden, as neighbours worried about a homeless woman parking her van in front of their houses. She turns out to be Mary Shepard (Smith), and resident Alan Bennett (Alex Jennings) offers to let her park her van in his driveway for a few months. She stayed there for 15 years, during which Alan refuses to pry into Mary's personal life and she turns a blind eye to the steady flow of young gentleman callers at his door. Even so, over the years Alan learns some details about Mary's past as a musician, ambulance driver and nun, and that she became homeless because she was on the run from the police.

Bennett takes a cheeky approach to the script, writing two versions of himself: one who lives his life and one who writes about it. The interaction between the two is cleverly played by Jennings and directed with offhanded hilarity by Hytner, who shot the movie in the actual street and house where the events took place. Jennings also adds some emotional interest in Alan's relationship with his mother (Gwen Taylor), who ironically has to move into a nursing home. Opposite him, Smith is as magnetic as ever, reeling off each pithy one-liner with impeccable timing. The role may not seem like much of a stretch, but she delivers it with a prickly mix of attitude and humour, plus a strong undercurrent of pathos.

Continue reading: The Lady In The Van Review

Jim Broadbent Proves Genius Casting For 'Get Santa'


Jim Broadbent Warwick Davis

Dopey Christmas movies are such a staple this time of year that it's actually rather shocking when one comes along that isn't stupid. Even if some critics struggle with the holiday-crime movie mashup, 'Get Santa' has been receiving glowing reviews for its witty script and sharp characters, played with energy and knowing humour by a strong cast. 

Jim Broadbent and Warick Davis in 'Get Santa'
Jim Broadbent and Warwick Davis appear together in 'Get Santa'

Much of the credit has to go to writer-director Christopher Smith, not the most obvious choice to make a heart-warming family movie. His previous films are the London Underground horror 'Creep', the team-building weekend slasher movie 'Severance', the plague-era gross-out 'Black Death' and the seafaring gorefest 'Triangle'. But all of Smith's films have a sharp undercurrent of black comedy to them, and he proves adept at concentrating on this in the context of a U-certificate action comedy (even Paddington earned a PG).

Continue reading: Jim Broadbent Proves Genius Casting For 'Get Santa'

Paddington - International Trailer


In the jungles of Peru, a young bear learns about and becomes obsessed with Great Britain and sets off on an adventure to visit the county. After an arduous journey, he finally arrives in London's Paddington Station, but realises quite soon that he is both lost and lonely. That is, until the Brown family discover him and adopt him, naming him Paddington, after the place they found him. Paddington (Ben Whishaw) is a great addition to the household, as his antics entertain the children. But said antics often end in destruction within the household, leaving the Brown family in a difficult position. Things become even more difficult when Millicent (Nicole Kidman) sets about trying to capture and stuff Paddington, in order to add him to her exhibition. 

Continue: Paddington - International Trailer

Get Santa Trailer


'Twas nights before Christmas and all through the house, not a creature was stirring. until a loud crash was heard in the garage. Nine year-old Tom (Kit Connor) heads out into the darkness and snow to investigate, and to his surprise, he discovers non-other than Santa Claus (Jinn Broadbent), having crashed his sleigh and lost his reindeer. After attempting to recover them, Santa is arrested and sent to prison. Tom confronts his dad, Steve (Rafe Spall), and encourages him to help recover the reindeer, sleigh and then rescue Santa before 24th December, otherwise Christmas will be ruined. Hilarity ensues as the father/son team work against the clock in a desperate attempt to save Christmas for everyone. 

Continue: Get Santa Trailer

What Should You See Tonight, Machete Kills? The Fifth Estate? It's Le-Weekend!


Benedict Cumberbatch Lady GaGa Saoirse Ronan Jim Broadbent

It’s Friday folks – your mundane, work-a-day week has come to an end, and now you’ve got a chance to spend the money you’ve earned on some form of entertainment, be it alcohol, video games, illegal activities or the movies. It’s the latter we’re focusing on: what film should you see tonight?

Machete KillsDanny Trejo in Machete Kills

You could go and see Machete Kills. Danny Trejo’s film started out as a joke trailer in Quentin Tarantino’s Grindhouse films, and eventually found itself as a fully-fledged feature film. It was okay; people got it, they understood that it was a joke and was intentionally kitsch. What nobody asked for was a sequel featuring Mel Gibson and Lady GaGa, but that’s what we’ve got, and it’s rubbish.

Continue reading: What Should You See Tonight, Machete Kills? The Fifth Estate? It's Le-Weekend!

"Le Week-End" Is Warm, Honest And Clever And That's Just The Critics Talking


Jim Broadbent Lindsay Duncan Jeff Goldblum

Le week-end is sweet, it’s quirky and it has its token dose of snark – the perfect combination to warm those chilly autumn nights. To top it all off, this Jim Broadbent and Lindsay Duncan starrer is set in Paris, adding another dose of romance to the whole affair. The affair in question is a weekend getaway for an ageing couple, which leads them to reevaluate their relationship and their lives overall.

Watch the trailer below.

Continue reading: "Le Week-End" Is Warm, Honest And Clever And That's Just The Critics Talking

Living For 'Le Week-End' - Jim Broadbent And Lindsay Duncan Star [Trailer]


Jim Broadbent Lindsay Duncan Jeff Goldblum

We’ve seen screen-legends combine to bring us the other side of a ‘coming of age’ story before - The Best Exotic Marigold Hotel did it to some degree of success – and now we have Le Week-End, which see Jim Broadbent and Lindsay Duncan’s characters head to the city of love to see if theirs can be reignited.

