Jeffrey Jones - "Debbie Reynolds--The Auction Finale" VIP Reception; Auction conducted by www.ProfilesInHistory.com on May 17 & 18, 2014 at the Debbie Reynolds Dance Studio - North Hollywood, California, United States - Thursday 15th May 2014
Stephanie Plum is down on her luck. She hasn't had a job in months, she is recently divorced and her car has been repossessed. She needs to turn her life around. Luckily for her, her cousin runs a bail bond business and offers Stephanie a job there as a recovery agent.
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When an experiment in laser beam research goes awry, a talking duck named Howard is whisked away from his home planet and down to Earth. Arriving in Cleveland, Ohio, he meets up with wannabe rock star Beverly Switzler (Lea Thompson), and the two form a fragile friendship. Howard wants to get back home, and his gal pal sets up a meeting with local scientist Phil Blumburtt (Tim Robbins). He in turn contacts Dr. Walter Jenning (Jeffrey Jones) who's in charge of the laser project. As Howard tries to adjust to his new surroundings, there's a bigger problem looming. Seems our avian hero is not the only "alien" contacted by the laser. The evil Dark Overlord of the Universe has been looking for a conduit for taking over the galaxy -- and the beam might just be the answer.
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Soon after, we and with Salieri first lay eyes on Mozart - not the halo-crowned demigod built up in music history classes, but instead a mischievous, arrogant vulgar puck with a cackling laugh. But Milos Forman's stunning epic didn't win eight Academy Awards for simply reducing classical music royalty to child-like stature.
Continue reading: Amadeus: Director's Cut Review
What we really need is a satire of those good conspiracies from the 1960s. With that in mind, Company Man, a brazen new comedy by Douglas McGrath and Peter Askin, supplies that swift kick in the confidential files of the CIA, the FBI, the NSA, and even the Boy Scouts. It's a quick-witted, grammatically correct, and often hilarious satire aimed dead center at the conspiracy nutcases and their shining theories.
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The original Eddie Murphy comedy Dr. Dolitte was a lukewarm and tepid yet entertaining movie filled with cheap laughs, terrible acting, and a painful reminder of Murphy's slow decent into another slump. But alas, the studio gods spoke and a sequel became unavoidable when the original Dr. Dolittle (er, the original Eddie Murphy Dolittle, itself being a remake) grossed over $290 million dollars worldwide -- not including sales from the hip-hop soundtrack.
Continue reading: Dr. Dolittle 2 Review
Amadeus is the story of Mozart (Hulce), the composer with God's gift and the Devil's audacity, and Salieri (Abraham), the composer with God's pity and the Devil's vengeance. In Vienna, Salieri embarks on a jealous quest to bring Mozart to his knees, and, ultimately, his death.
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Despite the massive amounts of boob time in Heartbreakers, the film delivers all the goods of a solid comedic vehicle. Max (Weaver) and Page (Hewitt) are a mother/daughter team who swindle rich guys out of their dollars in a con involving matrimony vows, extramarital trysts, and divorce settlements. Sort of like a cross between Anywhere but Here and The Grifters. With the IRS hot on their proverbial tails, the duo team up for one last job, bilking cigarette tycoon William B. Tensy (Gene Hackman) out of his cash. Alas, during the con job, Page ends up falling in love with a local bar owner (Jason Lee), a dead body ends up in their trunk, Princess Leia shows up as a divorce attorney, and a jilted ex-husband (Ray Liotta) shows up waving a gun and advising group therapy for everyone.
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Set during the Mexican-American War, Ravenous starts with the promising tale of a soldier named Boyd (Pearce, from L.A. Confidential) who finds himself transferred to a remote Sierra Nevada outpost in the dead of winter. Enter Colqhoun (Carlyle), a traveller suffering from frostbite and famine... and who turns out to be, well, a bit of a cannibal.
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Baldwin is perfect, but his sparring partner, Sean Connery, is even better. As a Russian sub captain defecting to the U.S. -- and bringing his titular, silent sub with him -- Connery turns in yet another memorable performance, full of ballsy gusto and cocksureness. Supporting players run the gamut from Sam Neill to James Earl Jones (the only real fixture in the Jack Ryan cycle) to Tim Curry.
Continue reading: The Hunt For Red October Review