A petition has been set up asking people to boycott the film which is based on the 1969 Stonewall riots
The trailer for upcoming American drama Stonewall has been released and it has come out surrounded with its fair share of controversy. Roland Emmerich is the blockbuster movie director who has taken on the film, loosely based on the 1969 Stonewall riots that are widely acknowledged as the catalyst for the modern gay rights movement.
Stonewall, based on the 1969 riots, has released its trailer - but not everyone is happy about it
Initially, the idea and the director received tremendous amounts of praise for tackling and highlighting such an important issue as this and Stonewall looked to be heading towards being a big hit.
Continue reading: The Stonewall Trailer Has Been Stonewalled With Criticism
Danny Winters is a young man in 1969, who becomes disenfranchised from the marginalisation and discrimination of some members of society. His radical opinions cause his parents to kick him out of their Kansas home, and so he takes the opportunity to travel to New York where he meets a group of liberal and flamboyant youths who shelter him and bring him to a discreet gay club run by the mafia known as The Stonewall Inn. Unfortunately, this is a place frequently raided by cops, who are less than liberal in their way of thinking. Tired of the constant social threats and alienation, Danny leads an army with members of the gay, trans and cross-dressing community to fight against the corrupt police with a full scale riot.
Continue: Stonewall Trailer
With a spectacular setting and two solid actors on-screen, this thriller builds enough solid suspense to distract the audience from the implausible premise. Frankly, the screenwriter might have got away with it if he had avoided the temptation to indulge in some wacky bunny-boiler plotting. But Michael Douglas and Jeremy Irvine throw themselves into the situation in a way that's both gripping and entertaining.
In rural New Mexico, local orphan Ben (Irvine) has found happiness with his girlfriend Laina (Hanna Mangan Lawrence). Then she heads to Denver for university, so he throws himself into his job as a tracker working with the local small-town sheriff (Ronny Cox). His next job is to escort the cocky billionaire John (Douglas) out to the reach to hunt bighorn. But once the two men are in the wilderness, an unexpected incident reveals John's willingness to ignore the law. And now he needs to silence Ben. So John sends Ben into the desert wearing just his underpants, following him to make sure he dies unsuspiciously in the cruel sunshine. But he of course underestimates Ben's experience and resourcefulness.
The cat-and-mouse story holds the interest due to the actors, because it's never remotely believable that John's fancy jeep could keep up with the fleet-footed Ben through all of these rock-strewn mountains and ravines. And there's never even the slightest explanation for John's sudden burst of sadism. But never mind, Douglas sells the character through sheer charisma, swaggering across the Wild West like a man who has never lost at anything and doesn't intend to now. Meanwhile, Irvine throws himself into a physically demanding role that has some surprising emotional resonance. His moral dilemma is palpable, as his integrity wobbles in the face of a fistful of cash. Together, they make a terrific odd couple, with their constant distrusting glances and bald-faced bravado.
Continue reading: Beyond The Reach Review
The end of GCSE exams is approaching and, while many students around the country will be preparing for a messy weekend in Magaluf, it's a guarantee that none of their antics will match those of Mr. Wickers and his troublemaking class. He's always been a terrible teacher, but for Alfie Wickers, a true adventure is needed to seal his unbreakable bond with his tearaway pupils - and so it's off to Cornwall they go, to the chagrin of the kids' worried mothers. It might seem like an innocent school trip, but they're forced to prepare themselves for some unexpected incidents involving seriously menacing farmer locals, as well as Alfie's ruthless old school chums. It gets even worse when the group go missing, and wind up wanted by police and all over the news. But it still could go down as the best school trip ever.
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The cast and crew of forthcoming thriller 'Beyond The Reach' including producer Robert Mitas, director Jean Baptiste Leonetti, and stars Jeremy Irvine and Michael Douglas, discuss the making of the movie in a new featurette. Everyone had a lot of praise for the two leading actors.
Continue: Beyond The Reach - Featurette
Deserts are inhospitable places at the best of times. For one young man, things are about to become a whole lot worse. Ben (Jeremy Irvine) has been living on the edge of civilisation for years, helping to lead trappers and hunters safely through the desert to experience some of the most wild and dangerous hunting on the planet. When he is employed by Madec (Michael Douglas), a wealthy business man who has a taste for hunting, he drives out beyond an area known as The Reach. During their hunting, Madec shoots at a target, obscured by the sun's glare, which later turns out to have been a person. With his business at stake if the world discovers what he has done, Madec decides to leave no witnesses, and opts to let the desert kill Ben. Ben, however, has other ideas.