Jim Broadbent and Lindsay DuncanJim Broadbent and Lindsay Duncan in le Week-end

The Guardian, on the strength of the film’s Toronto 2013 screening, certainly liked it, giving it four stars. “All three lead characters are brimful of insight, with Broadbent brilliant as a man berated by his wife, scorned by his employers, exploited by his son, and offered scant compensation from anyone,” says their review.

Continue reading: Living For 'Le Week-End' - Jim Broadbent And Lindsay Duncan Star [Trailer]

Le Week-End Trailer


Meg and Nick are a seemingly devoted couple who venture to the romantic city of Paris on their thirtieth wedding anniversary in the hope of rekindling old feelings from their honeymoon. They may claim to love each other, but things are far from perfect in their relationship as their routine lifestyles have caused a dramatic rift between them without them even noticing. Their weekend is tainted by frequent arguments, though always warmed by frequent displays of affection and childish exploits. However, when they bump into old American friend who invites them for dinner at his Parisian apartment, they start to feel depressed that their lives are several shades less colourful than his with his gorgeous pregnant wife, success in the city and an impressive book deal. Will this long-devoted couple find peace within themselves to be content with one another? Or will Paris cause them to finally drift apart?

Continue: Le Week-End Trailer

Closed Circuit Trailer


Martin and Claudia are two lawyers who were formerly in a relationship. They are roped into a case together on the defense team of an alleged terrorist, following a tragic bombing in a London market one morning in November. It may be a difficult job to being with, but things don't get any easier when they covertly discover that their client was actually assigned as an undercover spy for MI5 and was supposed to lead them to the bombers before the attack. They soon begin to realise that their every move is being closely watched, and with threats on their life by some powerful people following their investigations and risky suggestions in court, they must escape the controlling force that is the government before they are eradicated - though it could be too late.

Continue: Closed Circuit Trailer

Cloud Atlas Flops On Opening Weekend At Box Office


Lilly Wachowski Tom Hanks Halle Berry Jim Broadbent Hugh Grant Hugo Weaving

Cloud Atlas has flopped into third place in the US Box Office after a dreary weekend saw the film, which many thought would do well commercially, take in less than Hotel Transylvania and chart topper Argo in US markets.

The film, an adaptation of the David Mitchell novel of the same name, was brought to the screen by Matrix masterminds Andy and Lana Wachowski and Run Lola Run director Tom Tykwer, with many foreseeing the time-jumping epic to make a huge impact at the box office. Instead the film only brought in a meagre $9.4 million over its opening weekend, a long way from the predicted $100 million it had budgeted for.

The film, which stars Tom Hanks, Halle Berry, Jim Broadbent, Hugh Grant and Hugo Weaving among others, follows the inter-twining lives of a host of different people throughout time, following the implications of actions made in past lives and how the soul lives on through time. It has so far split opinion right down the middle, with some marvelling and the ground breaking spectacle and story telling of the film, whilst other have smeared it for being overly ambitious.

Continue reading: Cloud Atlas Flops On Opening Weekend At Box Office

Cloud Atlas: Halle Berry's Clouds Are Solid Gold, Let Alone The Silver Lining


Halle Berry Tom Hanks Susan Sarandon Jim Broadbent

Cloud Atlas, the new film adapted from David Mitchell's novel of the same name, stars Halle Berry, Tom Hanks, Susan Sarandon and Jim Broadbent, among a plethora of other great stars. 

USA today says that film had a budget of $100m which reflects the complexity of its production, and the reason behind its star-saturation. The plot of the movie (and book) is a tapestry of six stories, following one soul as it moves from one body to the next, to the next, spanning around 500 years, from 1849 to the 24th century. The premise assumes reincarnation to be true, and really focuses on the unity of the human race. UPI states the official plotline as "the actions and consequences of our lives impact one another throughout the past, present, and future as one soul is shaped from a murderer into a savior and a single act of kindness ripples out for centuries to inspire a revolution."

Speaking about her role, Berry said "You have to say yes to something like this, [I want audiences to] walk away having a dialogue about it. And really realizing the ramifications of all of our actions and all of the choices that we make, and that they do reverberate for generations and generations. Acts of kindness and also acts of cruelty. It really matters." Halle has also revealed that she believes in reincarnation. "I think it's huge and something I believe in; the idea of reincarnation," she said, reported by CNN. "[Next time] I hope [to be] an animal. I'm a little tired of the human being thing; I'd love to come back as an animal next time around."

Continue reading: Cloud Atlas: Halle Berry's Clouds Are Solid Gold, Let Alone The Silver Lining

Jim Broadbent and Grauman's Chinese Theatre Wednesday 24th October 2012 Premiere of 'Cloud Atlas' at Grauman's Chinese Theatre

Jim Broadbent and Grauman's Chinese Theatre
Jim Broadbent and Grauman's Chinese Theatre

Jim Broadbent Saturday 8th September 2012 2012 Toronto International Film Festival - 'Cloud Atlas' - Afterparty

Jim Broadbent
Jim Broadbent

Elliot Gould and Jim Broadbent - Elliot Gould, Guest, Jim Broadbent, Chris Fujiwara Wednesday 20th June 2012 Edinburgh Film Festival 2012 - 'Killer Joe' Premiere

Elliot Gould and Jim Broadbent
Elliot Gould and Jim Broadbent
Elliot Gould and Jim Broadbent
Elliot Gould and Jim Broadbent
Elliot Gould and Jim Broadbent
Elliot Gould and Jim Broadbent

Jim Broadbent and BAFTA Sunday 12th February 2012 The Orange British Academy Film Awards (BAFTAs) held at the Royal Opera House - Arrivals.

