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Debbie Reynolds--The Auction Finale

Jeffrey Jones - "Debbie Reynolds--The Auction Finale" VIP Reception; Auction conducted by on May 17 & 18, 2014 at the Debbie Reynolds Dance Studio - North Hollywood, California, United States - Thursday 15th May 2014

Jeffrey Jones
Jeffrey Jones and Debbie Reynolds

One For The Money Trailer

Stephanie Plum is down on her luck. She hasn't had a job in months, she is recently divorced and her car has been repossessed. She needs to turn her life around. Luckily for her, her cousin runs a bail bond business and offers Stephanie a job there as a recovery agent.

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Out Shopping At The Apple Store In Hollywood

Jeffrey Jones Sunday 1st November 2009 out shopping at the Apple store in Hollywood Los Angeles, California

Jeffrey Jones
Jeffrey Jones
Jeffrey Jones

Howard The Duck Review

While fans and naysayers constantly complain about what he's done to a certain galaxy far, far away, few remember another beloved franchise that George Lucas adopted and then left for dead. In 1986, the writer/director/producer was riding high on the success of his Star Wars and Indiana Jones franchises. Looking for new material to milk, he came across the beloved Marvel Comic character Howard the Duck. Hiring his buddies from American Graffiti, Willard Huyck and Gloria Katz, Lucas hoped that he could jumpstart a new series starring the angry, angst-ridden anthropomorphized mallard. What he got instead was one of the worst big screen bungles ever -- and it's still quite bad some 22 years later.

When an experiment in laser beam research goes awry, a talking duck named Howard is whisked away from his home planet and down to Earth. Arriving in Cleveland, Ohio, he meets up with wannabe rock star Beverly Switzler (Lea Thompson), and the two form a fragile friendship. Howard wants to get back home, and his gal pal sets up a meeting with local scientist Phil Blumburtt (Tim Robbins). He in turn contacts Dr. Walter Jenning (Jeffrey Jones) who's in charge of the laser project. As Howard tries to adjust to his new surroundings, there's a bigger problem looming. Seems our avian hero is not the only "alien" contacted by the laser. The evil Dark Overlord of the Universe has been looking for a conduit for taking over the galaxy -- and the beam might just be the answer.

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Having Lunch

Jeffrey Jones - Actor Jeffrey Jones Los Angeles, California - having lunch Monday 5th May 2008

Jeffrey Jones
Jeffrey Jones

Ferris Bueller's Day Off Review

One hell of a classic. A defining film for every single star in the list to your right -- hell, Ben Stein built a career out of one word ("Bueller?") here. It's amazing that Broderick is the only one who really hit it big after Bueller, but we'll always have video.

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Flypaper Review

Would that I could tell you, gentle reader, what this movie is actually about. A meaningless hodgepodge of stories about snakes, bondage, kidnapping, and God knows what else. It's too bad, because there are actually some decent actors here. Lord knows why they took the parts. A pathetic excuse for a film, redeemed only in a miniscule way by Jeffrey Jones' cameo at the very end of the picture.

Amadeus: Director's Cut Review

There's a moment early in Amadeus when court composer Antonio Salieri (F. Murray Abraham) wanders through a crowded salon in search of the famed prodigy known to him by reputation only: Mozart. Inspecting each young musician, he looks for some outward sign of genius: the "man who had written his first concerto at the age of four, his first symphony at seven, and a full-scale opera at 12."

Soon after, we and with Salieri first lay eyes on Mozart - not the halo-crowned demigod built up in music history classes, but instead a mischievous, arrogant vulgar puck with a cackling laugh. But Milos Forman's stunning epic didn't win eight Academy Awards for simply reducing classical music royalty to child-like stature.

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Company Man Review

I have to admit something before I write this review. I am a die-hard conspiracy nut who loves the outrageous claims of betrayals and back-stabbing that the CIA and other governmental agencies have been dealing out like drunken blackjack dealers at Circus Circus for the past 40 years. The only problem is that people like Oliver Stone, Chris Carter, and Christopher Hitchens have basically ripped apart all the really good conspiracy theories already.