Continue: Beyond The Reach Trailer
It may not be very clever, and the plot may be full of holes, but this sequel's clammy atmosphere is so unnerving that it manages to keep us squirming in our seats. Credit has to go to director Tom Harper for making this work, because Jon Croker's script is strung together on the thinnest logic imaginable. Instead, it's the inner lives of the characters combined with the almost ridiculously freaky setting that work to keep the audience in a state of perpetual freak-out. As long as we don't try to make sense of it.
It's set 40 years after the first film, as bombs are falling in 1941 London and schoolteacher Eve (Phoebe Fox) evacuates eight students north away from the threat. Travelling with headmistress Jean (Helen McCrory), they meet charming airman Harry (Jeremy Irvine) on the train. He's headed to a new post near Eel Marsh House, where the children will be living. At the train station, they meet Dr. Rhodes (Adrian Rawlins), who escorts them to the insanely isolated, falling-down wreck of a clearly haunted mansion, cut off from the mainland at high tide. But Eve and Jean get on with making it feel like home, while Harry looks in on them from time to time. Then one of the boys, Edward (Oaklee Pendergast), who hasn't spoken a word since a bomb killed his family, sees a malicious ghost (Leanne Best).
From here things get startlingly nasty. This is definitely not a thriller for pre-teens, like the first film. These children are in genuine peril, and begin to die in pretty ghastly ways, like a slasher movie with victims who are only 10 years old. Much of the worst violence remains off-screen, so Jean amusingly refuses to admit that there's any real problem until things really cut loose. Clever acting touches add to the drama, as Irvine and Fox provide a whiff of doomed romance, McCrory maintains her stiff upper lip just a bit longer than she should, and the kids get to create seriously creepy moments of their own.
Continue reading: The Woman In Black: Angel Of Death Review
The 1970s see a North Carolina town come under the mysterious and dark shadow of the American Civil War, when families and loyalties become strained by the vengeful spirits of the past and the dark and evil themes of the present day. When teenage Travis Shelton (Jeremy Irvine) leaves his parents to move in with an old acquaintance, he gets swept up in the plots left behind by a Civil War massacre. From there, he enters into the steadily dissolving world of a community turned against itself and he is tested by what it means to live, love and kill.
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Following the horrifying tale of the young lawyer, Arthur Kipps, and his struggle to sell the eerie Eel Marsh House, the house was left abandoned for many years. The last owner, Alice Drablow, passed away during the Edwardian era, prompting Mr. Kipp's arrival, and the house has stood empty ever since. Fast forward to 1940s London, when The Blitz is in full effect. Eve (Phoebe Fox) is a young school teacher, tasked with looking after a group of evacuated children. As they are moved to the remote and quiet town of Crythin Gifford, where the only building with enough room is the empty, ancient, Eel March House. But, as no one ever heard from Mr. Kipps following his stay at the house, it is soon revealed that something, or someone, still haunts the old house. The spectre of a woman in black.
A terrific true story is oddly underplayed in this sober, sedate drama about reconciliation and making peace with the past. Strikingly complex performances from Colin Firth and Nicole Kidman help give the film some deeper resonance, even if even it all seems rather under-powered. But the force of emotion in the events makes the film worth a look.
In 1980 Scotland, railway expert Eric (Firth) has defined his entire life by trains. During the Second World War, he was captured by the Japanese and put into forced-labour to build a railway in Thailand. And more recently he met his wife Patti (Kidman) on a train journey. But their marriage starts to collapse when Eric refuses to face up to his torture at the hands of his wartime captors all those years ago, so Patti turns to his war-veteran pal Finlay (Skarsgard) for help. Eventually, Eric makes the difficult decision to return to Thailand and confront his tormenter Nagase (Sanada).
A more Hollywood-style film would play out as a build-up to roaring vengeance, but director Teplitzky internalises the tone, showing us past events in extensive flashbacks as the young Eric and Finlay (Irvine and Reid) try to subvert the young Nagase (Ishida) at every turn. These scenes are eerily tame as well, and only reveal the true horror of Eric's experience when he finally faces up to it himself. Instead, the focus is on his struggle to forgive Nagase, and this gives the film a strongly moving punch.
Continue reading: The Railway Man Review
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