Who knew director James Foley had this movie in him. With credits from Who's That Girl? to Fear to The Corruptor, Foley hasn't made a passable movie before or since this 1992 production. Having a script by David Mamet (based on his stage play) doesn't hurt, nor does having at least two screen legends in the cast. Hell, even the minor characters are stellar. Jonathan Pryce's beaten-down mark is one of the most memorably pathetic losers on celluloid. Alec Baldwin's five minutes of screen time here is his greatest work ever.
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