Jennifer Jonas

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Born To Be Blue Review

Very Good

Writer-director Robert Budreau takes a stylised approach to this biopic of the legendary jazz artist Chet Baker, combining the achingly soulful music with an equally resonant performance from Ethan Hawke. Sometimes, the film's artistic flourishes seem to strain to cover up the usual narrative of a musical artist's life. But Baker's story has a striking emotional layer to it that holds the attention. And by focussing on a pivotal period in his life, Budreau draws out some lovely themes.

It opens in 1966 Los Angeles, where Chet is starring in a movie about his life. One actress, Jane (Carmen Ejogo), is playing all of the women he loved, and of course he's now pursuing her as well. There's also the problem that he's not quite sure if he's still a heroin junkie or if he's just playing himself when he was one. Then he gets in a street fight in which thugs knock out his front teeth, and everyone tells him he will never play his trumpet again. But he tenaciously sets out to regain his embouchure, even as his parole officer (Tony Nappo) refuses to give him a break. He decides to take Jane to visit his parents (Stephen McHattie and Janet-Laine Green) back home in Oklahoma, and rebuild his life from there. Then back in California, he approaches his music producer friend Dick (Callum Keith Rennie) to help him make a comeback.

Hawke brings a terrific earthy charm to the role, conveying Baker's effortless musical gifts as well as his inner steeliness in the face of injury and addiction. The darker sides of Baker's personality simmer in the background, increasing his allure. And Ejogo is terrific opposite him. Jane is a woman who sees everything that Baker is, and she knows that she has limits to what she will let him get away with. It's easy for the audience to root for them to succeed as a couple, even though every other musical biopic has told us that a happy ever after probably isn't on the cards.

Continue reading: Born To Be Blue Review

Jennifer Jonas Tuesday 10th August 2010 TIFF 2010 Press Conference held at the Royal York Hotel Toronto, Canada

Jennifer Jonas

Otto; Or, Up With Dead People Review


Bad
It's almost impossible not to put "Bruce LaBruce" and "transgressive" in the same sentence. See what I mean? The cracked Canadian has a small but memorable body of work, a series of films that reveal his fascination with gay hustlers, amputees, skinheads, and gay skinhead amputee hustlers. Also gay terrorists. In Otto; or Up with Dead People he adds a new ingredient to his salacious stew: zombies. The result is total confusion... with a German accent.

Set in a scenic and admittedly well-shot Berlin, a promising locale for gay skinhead hustlers both dead and undead, Otto tracks the mostly aimless meanderings of Otto (Jey Crisfar), a young zombie in a hoodie who emerges from his grave and tries to recapture lost memories of his human existence. After what feels like way too much time passing, he encounters underground filmmaker Medea Yarn (Katharina Klewinghaus), who alongside her girlfriend, Hella Bent (Suzanne Sachsse), who appears in black and white like a silent film star, and her brother Adolf (Guido Sommer), is filming a movie about the zombie lifestyle (called "Up with Dead People"). Otto would be a perfect addition to her cast.

Continue reading: Otto; Or, Up With Dead People Review

Childstar Review


Good
In this smart but inconsistent look at the concept of celebrity, Canadian indie favorite Don McKellar pulls triple-duty -- writing, directing, and starring -- for the first time in seven years. That year, 1998, McKellar caught the eye of the international film audience with his end-of-the-world diary Last Night, and the ambitious epic The Red Violin, which he co-wrote. In comparison to those fine contributions, Childstar is lightweight stuff and sub-par McKellar.

Having conceived the idea for Childstar after a chance Oscar party conversation with Haley Joel Osment, McKellar stars as Rick, an experimental filmmaker who becomes the limo driver for Taylor Brandon Burns (great name!) a spoiled 12-year-old American superstar (Mark Rendall) shooting a new film in Canada. That movie, The First Son, is a ridiculous piece of jingoistic drivel where the President's son kicks some terrorist ass in order to save Dad, the White House and the whole damn country.

Continue reading: Childstar Review

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Born to Be Blue Movie Review

Born to Be Blue Movie Review

Writer-director Robert Budreau takes a stylised approach to this biopic of the legendary jazz artist...

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