Jim Broadbent and Bafta

The Iron Lady Review


Very Good
A fairly straightforward character portrait without any real analysis or message, this biopic succeeds because of the translucent performance by Meryl Streep. While the script and direction are inventive, they're also oddly uncritical.

In present-day London, Baroness Thatcher (Streep) is battling delusions of her dead husband Denis (Broadbent), who triggers memories of her life in politics.

Growing up during the war, young Margaret (Roach) becomes increasingly involved in politics, catches the eye of young Denis (Lloyd) and moves up the ladder from MP to become Britain's first female Prime Minister. She was also the longest-serving PM in the 20th century, staunchly sticking to her guns through the Poll Tax strikes, Falklands War and privatisation of much of the British state.

Continue reading: The Iron Lady Review

Jim Broadbent Wednesday 4th January 2012 'The Iron Lady' UK film premiere held at the BFI Southbank - Arrivals London, England

Jim Broadbent
Jim Broadbent

Arthur Christmas Trailer


Arthur Christmas is the clumsy youngest son of the famous Santa Claus. Together with his family, including his father, his cool older brother Steve, Santa's father Grandsanta and Santa's wife, Mrs. Santa, they run a top secret, highly state of the art operation beneath the North Pole, which helps Santa deliver every single Christmas present in one night around the globe and which cannot be seen by anyone else. It is a lengthy process, which sees Santa's team of elves - including a 'Gift Wrapping Battalion' who carry scissors and tape guns - training in the isolated Arctic during the summer by performing drills and practising their wrapping skills on unsuspecting polar bears. There is also a 'mission control' in which Santa and his team can see exactly how many days there are until Christmas and how many presents have been wrapped.

Continue: Arthur Christmas Trailer

Jim Broadbent - Jim Broadbent, London, England - Harry Potter And The Deathly Hallows: Part 2 - world film premiere held on Trafalgar Square - Arrivals. Thursday 7th July 2011

Jim Broadbent
Jim Broadbent
Jim Broadbent
Jim Broadbent
Jim Broadbent

Jim Broadbent Sunday 22nd May 2011 Philips British Academy Television Awards in 2011 held at the Grosvenor House - Arrivals. London, England

Jim Broadbent
Jim Broadbent
Jim Broadbent

Jim Broadbent - Jim Broadbent, London, England - at the RTS Programme Awards at The Grosvenor House Hotel. Tuesday 15th March 2011

Jim Broadbent
Jim Broadbent
Jim Broadbent

Jim Broadbent - Jim Broadbent, London, England - at the London Evening Standard British Film Awards 2011 at the Marriot Hotel - Arrivals Monday 7th February 2011

Jim Broadbent

Another Year Review


Excellent
Even for Mike Leigh, this film feels like a rather subdued slice-of-life in which nothing much really happens. But it's impeccably made at every level, with bracingly sharp performances and a ruthlessly honest script.

Tom and Gerri (Broadbent and Sheen) are a happy middle-aged couple in London with an equally contented 30-year-old son Joe (Maltman). But Gerri's friend Mary (Manville) is another story: single and more a bit desperate, she also has a creeping alcohol problem. While she seems like the perfect fit for Tom's friend Ken (Wight), she instead has her eye on Joe, which becomes a problem when he brings a girlfriend (Fernandez) home. Meanwhile, Tom's brother (Bradley) is struggling with his strained relationship with his surly son (Savage).

Continue reading: Another Year Review

Jim Broadbent Monday 18th October 2010 The 54th Times BFI London Film Festival - 'Another Year' - Premiere - at the Vue in Leicester Square The 54th Times BFI London Film Festival - 'Another Year' - Premiere

Jim Broadbent
Jim Broadbent
Jim Broadbent

Jim Broadbent Wednesday 13th October 2010 The 54th Times BFI London Film Festival - 'Never Let Me Go' - Premiere - Opening Gala - Arrivals. London, England

Another Year Trailer


Meet Tom and Gerri, a happily married couple who're closer to the end of their life to the start. Another Year is a touching and true-to-life story that explores the meaning of friendships and relationships through all stages of life.

Another Year was written and directed by British film maker Mike Leigh and sees him collaborate with Lesley Manville for the eighth time, his seventh with Jim Broadbent and fifth with Ruth Sheen.

