Here we find our heroine Christine (old horror regular Jill Schoelen) playing a modern opera singer who's mysteriously whisked back in time to Victorian London, where the usual Phantom goings-on ensue. Grisly murders ensue, all courtesy of the disfigured man in the basement (Robert Englund, natch), with one specific twist: He doesn't just wear a pretty mask, he uses his victim's skin to make new faces.
Continue reading: The Phantom Of The Opera (1989) Review
After the spin-off Han Solo movie was hit by the loss of its directors earlier this week, LucasFilm and Disney have acted quickly to fill the gap...
The singer introduced "the next generation" in Iceland.