What if you really had the chance to change all of that? What if you could talk to yourself when you were only eight years old and explain how to take a stand for yourself, give the younger you understanding of why dad is so angry at the world, and give yourself hope for retaining individuality in a sea of conformity. In the new Disney film The Kid Russ Duritz gets that once in a lifetime chance.
Continue reading: The Kid (2000) Review
And it's got all of those earmarks of just about every Dracula, a director no one has heard of (Craven just bankrolled it), a series of barely recognizable actors, and a feeling of having been shelved for about four years... oh yeah, and a bunch of religious undertones so the crew can work through their theological schizophrenia a la Anne Rice.
Continue reading: Dracula 2000 Review
The Last Man is set in a post-apocalyptic near-future, where the human race has been annihilated save for three survivors. Alan, a rotund graduate student, at first believes that he is the last human on earth. He attempts to document the remainder of his life on video and, at the same time, educate future races about the philosophy and traditions of a group of South American Indians he had been studying. Alan learns he's not alone when he surprisingly encounters Sarah (Star Trek hottie Jeri Ryan), the world's last human female. Lucky for Alan, she's quite a beauty -- the kind of woman who would never give him the time of day if there existed even the least bit of competition. Of course, this isn't a concern until the handsome yet dense Raphael appears on the scene, providing an instant threat to Alan.
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For anyone who's ever enjoyed the corny fluff of Doris Day-Rock Hudson movies -- or even gotten a good laugh out of their outdated sexual mores -- Renee Zellweger and Ewan McGregor will earn ear-to-ear grins for their deliciously tongue-in-cheek performances in "Down With Love."
An affectionate spoof of the pastel giddiness of late '50s/early '60s battle-of-the-sexes romantic comedies like "Pillow Talk" and "Lover Come Back," the movie is directed by Peyton Reed, who proved his talent for good-natured ribbing in 2000's surprisingly droll and self-mocking cheerleader flick "Bring It On."
Super-saturated with soundstagey Technicolor style, the picture stars the wide-eyed and witty Zellweger as Barbara Novak, an adorably effervescent, fashionably feminist author freshly arrived in Manhattan. A farmer's-daughter-cum-sophisticate, she has written an empowerment manifesto for the fairer sex called "Down With Love," the gist of which is that romance is a distraction and women should "enjoy sex the way a man does -- a la carte!" A controversial concept in 1962.
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