Another Year is released in the UK through Momentum Pictures on November 5th 2010
Directed by: Mike Leigh

Starring: Jim Broadbent, Lesley Manville, Ruth Sheen, Peter Wight, Oliver Maltman, David Bradley, Martin Savage, Michele Austin, Philip Davis, Imelda Staunton, Stuart McQuarrie, Eileen Davies, Mary Jo Randle and Ben Roberts

Jim Broadbent - Tuesday 3rd August 2010 at Royal Festival Hall London, England

Jim Broadbent
Jim Broadbent
Jim Broadbent

Jim Broadbent - Saturday 15th May 2010 at Cannes Film Festival Cannes, France

Jim Broadbent
Jim Broadbent
Jim Broadbent

Actor Jim Broadbent and Jim Broadbent - Saturday 15th May 2010 at Cannes Film Festival Cannes, France

Actor Jim Broadbent and Jim Broadbent
Actor Jim Broadbent and Jim Broadbent
Lesley Manville and Jim Broadbent
Lesley Manville and Jim Broadbent

Jim Broadbent Wednesday 10th March 2010 Irish Premiere of 'Perrier's Bounty' held at the Savoy Cinema Dublin Ireland

Jim Broadbent
Jim Broadbent
Jim Broadbent

Jim Broadbent Tuesday 26th January 2010 The South Bank show awards held at the Dorchester Hotel - Outside arrivals. London, England

Jim Broadbent

Harry Potter And The Half-Blood Prince Review


Very Good
Darker and a whole lot drearier, this sixth Harry Potter adventure centres on a slow-developing mystery, and the filmmakers clearly struggle to give it much pace. It's well-made and watchable, but feels like an intake of breath before the frantic finale.

After the horrific conclusion of their fifth year at Hogwarts, Harry (Radcliffe) has a solitary summer before being drafted by headmaster Dumbledore (Gambon) into the ongoing war between the wizarding forces of light and darkness. And as year six starts, Dumbledore assigns Harry to get some important information from new potions professor Slughorn (Broadbent) about the Dark Lord's background. He of course does this with the help of pals Ron and Hermione (Grint and Watson), who with Harry are also caught up in conflict more typical for 17-year-olds: raging hormones.

Continue reading: Harry Potter And The Half-Blood Prince Review

Jim Broadbent, Harry Potter and Empire Leicester Square - Jim Broadbent and Anastasia Lewis London, England - World Premiere of Harry Potter And The Half Blood Prince at the Empire Leicester Square cinema - arrivals Tuesday 7th July 2009

Jim Broadbent, Harry Potter and Empire Leicester Square
Jim Broadbent, Harry Potter and Empire Leicester Square

Harry Potter and the Half-Blood Prince - Trailer & Featurette


Watch the trailer for Harry Potter and the Half-Blood Prince

Continue: Harry Potter and the Half-Blood Prince - Trailer & Featurette

Jim Broadbent Wednesday 18th March 2009 UK film premiere of 'The Damned United' London, England

Jim Broadbent
Jim Broadbent

Jim Broadbent, Odeon Leicester Square and The Young Vic Tuesday 3rd March 2009 The Young Victoria - World premiere held at the Odeon Leicester Square - Arrivals London, England

Jim Broadbent, Odeon Leicester Square and The Young Vic
Jim Broadbent, Odeon Leicester Square and The Young Vic

Jim Broadbent, Lisa Mayer and Martin Clunes - Jim Broadbent, Lisa Mayer and Martin Clunes London, England - attend the press night for Entertaining Mr. Sloane Friday 30th January 2009

Jim Broadbent, Lisa Mayer and Martin Clunes
Jim Carter, Janine Duvitski and Jim Broadbent
Jim Broadbent and Angus Deayton

Inkheart Review


Bad
Nothing warms a writer's icy heart more than something that champions books -- and reading, specifically. As communication becomes more and more a collection of texting abbreviations and message board protocols, the art of literature appears to be slowly sinking. So something like Inkheart should inspire all kinds of good will for fellow scribe Cornelia Funke, especially with its love of imagination, fiction, and all things erudite. Sadly, Hollywood's hand in the mix has created yet another attempted Harry Potter clone, a clever idea anemically adapted to capitalize on its commercial, not creative potential.

Mo Folchart (Brendan Fraiser) is a "silvertongue" -- one of a rare few who can "read" characters out of books and bring them to life. Sadly, he discovers this trait one night while entertaining his wife Resa (Sienna Guillory) and their daughter Meggie (Eliza Bennett). While indulging in a passage from the fantasy novel Inkheart, he unleashes fire juggler Dustfinger (Paul Bettany) while accidentally sending his spouse into the tome. Now, 10 years later, Mo is still looking to save her, even though his efforts have let loose more fictional faces from the book, including evil master thief Capricorn (Andy Serkis). But the criminal is not content with being a viable member of the real world. He wants to rule all of mankind, and wants Mo to help him in this horrible pursuit.

Continue reading: Inkheart Review

Jim Broadbent Friday 17th October 2008 The Times BFI London Film Festival - 'The Other Man' - Arrivals London, England

Jim Broadbent
Jim Broadbent
Jim Broadbent
Jim Broadbent
Jim Broadbent

Jim Broadbent - Wednesday 15th October 2008 at Odeon Leicester Square London, England

Jim Broadbent

Jim Broadbent Wednesday 15th October 2008 The Times BFI London Film Festival - Premiere of Frost/Nixon - Arrivals London, England

Indiana Jones And The Kingdom Of The Crystal Skull Review


Very Good
The great thing about the movies is that our heroes never age. We can keep going back to Chaplin, Newman, or Hepburn (either one), and with the exception of some dated slang, they remain as fresh as the day they stepped foot in front of the camera.

And so, when a bona fide classic character like Indiana Jones, last seen on the big screen 19 long years ago, makes his big return (with all the itinerant hype), fans of the series are faced with a painful mix of emotions. Of course there's joy: Another episode of what might be my favorite childhood movie series is a delightful prospect. But then there's despair: Indy may not age, but Harrison Ford does. Indiana Jones is no longer a spry young guy but a veritable senior citizen. And if Indiana Jones is old, that means I'm getting old, too.

