Jeffrey Jones - "Debbie Reynolds--The Auction Finale" VIP Reception; Auction conducted by www.ProfilesInHistory.com on May 17 & 18, 2014 at the Debbie Reynolds Dance Studio - North Hollywood, California, United States - Thursday 15th May 2014
When an experiment in laser beam research goes awry, a talking duck named Howard is whisked away from his home planet and down to Earth. Arriving in Cleveland, Ohio, he meets up with wannabe rock star Beverly Switzler (Lea Thompson), and the two form a fragile friendship. Howard wants to get back home, and his gal pal sets up a meeting with local scientist Phil Blumburtt (Tim Robbins). He in turn contacts Dr. Walter Jenning (Jeffrey Jones) who's in charge of the laser project. As Howard tries to adjust to his new surroundings, there's a bigger problem looming. Seems our avian hero is not the only "alien" contacted by the laser. The evil Dark Overlord of the Universe has been looking for a conduit for taking over the galaxy -- and the beam might just be the answer.
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Continue reading: Ferris Bueller's Day Off Review
Set during the Mexican-American War, Ravenous starts with the promising tale of a soldier named Boyd (Pearce, from L.A. Confidential) who finds himself transferred to a remote Sierra Nevada outpost in the dead of winter. Enter Colqhoun (Carlyle), a traveller suffering from frostbite and famine... and who turns out to be, well, a bit of a cannibal.
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Baldwin is perfect, but his sparring partner, Sean Connery, is even better. As a Russian sub captain defecting to the U.S. -- and bringing his titular, silent sub with him -- Connery turns in yet another memorable performance, full of ballsy gusto and cocksureness. Supporting players run the gamut from Sam Neill to James Earl Jones (the only real fixture in the Jack Ryan cycle) to Tim Curry.
Continue reading: The Hunt for Red October Review
Keeping this disclaimer in mind, Ed Wood is a quietly hilarious movie. Every actor is in on the joke, especially Johnny Depp, who plays Wood, and Martin Landau, whose amazing portrayal of the aged Bela Lugosi won him an Oscar. Every frame of this movie conveys the tragicomedy of Wood's life (director Tim Burton made this film after scoring big with Batman; he seems to view Wood's career with an ambivalent "there but for the grace of God go I" attitude).
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Beetlejuice is really a simple fairy tale. Two newly dead newly weds, Adam (Alec Baldwin) and Barbara Maitland (Geena Davis), want to rid their rustic home of the gaudy yuppie transplants, the Dietz's, who've taken up residence. When old-fashioned ghost moves like rattling chains in the attic fails, they find they need the help of a "bio-exorcist," a grungy specter named Betelgeuse (Michael Keaton), who will guarantee to rid the home of unwanted occupants. That is, for a price.
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"Dr. Dolittle 2" is one of those comedy sequels slapped together by a lazy screenwriter who thinks as long he's scattered a significant number of good laughs here and there, the clumsy carelessness of the mechanical and pandering plot should be forgiven.
It is consistently funny and occasionally downright hilarious, thanks entirely to its ample supply of wisecracking critters. But the story needs a lame voice-over as a crutch to get from Point A to Point B (sample: "...and so the big day finally came...") and the plot lurches forward on a gimmick and a prayer. Director Steve Carr ("Next Friday") seems to assume his young target audience isn't bright enough to notice such things and that their parents will excuse him with the mantra "it's just a kid's movie."
The gimmicky plot concerns Dr. Dolittle (Eddie Murphy reprising his 1998 role), the San Francisco physician who can talk to the animals, trying to get two endangered-species bears to mate because their proliferation will legally block a fiendish lumber company from clear-cutting their Northern California forest home. (The gimmick also serves as a heavy-handed, politically correct sermon, seemingly obligatory in half-baked kiddie flicks.)
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Writing a review of a stoner movie is an exercise in futility. I mean, quality isn't really an issue if you see "How High" in the, ummm, blunt condition the filmmakers have in mind, now is it?
There are laughs to be had in this screwball comedy about two ghetto ganja hounds (hip-hop artists Method Man and Redman) who accidentally ace their belated college entry exams and get into Harvard. How did they do it? After smoking some wicked weed grown in soil mixed with the ashes of a dead buddy, they're visited by the guy's ghost who gives them all the test answers. How he knows the stuff is, of course, never explained.
So these two dudes toke their way through freshman year, pulling "Animal House" pranks on the snooty Oreo dean (Obba Babatunde), copping booty from frat boys' babes and sorority virgins in argyle sweaters, and getting hookers for their geek dorm-mates, the Chinese wannabe gansta ("You East Coast, I Far East Coast!") and the pathetic whitebread frat pledge.
Continue reading: How High Review