What we really need is a satire of those good conspiracies from the 1960s. With that in mind, Company Man, a brazen new comedy by Douglas McGrath and Peter Askin, supplies that swift kick in the confidential files of the CIA, the FBI, the NSA, and even the Boy Scouts. It's a quick-witted, grammatically correct, and often hilarious satire aimed dead center at the conspiracy nutcases and their shining theories.

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Dr. Dolittle 2 Review

Sequels just never measure up to their predecessors. Every now and then it happens -- a la Star Trek II: The Wrath of Khan, The Empire Strikes Back, and The Rescuers Down Under -- but those are the exceptions.

The original Eddie Murphy comedy Dr. Dolitte was a lukewarm and tepid yet entertaining movie filled with cheap laughs, terrible acting, and a painful reminder of Murphy's slow decent into another slump. But alas, the studio gods spoke and a sequel became unavoidable when the original Dr. Dolittle (er, the original Eddie Murphy Dolittle, itself being a remake) grossed over $290 million dollars worldwide -- not including sales from the hip-hop soundtrack.

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Amadeus Review

He was the first. All right, he wasn't the first. But he was the first to make such a fuss about it. Mozart was the first of all writers to be completely arrogant... and completely controlling, about his work. In this he was not exactly the first. He was, however, the first writer to be right in his self-assessment. Mozart had God's gift, and he treated it so arrogantly that it became his downfall.

Amadeus is the story of Mozart (Hulce), the composer with God's gift and the Devil's audacity, and Salieri (Abraham), the composer with God's pity and the Devil's vengeance. In Vienna, Salieri embarks on a jealous quest to bring Mozart to his knees, and, ultimately, his death.

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Heartbreakers Review

The problem with a movie like Heartbreakers is that as hard as you try to concentrate on the notable qualities of the film -- the clever camerawork, the strong ensemble acting, the deft script -- every time Jennifer Love Hewitt walks into a scene, her breasts take over. Even my date noticed the blatant attempts by the filmmakers in drawing all attention to the chests of both Sigourney Weaver and Hewitt. Alas, all those breasts are never fully revealed -- like some bad '80s teen horror film censored by Jerry Falwell.

Despite the massive amounts of boob time in Heartbreakers, the film delivers all the goods of a solid comedic vehicle. Max (Weaver) and Page (Hewitt) are a mother/daughter team who swindle rich guys out of their dollars in a con involving matrimony vows, extramarital trysts, and divorce settlements. Sort of like a cross between Anywhere but Here and The Grifters. With the IRS hot on their proverbial tails, the duo team up for one last job, bilking cigarette tycoon William B. Tensy (Gene Hackman) out of his cash. Alas, during the con job, Page ends up falling in love with a local bar owner (Jason Lee), a dead body ends up in their trunk, Princess Leia shows up as a divorce attorney, and a jilted ex-husband (Ray Liotta) shows up waving a gun and advising group therapy for everyone.

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Ravenous Review

"You are who you eat." So goes the tongue-in-cheek (so to speak) tagline of Ravenous, the inexplicable black comedy by iffy directress Antonia Bird.

Set during the Mexican-American War, Ravenous starts with the promising tale of a soldier named Boyd (Pearce, from L.A. Confidential) who finds himself transferred to a remote Sierra Nevada outpost in the dead of winter. Enter Colqhoun (Carlyle), a traveller suffering from frostbite and famine... and who turns out to be, well, a bit of a cannibal.

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The Hunt For Red October Review

If any film in Tom Clancy's Jack Ryan series stands out as the best (or even a truly great movie), it's The Hunt for Red October. It was Clancy's first book starring the unlikely hero and the only film to star Alec Baldwin as Ryan. Baldwin does a great job here -- portraying Ryan not as a gung-ho commando, as Harrison Ford would interpret the role, or as a know-it-all brat, as Ben Affleck would shamefully turn in down the line.

Baldwin is perfect, but his sparring partner, Sean Connery, is even better. As a Russian sub captain defecting to the U.S. -- and bringing his titular, silent sub with him -- Connery turns in yet another memorable performance, full of ballsy gusto and cocksureness. Supporting players run the gamut from Sam Neill to James Earl Jones (the only real fixture in the Jack Ryan cycle) to Tim Curry.

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