Continue reading: Indiana Jones And The Kingdom Of The Crystal Skull Review

Jim Broadbent - Sunday 18th May 2008 at Cannes Film Festival Cannes, France

Jim Broadbent

Jim Broadbent Monday 14th April 2008 UK premiere of 'Happy-Go-Lucky' held at the Odeon Camden - Arrivals London, England

The Chronicles Of Narnia: The Lion, The Witch And The Wardrobe (2005) Review


Weak
Since the first comparison made with C.S. Lewis' Narnia fantasy series is to his friend and colleague J.R.R. Tolkien's Lord of the Rings books, it is worth noting that - as recently mentioned in the New Yorker - Tolkien hated the Narnia books because their ideological underpinnings constrained the fiction itself. Tolkien was as devoutly religious as Lewis but you didn't see the hobbits going to church on Sunday; Middle Earth was a pretty pagan land where mythology, not theology, was the rule of the day. Lewis was a different sort, of course, and though the seven Narnia books were brilliant fantasy, they also had an irksome tendency towards preachiness. This same problem afflicts The Lion, the Witch and the Wardrobe, the (potentially) first Chronicles of Narnia film, a crass product of merchandised morality from Disney and Walden Media, a media company owned by Christian evangelist billionaire Philip Anschutz.

Director Andrew Adamson makes his live-action debut here after the two Shreks, but it's an easy transition for him, given that a good portion of the film has a CGI/character complexity ratio about as high as the last few Star Wars films. Although Narnia doesn't lend itself well to the cheeky pop culture reference-o-rama that Shrek did, it shares those films' same treacly sentimentality and market-researched plasticity.

Continue reading: The Chronicles Of Narnia: The Lion, The Witch And The Wardrobe (2005) Review

Art School Confidential Review


Excellent
Few things are more mystifying to outsiders than the world of modern art. Which of course makes it the perfect backdrop for a Terry Zwigoff film. Where else is eccentricity, flamboyance, and pretension considered normal? And who's more alienated and misunderstood than an art student rejected by his art school classmates, who are, quite naturally, alienated and misunderstood themselves? Art School Confidential, Zwigoff's latest, mines this territory for humor and poignancy, raising questions about the nature of art and alienation.As in Zwigoff's previous films, which include Crumb, Ghost World, and Bad Santa, Art School's hero is far from heroic. Played by Max Minghella, with his dark eyes and brooding bushy brows, Jerome Platz is a young art student whose primary aspiration is to be the greatest artist of the 21st century, the next Picasso. His secondary concern -- to find an emotional, intellectual, erotic connection with a woman -- proves even more ambitious since he feels only one girl, luminous art model Audrey (Sophia Myles), is worthy of his attention.The trouble is, after an initial connection with Jerome, Audrey shifts her attention to another freshman painter, the hunky Jonah, whose simple, innocent paintings have turned him into something of a campus hero. In order to win Audrey back, Jerome asks for the help of Jimmy (Jim Broadbent), a bitter, reclusive, alcoholic painter. Broadbent's performance is the film's strongest, which is saying something in a film packed with celebrated actors. His Jimmy is sensitive and fearsome, wise, and terrible -- all at once. At several points in the film, during fits of artistic pique, Jimmy's eyes flash with anger and fix on Jerome -- and the misery of a rotten, wasted life paralyzes both Jerome and the audience. The jolting power of these moments, of Broadbent's poisonous eyes, makes his turn a thing to behold.Jerome's classmates and instructors at the Strathmore Institute figure prominently in the film's wry exploration of what makes good art good, and what makes the truest art timeless. Professor Sandiford (John Malkovich) is a failed painter who is unable to see Jerome's talent and potential but wouldn't mind sleeping with him. Jerome's roommate Vince (Ethan Suplee, of TV's My Name Is Earl) is a fast-talking, sexually obsessed film student. And Jerome's friend Bardo is a talentless, wayward womanizer who doesn't belong in art school. Several heavyweight actors play the bit parts that round out the cast, including Angelica Huston as a sage art history professor, Steve Buscemi as a freewheeling gallery owner, and Michael Lerner as a greedy art dealer.Art School marks Zwigoff's second collaboration with Daniel Clowes, who wrote both the screenplay and the graphic novel on which it was based. Their first collaboration, the 2001 film Ghost World, earned them an avalanche of critical praise and an Academy Award nomination for Best Adapted Screenplay. However, Art School isn't as good as Ghost World, despite their abundant similarities. The connection between the central characters in Ghost World, Thora Birch's Enid and Buscemi's Seymour, was fascinating, odd, and easily understood. Jerome and Audrey's relationship, meanwhile, never takes shape, partly because Audrey's character is completely lifeless. Zwigoff and Clowes never get around to showing us who she is or what she wants. It's never clear why she would turn her back on Jerome to pursue Jonah when she knows better than anyone that Jerome is the real talent.Such problems keep Art School from the heights of achievement of Ghost World and Crumb, but don't keep it from being a provocative, entertaining movie. Art School will go down as a minor work from the maker of off-kilter gems.Between you and me...

