Before triangulating the discombobulating mystery that anchors Lost's first 24 episodes, it is necessary to acknowledge the brilliance of the program's premise. An aircraft traveling from Sydney to L.A. crashes, and part of the plane lands on an island somewhere in the South Pacific. Several survivors emerge from the wreckage to take pole positions as the show's cast, and slowly but surely, as some semblance of society is established, we get flashbacks into their previous mainland lives. This design leads to situations such as this: Jack (Matthew Fox) is falling for Kate (Evangeline Lilly). However, as dramatic irony would have it, the viewers know that Kate was actually a gun-wielding fugitive in her pre-island life. Watch out, Jack! This conceit of letting the audience in on the characters' secrets while they mingle obliviously with each other is Lost's greatest power. Nevertheless, creator J.J. Abrams was not content with just that.
Continue reading: Lost: Season One Review
Tangled purports to describe the complicated love triangle among three college kids: She's All That hottie Rachael Leigh Cook, mysterious Jonathan Rhys-Meyers, and slack-jawed yokel Shawn Hatosy (Outside Providence). Tough choices all around, for sure.
Continue reading: Tangled Review
Why anyone would bury a dead carcass in their front lawn is beyond me, but even more absurd is the dark nature of Tuck Everlasting, a bleak story of life and death (based on a "classic" children's novel I've never heard of). Most people wouldn't associate death with Walt Disney Pictures, but its latest flick deals with that issue and worse, revealing subplots of murder, deceit, execution, and the final moments of a human's life. It's hard to believe the creators of Mickey Mouse could construct such a story.
Continue reading: Tuck Everlasting Review
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