In Angel Face, Robert Mitchum, the poster boy of film noir, signs off on the genre with his last great portrait of doom. As Jessup, Mitchum is a hunk of a man and knows it but his laconic self-assurance belies that fact that all the women he meets in Angel Face, both good and safe (Mary) and evil and possessed (Jean Simmons' Diane, a cute and an attractive but not-so-innocent package of venality and psychosis), overpower him, and the evil one wins out.
Continue reading: Angel Face Review
Nicholas Ray's study of the epidemic of juvenile delinquency that terrified post-war parents in the '50s is still compelling today even if the delinquency depicted -- leather jackets, switchblades, drag racing -- seems positively quaint by today's shoot-up-the-school-with-an-Uzi standards. Dean takes the role of Jim Trask and runs with it, chewing up the scenery when the script demands it and then throttling back into profound stillness in his moodier moments.
Continue reading: Rebel Without A Cause Review
His new album Underneath It All is out now.
'Charli' sees Charli XCX continue to innovate, never being afraid to get honest and show her vulnerability.
Angel of the north Sam Fender has finally graced our ears with his highly anticipated debut album Hypersonic Missiles.
JPEGMAFIA is back already with his newest record 'All My Heroes Are Cornballs' and we doubt anyone could've seen this coming.
They release album 'Destruction/Reconstruction' on September 20th 2019.
Pixies kicked off the European leg of their latest tour in the sleepy retirement town of Bexhill-On-Sea.
Kent punk duo Slaves held up their pledge to headline a gig on the Kent coast this weekend when they once again took to the Hall By The Sea stage at...