The Chronicles Of Narnia: The Lion, The Witch And The Wardrobe (2005) Review


Weak
Since the first comparison made with C.S. Lewis' Narnia fantasy series is to his friend and colleague J.R.R. Tolkien's Lord of the Rings books, it is worth noting that - as recently mentioned in the New Yorker - Tolkien hated the Narnia books because their ideological underpinnings constrained the fiction itself. Tolkien was as devoutly religious as Lewis but you didn't see the hobbits going to church on Sunday; Middle Earth was a pretty pagan land where mythology, not theology, was the rule of the day. Lewis was a different sort, of course, and though the seven Narnia books were brilliant fantasy, they also had an irksome tendency towards preachiness. This same problem afflicts The Lion, the Witch and the Wardrobe, the (potentially) first Chronicles of Narnia film, a crass product of merchandised morality from Disney and Walden Media, a media company owned by Christian evangelist billionaire Philip Anschutz.

Director Andrew Adamson makes his live-action debut here after the two Shreks, but it's an easy transition for him, given that a good portion of the film has a CGI/character complexity ratio about as high as the last few Star Wars films. Although Narnia doesn't lend itself well to the cheeky pop culture reference-o-rama that Shrek did, it shares those films' same treacly sentimentality and market-researched plasticity.

Continue reading: The Chronicles Of Narnia: The Lion, The Witch And The Wardrobe (2005) Review

Nicholas Nickleby Review


Good
Poor Charles Dickens. He has the good fortune to be remembered by the entire world. What high school student hasn't been forced to suffer through Great Expectations? Nowadays, one of his books (and he didn't really write that many) is turned into a movie or a mini-series every year. (2001 saw four Dickens recreations on film or TV.)

2002 will earn but a single Dickens adaptation, a motion picture of Nicholas Nickleby, perhaps Dickens' least-read work and one of his most wandering (the novel being more than 800 pages long).

Continue reading: Nicholas Nickleby Review

Bridget Jones: The Edge Of Reason Review


OK
In the last three years, Renée Zellweger has lost all 25 pounds of her Bridget Jones weight, vamped her way through Chicago, chunked up again for Cold Mountain, waifed away for Down with Love, and -- finally -- put all that weight back on for her long-awaited return to the role of an insecure Brit -- one which she swore she'd never perform again.

Well, throw enough money at something and it's bound to change people's minds. In fact, that seems to be the operating assumption for the entirety of this sequel, Bridget Jones: The Edge of Reason, a lackluster follow-up to the mildly enchanting original.

Continue reading: Bridget Jones: The Edge Of Reason Review

The Gathering Storm Review


Very Good
Good TV but still obviously TV. Albert Finney has labored over his doppelganger of Winston Churchill, seen here in the years leading up to WWII, from when no one took him seriously in Parliament to his dominating stint as Prime Minister. I learned a lot about Chuchill in The Gathering Storm, but it still felt a bit like I was taking my medicine. Full of great performances but somehow soulless.

Bullets Over Broadway Review


Excellent
Woody Allen puts away the parlor tricks (singing, Greek choruses, supernaturalism) for this straight-up period piece, a fun romantic comedy that, with seven Oscar nominations, is one of his most award-nominated films, tying Hannah and Her Sisters. John Cusack (odd choice) stars as an idealistic playwright in the 1920s who, for one reason after another, finds his would-be masterpiece being overrun by meddlers, bizarre actors, love entanglements, and a series of absurd situations. Dianne Wiest won an Oscar for turning "Don't speak!" into a catchphrase, and the film vaulted Chazz Palminteri into the limelight -- for a couple of months, anyway. Great fun all around.

The Avengers Review


Terrible
I had heard it was bad... but this is downright silly. In a dead heat for worst movie of the year, an unconscionable waste of the prodigious acting talents that made this huge belly flop.

Topsy-Turvy Review


Good
One of my earliest childhood remembrances was watching a performance of H.M.S. Pinafore. I thought it was really neat. The costumes and music were amazing and even though I couldn't understand all of what was going on, I was fascinated by how all of these people worked together.

Now 20 years later, while watching another Gilbert and Sullivan performance (of sorts) I am still thinking the same things.

Continue reading: Topsy-Turvy Review

Valiant Review


Weak
A lithe Canadian beauty beat the tar out of a Disney animated feature this weekend. People opted to see Steve Carell get his chest waxed. Penguins, not the singing and dancing ones, but ordinary penguins, were a more appealing option than Valiant.

It's easy to see why the money is going elsewhere. Valiant clocks in at just below 80 minutes, and it feels padded. The typical Disney trademarks of untested heroes, sarcastic sidekicks, and puppy love are offered, but they feel like hand-me-downs, worn ragged by Aladdin, Timon, and the rest. Nothing in Valiant is larger than life, including the villains, always a staple. Tim Curry voices an evil falcon, and his work won't make anyone forget Jeremy Irons' Scar anytime soon.

Continue reading: Valiant Review

Vanity Fair Review


Very Good
Mira Nair has groomed her sumptuous adaptation of William Makepeace Thackeray's novel Vanity Fair for Oscar contention, and the period epic easily could compete in a number of technical categories. Pencil the handsome film down for costume design, art direction, and makeup nominations. Declan Quinn's cinematography certainly deserves a nod, too. It's a little early to tell how all the races will shake out, but leading lady Reese Witherspoon could even surprise a few people by seeing her name on a short list of Best Actress nominees.

Too bad no one is going to pay to see the film. Most mainstream filmgoers would opt for root canal over having to sit through a 19th century social commentary piece. Take Ang Lee's Sense And Sensibility as an example. It earned seven Oscar nominations back in 1995, but only grossed $42 million in the States.

