In Angel Face, Robert Mitchum, the poster boy of film noir, signs off on the genre with his last great portrait of doom. As Jessup, Mitchum is a hunk of a man and knows it but his laconic self-assurance belies that fact that all the women he meets in Angel Face, both good and safe (Mary) and evil and possessed (Jean Simmons' Diane, a cute and an attractive but not-so-innocent package of venality and psychosis), overpower him, and the evil one wins out.
Continue reading: Angel Face Review
Nicholas Ray's study of the epidemic of juvenile delinquency that terrified post-war parents in the '50s is still compelling today even if the delinquency depicted -- leather jackets, switchblades, drag racing -- seems positively quaint by today's shoot-up-the-school-with-an-Uzi standards. Dean takes the role of Jim Trask and runs with it, chewing up the scenery when the script demands it and then throttling back into profound stillness in his moodier moments.
Continue reading: Rebel Without A Cause Review
Once a fire fighter, always a fire fighter.
Today (September 14th) marks the 25th anniversary since the album's 1993 release.
Labrinth has teamed up with Sia and Diplo to form a new supergroup: LSD.
The Struts teamed up with Kesha for a red and gold themed music video as part of their collaboration on 'Body Talks'.
Brody Dalle's band dropped their first new music since 2003's 'Coral Fang'.
Sometimes actors are not acting.