Jeffrey Jones

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Debbie Reynolds--The Auction Finale

Jeffrey Jones - "Debbie Reynolds--The Auction Finale" VIP Reception; Auction conducted by on May 17 & 18, 2014 at the Debbie Reynolds Dance Studio - North Hollywood, California, United States - Thursday 15th May 2014

Jeffrey Jones and Debbie Reynolds

Howard the Duck Review

While fans and naysayers constantly complain about what he's done to a certain galaxy far, far away, few remember another beloved franchise that George Lucas adopted and then left for dead. In 1986, the writer/director/producer was riding high on the success of his Star Wars and Indiana Jones franchises. Looking for new material to milk, he came across the beloved Marvel Comic character Howard the Duck. Hiring his buddies from American Graffiti, Willard Huyck and Gloria Katz, Lucas hoped that he could jumpstart a new series starring the angry, angst-ridden anthropomorphized mallard. What he got instead was one of the worst big screen bungles ever -- and it's still quite bad some 22 years later.

When an experiment in laser beam research goes awry, a talking duck named Howard is whisked away from his home planet and down to Earth. Arriving in Cleveland, Ohio, he meets up with wannabe rock star Beverly Switzler (Lea Thompson), and the two form a fragile friendship. Howard wants to get back home, and his gal pal sets up a meeting with local scientist Phil Blumburtt (Tim Robbins). He in turn contacts Dr. Walter Jenning (Jeffrey Jones) who's in charge of the laser project. As Howard tries to adjust to his new surroundings, there's a bigger problem looming. Seems our avian hero is not the only "alien" contacted by the laser. The evil Dark Overlord of the Universe has been looking for a conduit for taking over the galaxy -- and the beam might just be the answer.

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Ferris Bueller's Day Off Review

One hell of a classic. A defining film for every single star in the list to your right -- hell, Ben Stein built a career out of one word ("Bueller?") here. It's amazing that Broderick is the only one who really hit it big after Bueller, but we'll always have video.

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Flypaper Review

Would that I could tell you, gentle reader, what this movie is actually about. A meaningless hodgepodge of stories about snakes, bondage, kidnapping, and God knows what else. It's too bad, because there are actually some decent actors here. Lord knows why they took the parts. A pathetic excuse for a film, redeemed only in a miniscule way by Jeffrey Jones' cameo at the very end of the picture.

Ravenous Review

"You are who you eat." So goes the tongue-in-cheek (so to speak) tagline of Ravenous, the inexplicable black comedy by iffy directress Antonia Bird.

Set during the Mexican-American War, Ravenous starts with the promising tale of a soldier named Boyd (Pearce, from L.A. Confidential) who finds himself transferred to a remote Sierra Nevada outpost in the dead of winter. Enter Colqhoun (Carlyle), a traveller suffering from frostbite and famine... and who turns out to be, well, a bit of a cannibal.

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The Hunt for Red October Review

If any film in Tom Clancy's Jack Ryan series stands out as the best (or even a truly great movie), it's The Hunt for Red October. It was Clancy's first book starring the unlikely hero and the only film to star Alec Baldwin as Ryan. Baldwin does a great job here -- portraying Ryan not as a gung-ho commando, as Harrison Ford would interpret the role, or as a know-it-all brat, as Ben Affleck would shamefully turn in down the line.

Baldwin is perfect, but his sparring partner, Sean Connery, is even better. As a Russian sub captain defecting to the U.S. -- and bringing his titular, silent sub with him -- Connery turns in yet another memorable performance, full of ballsy gusto and cocksureness. Supporting players run the gamut from Sam Neill to James Earl Jones (the only real fixture in the Jack Ryan cycle) to Tim Curry.