Continue reading: Vanity Fair Review

Widows' Peak Review


Very Good
Widows' Peak is best known -- if it's known at all -- as Mia Farrow's first movie in 10 years that wasn't directed by then-husband Woody Allen. It's a big departure for Mia -- not only is it a black comedy involving blackmail, revenge, and murder, but Mia's playing an Irish lass, to boot!

The titular peak is a small mountain in Ireland, populated primarily by wealthy widows and their kin, while the proles labor in the town at the bottom of the hill. While grand dames like Mrs. Doyle-Counihan (Joan Plowright) are the norm, Miss O'Hare (Farrow) is a bit more mysterious, obviously far lesser in stature despite hanging with the gossipy upper class. Into this sleepy mix comes English/American import Edwina Broome (Natasha Richardson), who immediately livens up the geriatric community by romancing Mrs. D-C's son (Adrian Dunbar) and getting into a series of scuffles with Miss O'Hare. Before too long, the secrets will be spilling out of both of them as the hijinks spiral out of control.

Continue reading: Widows' Peak Review

Around The World In 80 Days (2004) Review


Terrible
The 50-year-old Jackie Chan has lost a step or two. This remake of the award winning 1956 classic Around the World in 80 Days is clearly just a vehicle to further his career; unfortunately it mainly showcases his age. His fight scenes are laughably choreographed and his acting comes across as forced.

Chan's problems are indicative of many others faced by this overblown $110 million mess. Even as production was finishing, a distributor had not been found. Not surprisingly, Disney eventually picked up the film. Yet, what is surprising is Disney's decision not to distribute a challenging film like Fahrenheit 9/11, but instead to release this one, a flavorless and disgraceful remake.

Continue reading: Around The World In 80 Days (2004) Review

Brazil Review


Essential
Categorically, one of the greatest films of the century--about a lowly clerk in a postmodern dystopia fighting to regain a sense of self against the all-powerful machine of government tyranny. As fought-over as Citizen Kane. As filled with nuance and meaning as A Clockwork Orange. As prophetic as 1984. Anyone who doesn't like Brazil is a fascist. You can tell them I said so.

Continue reading: Brazil Review

Robots Review


OK

With its expensive but largely characterless voice castand an off-the-shelf follow-your-dreams plot retooled for a world populatedby wacky sentient machines, the computer-animated "Robots" islucky to have spectacular production design and one or two curious mechanicalstars to hold the interest of anyone over age 10.

Created by Blue Sky Studios and director Chris Wedge --the gang behind 2002's "IceAge" -- the story concerns young robotRodney Copperbottom (voiced by Ewan McGregor), a small-town dreamer madefrom well-worn, hand-me-down parts maintained by his dishwasher dad. He'sa hopeful, wide-eyed inventor who travels to the mega-opolis Robot Cityhoping to sell some of his scrap-metal gadgets to Bigweld Industries, apparentlythe monopoly supplier of all things robotic in this world.

The company was once run by the altruistic and welcomingMr. Bigweld (Mel Brooks), who for no adequately explored reason has withdrawnfrom the company he loved and let it be taken over by a greedy, brushed-steelcorporate suit named Ratchet (Greg Kinnear). This villain has decided todiscontinue all replacement parts Bigweld has always made for the robotpopulation -- all part of a sinister plan to scrap and melt down any "outmodes"who can't afford full-body upgrades.

Continue reading: Robots Review

Moulin Rouge Review


Good

Writer-director Baz Luhrmann wastes no time getting to the flamboyant and cinematic razzle-dazzle of "Moulin Rouge," a spectacular near-opera that breathes 21st Century life into the movie musical by invoking the wildest cultural spirits from the dawn of the 20th Century.

In the film's opening sequence Luhrmann pushes into the frame of a scratchy, grainy silent film image of Paris, circa 1900. We're swept over sepia-toned rooftops and down into the deteriorated hotel room of the broken-hearted hero, a once-idealistic young writer named Christian (Ewan McGregor) who sits at a typewriter about to pour out the tale of his doomed love for a beautiful courtesan who had been the star of the floor show at the infamous Moulin Rouge cabaret.

When Christian's flashback to happier days begins, Luhrmann reverses out of this antiquey image of Paris until he reaches the same starting vantage point. Suddenly bright, rich color bleeds into the frame and the camera zooms forward once again, into a now effervescent, vital and fantastical City of Lights in all its bohemian splendor.

Continue reading: Moulin Rouge Review

Gangs Of New York Review


Good

In the opening moments of Martin Scorsese's American history epic "Gangs of New York," a galvanized band of 19th Century Irish immigrants, armed to the teeth with axes and swords, emerges from a catacomb hideout beneath an abandoned brewery and kick open a shabby wooden door to reveal an amazing sight: the vast, almost frontier-like streets of lower Manhattan, circa 1846, brought to life in such exacting detail that you can almost smell the horse plop on the muddy roads.

This single shot does wonders for establishing the heavy, gritty, treacherous atmosphere of the muscle-ruled Five Points area in which the film is set. It's a place where falsely accused people are hung by crooked cops to set examples for petty criminals and where fire brigades duke it out in front of burning buildings to determine who gets to fight the fire.

Leading the pack of Irish bruisers is the stouthearted Priest Vallon (Liam Neeson), who is subsequently killed in the ensuing violent, snow-bloodying street battle by William Cutting (Daniel Day-Lewis) -- leader of The Natives, an vicious anti-immigrant gang, who leaves Vallon's young son, Amsterdam, one angry orphan.

Continue reading: Gangs Of New York Review

Iris Review


Very Good

Kate Winslet and Judi Dench give wondrously in-sync performances as the young and the old Iris Murdoch in "Iris," an inspired, invoking and inventive biography of one of Britain's premiere 20th Century authors.

With seemingly little effort, both actresses bear a remarkable resemblance to their character in her various stages of life -- as do the two actors (Hugh Bonneville and Jim Broadbent, respectively) who play Murdoch's fidgety and unstrung but unconditionally devoted husband, John Bayley.

But it's the way they play two ends of the same psyche, and the way director Richard Eyre ties those two ends inexorably together with interwoven parallel narratives, that makes this film transcend the biopic genre.

Continue reading: Iris Review

Vanity Fair Review


OK

Surprisingly, "Legally Blonde's" very modern Reese Witherspoon seems quite at home in the 19th Century world of London society as sprung from the pages of William Makepeace Thackeray's "Vanity Fair." Unfortunately she fails to inspire much sympathy for the novel's cunning, charmingly conniving, social-climbing heroine.

An orphan raised at a snooty girl's school, where she was indentured as a maid to pay for her edification, upon graduation the brilliant Becky Sharp rises quickly from nanny for the children of an eccentric country nobleman (Bob Hoskins), to sharp-tongued companion for his gossipy, aged society dame sister (Eileen Atkins), to wife-by-elopement of the nobleman's nephew -- much to the shock and chagrin of her former employers.

On the arm of her dashing army officer husband (James Purefoy) -- who used to "break hearts for a hobby" before falling under her spell -- Becky elbows her way into the disapproving circles of the Georgian-era upper crust, her beauty and biting wit making her irresistible to pliant men and a formidable rival to condescending women.

Continue reading: Vanity Fair Review

Bridget Jones's Diary Review


Good

Whether the feature film version of "Bridget Jones's Diary" -- that exalted, best-selling ode to 30-something single gals -- properly captures the oversized pajamas-and-Haagen Dazs essence of "singleton" romantic vexation, I cannot say.

I am male and I haven't read the book, and either one of these facts excludes me from being a bona fide member of the cult following that has built up around this lovelorn English Everywoman. Everything I know about Bridget's struggles with smoking, men and her weight I have gleaned from friends' enthusiastic reviews of the two Helen Fielding novels, which I'm told are written as diary entries in the heroine's first-person short-hand. (I hear both books are v., v. good.)

But I do consider myself something of an expert on (and an unabashed fan of) winsome romantic comedies, and on that front, I'd have to say this movie is a winner.

Continue reading: Bridget Jones's Diary Review

Around The World In 80 Days Review


OK

Jules Verne might have a hard time recognizing his source material in the Jackie Chan action-comedy adaptation of "Around the World in 80 Days," but for non-purists, it's easy to forgive the many liberties taken in this funny, fleet-footed summer-matinee romp.

Although the ostensible main character is still screwball Victorian inventor Phileas Fogg (lanky Steve Coogan) -- who wagers against the stuffed shirts of the English scientific establishment that he can circumnavigate the globe in the titular time period -- this version of the story more literally revolves around Passepartout (Chan), Fogg's valet who has his own reasons for traipsing across continents.

Passepartout has stolen a jade Buddha from a Bank of London vault in order to return it to its rightful place: his native village in China. Fogg is his ticket to safe passage -- or so he thinks.

Continue reading: Around The World In 80 Days Review

Jim Broadbent

Jim Broadbent Quick Links

News Pictures Video Film Quotes RSS
Advertisement

Occupation

Actor


Advertisement
Advertisement

Jim Broadbent Movies

Paddington 2 Movie Review

Paddington 2 Movie Review

The first Paddington movie in 2014 is already such a beloved classic that it's hard...

Paddington 2 Trailer

Paddington 2 Trailer

Since being adopted into the Brown family, Paddington bear is now a big part of...

Advertisement
The Sense of an Ending Movie Review

The Sense of an Ending Movie Review

Julian Barnes' Booker Prize-winning novel is adapted into a remarkably intelligent, gently involving film anchored...

The Sense Of An Ending Trailer

The Sense Of An Ending Trailer

Tony Webster is a retired man in his sixties whose past comes back to haunt...

Bridget Jones's Baby Movie Review

Bridget Jones's Baby Movie Review

As it's been 12 years since the last Bridget Jones movie, expectations aren't too high...

Advertisement
The Legend of Tarzan Movie Review

The Legend of Tarzan Movie Review

It's been nearly 30 years since the last live-action Tarzan movie, and yet it still...

Bridget Jones's Baby Trailer

Bridget Jones's Baby Trailer

Bridget has always known how to get herself into a muddle - catastrophic muddles at...

The Legend Of Tarzan Trailer

The Legend Of Tarzan Trailer

When Lord John and Lady Greystoke found themselves stranded in strange jungle, their only instinct...

Eddie the Eagle Movie Review

Eddie the Eagle Movie Review

Based on the true story of an unapologetic underdog who never won anything, this British...

Bridget Jones's Baby Trailer

Bridget Jones's Baby Trailer

After battling the dating scene and finally finding love with Mark Darcy, Bridget Jones is...

The Lady In The Van Movie Review

The Lady In The Van Movie Review

Maggie Smith couldn't be more perfect for the title role in this film if it...

Brooklyn - Clips Trailer

Brooklyn - Clips Trailer

Eilis Lacey's life in Ireland has drawn to a standstill, there's no work and her...

Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews
                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.