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The Devil's Advocate Review

It takes a story this ridiculous to be this good. Imagine The Firm, but with the Devil. (Cue demonic laughter.) Keanu Reeves stars as a rising star of a lawyer, and Al Pacino stars as the Devil himself (sample line: "Call me dad!"). The movie plays perfectly into Pacino's penchant to overact the crap out of his part -- only this part has no limit to the attitude you can throw at it. The rest of the film is simply very well-made. Special effects, acting (particularly Charlize Theron as Keanu's sanity-vacating wife), music, set design -- it's all there. No, it ain't Oscar bait, it's just one, ahem, hell of a good time.

Ed Wood Review

If you go into this biopic expecting lots of laughs, you may be disappointed. The film's premise is the joke -- that the hapless director Ed Wood, Jr., the most inept figure in the history of the creative arts, would be the subject of a hagiography.

Keeping this disclaimer in mind, Ed Wood is a quietly hilarious movie. Every actor is in on the joke, especially Johnny Depp, who plays Wood, and Martin Landau, whose amazing portrayal of the aged Bela Lugosi won him an Oscar. Every frame of this movie conveys the tragicomedy of Wood's life (director Tim Burton made this film after scoring big with Batman; he seems to view Wood's career with an ambivalent "there but for the grace of God go I" attitude).

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Beetlejuice Review

Tim Burton had it down pat. Hair disheveled, pallid features, the director of Pee-Wee's Big Adventure surprised Hollywood with a goth-geek style that could only be described as quirky before everything became quirky. He was the animator from the shadows who brought macabre and heartbreaking life to his early animated shorts, toy box allure to his first feature film. While Pee-Wee's Big Adventure was a hit, it was only a brief glimpse of the sideshow theatricality Burton would employ on his second feature, the riotous and ghoulish Beetlejuice.

Beetlejuice is really a simple fairy tale. Two newly dead newly weds, Adam (Alec Baldwin) and Barbara Maitland (Geena Davis), want to rid their rustic home of the gaudy yuppie transplants, the Dietz's, who've taken up residence. When old-fashioned ghost moves like rattling chains in the attic fails, they find they need the help of a "bio-exorcist," a grungy specter named Betelgeuse (Michael Keaton), who will guarantee to rid the home of unwanted occupants. That is, for a price.

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Dr Dolittle 2 Review


"Dr. Dolittle 2" is one of those comedy sequels slapped together by a lazy screenwriter who thinks as long he's scattered a significant number of good laughs here and there, the clumsy carelessness of the mechanical and pandering plot should be forgiven.

It is consistently funny and occasionally downright hilarious, thanks entirely to its ample supply of wisecracking critters. But the story needs a lame voice-over as a crutch to get from Point A to Point B (sample: "...and so the big day finally came...") and the plot lurches forward on a gimmick and a prayer. Director Steve Carr ("Next Friday") seems to assume his young target audience isn't bright enough to notice such things and that their parents will excuse him with the mantra "it's just a kid's movie."

The gimmicky plot concerns Dr. Dolittle (Eddie Murphy reprising his 1998 role), the San Francisco physician who can talk to the animals, trying to get two endangered-species bears to mate because their proliferation will legally block a fiendish lumber company from clear-cutting their Northern California forest home. (The gimmick also serves as a heavy-handed, politically correct sermon, seemingly obligatory in half-baked kiddie flicks.)

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How High Review


Writing a review of a stoner movie is an exercise in futility. I mean, quality isn't really an issue if you see "How High" in the, ummm, blunt condition the filmmakers have in mind, now is it?

There are laughs to be had in this screwball comedy about two ghetto ganja hounds (hip-hop artists Method Man and Redman) who accidentally ace their belated college entry exams and get into Harvard. How did they do it? After smoking some wicked weed grown in soil mixed with the ashes of a dead buddy, they're visited by the guy's ghost who gives them all the test answers. How he knows the stuff is, of course, never explained.

So these two dudes toke their way through freshman year, pulling "Animal House" pranks on the snooty Oreo dean (Obba Babatunde), copping booty from frat boys' babes and sorority virgins in argyle sweaters, and getting hookers for their geek dorm-mates, the Chinese wannabe gansta ("You East Coast, I Far East Coast!") and the pathetic whitebread frat pledge.

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Jeffrey Jones

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